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The Chambermaid on the Titanic

The Chambermaid on the Titanic (1997)

November. 11,1997
|
6.6
| Drama Romance

Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to share his room. They do, chastely; when he awakens, she is gone, but he sees her at the sailing and gets a photo of her. When he returns home, he suspects that his wife Zoe has been sleeping with Simeon, the foundry owner. Horty goes to the bar, where his friends get him drunk and he starts telling an erotic fantasy of what happened with him and Marie, drawing a larger audience each night.

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robert-temple-1
1997/11/11

This is a French film directed by the Spanish director Bigas Luna, who has done a very good job with a difficult and ambiguous subject, which alternates between reality and fantasy so often that it is like a shuttle service. One really does not know from one scene to the next whether something is really happening or is being imagined. That is a tightrope, but Luna does not fall off. In this, he is assisted by the dreamy performances of Olivier Martinez (half French, half Spanish-Moroccan) and the well known Spanish actress Aitana Sanchez-Gijon. Both of them keep us wondering all the way. The only solid earthy figure is Romane Bohringer, being as Anna Magnani-like as possible, a young earth mother, but still an earth mother. There is lots of passion, it's all over the place. Sometimes it is real, sometimes it is fantasy. One never knows for sure about some of it. When Martinez is telling his stories, his quiet, introspective but commanding presence effects us as much as it does his audiences in the film. Romane gets a bit carried away by the myth of the chambermaid and wishes to become the chambermaid, wishes to be sprayed in champagne. The chambermaid was not listed amongst the survivors of the Titanic, so this creates a story steeped in tragedy. People like tragic passion best, because it is unattainable by definition, and can never disappoint. Or can it? Perhaps things are not entirely as they seem in more ways than one in this story. This film shows clearly how love and sensuality thrive in the hothouse of ambivalence and ambiguity: does someone really exist? Do they feel love too? Is the love simulated? Can any passion be trusted? Ultimately, it comes down to this: is reality even real?

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jimpoz
1997/11/12

I've renewed my interest in Titanic over the past year or so and happened across this movie. I thought it was an OK movie after I saw it about two months ago but since then there's been an aspect that I can't get around.I can go for how the townspeople were entranced by Horty's stories. They knew him, after all. But once he took the performance on the road and was charging admission to complete strangers, things changed; the least of which is that since they didn't know Horty, I don't think they'd relate to him the way the townspeople in the tavern did.Imagine you were one of his audience members, seeing his show in the weeks following the disaster.To imagine yourself as a member of the audience at that time, imagine that it's November 2001 and you're going to the show of someone claiming to be a survivor of the World Trade Center. You sit there and listen to the speaker go on and on about his torrid love affair with the coffee shop girl on the 80th floor sky lobby. Wouldn't he -- and you, for that matter -- be more interested in what it was like to survive the disaster? And after we've seen the pictures of the poor souls plunging from the buildings, and keeping in mind that the 9/11 lost are as dead as those on Titanic, wouldn't you think that having a set with the side of the building and an actress pantomiming the death plunge, much as Zoe was mimicking the drowning Marie, be in incredibly poor taste? That aspect of his production alone would make me consider Horty to be a shameless opportunist, regardless of what he actually said.

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SUPERNOVA HEIGHTS
1997/11/13

"La Femme de chambre du Titanic" is one of the best film by the spanish director Bigas Luna and my opinion it is the only one.The reason is because is very different,it is not like the other films,which serve us sex scenes.This film is romantic and present the fantasies of a middle class man (Olivier Martinez)when he win a ticket to the departure of the titanic.There,in England he knows a beautiful woman,Marie,and she pass a night with him in his hotel room.then,when he returns,He tell stories in the bar and people heard them very carefully so he imagine new stories.There is no explicit sex like in "Son de mar" or "Jamon,Jamon" and this is good because "la femme de chambre du titanic" Becomes Romantic and perhaps a little bit erotic

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ian-dawg
1997/11/14

Guidelines???Whilst perusing the SBS sex week movies, we stumbled accross this action classic. Giovanni steals the show with his cooky antics, he even manages to juggle 3 things. 3!!!Horty's classic line re: smelter works whilsts wooing the woman will be a moment that stays with me forever. No wonder he got to knick her pippy 12 times in one night. Aminal.I highly recommend this film for any prospective lover or artist. Be well, be shell

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