A Rather English Marriage (1998)

Albert Finney and Tom Courtenay, reunited from 1983's "The Dresser", are just as impressive this time as two widowers, an elderly squadron leader and a retired milkman, who are put together by social services for convenience and companionship. Finney's blustery, randy woman-chaser, cheerfully bloated and lazy and horny, initially thinks of Courtenay as a prude, someone he can boss about. But efficient, humble Courtenay isn't willing to be a doormat, and Finney's appreciation of his housemate's quiet strength helps to produce a surprising friendship over time. Adaptation of Angela Lambert's book, produced for British television, is nimbly directed and edited, both frank and moving, providing the two justly-celebrated leads with rich character roles. Finney and Courtenay revel in these delicious dramatic opportunities and are a joy to watch.

Could not have enjoyed this movie more. Albert Finney..simply the best, but also brilliantly supported by Lumley and Courtenay. What a combination and what interpretations by these fantastic actors. Talk about understated, the scene where the "post stroke" Squadron Leader says he knew Liz didn't love him, but his love for her was all that mattered to him, and upon that basis he was willing to marry her, took about 20 seconds, but boy did it carry some weight. To all concerned..Well Done.If you have enjoyed this movie I recommend you see any Albert Finney film because I've never known him to be anything less than brilliant

A modern television classic set in the Eighties, A Rather English Marriage tells the story of two recently widowed men; a brash World War Two squadron leader (Albert Finney) and a retired milkman (Tom Courtenay) who form an unlikely alliance as they come to terms with their bereavements.The two men miss their wives for totally different reasons, Roy Southgate (Courtenay) is a loyal, devoted husband who spends hours with his wife when visiting her at hospital. Reggie Conyngham-Jervis (Finney) is a philanderer who relies on his wife mainly for her cooking and cleaning skills and sees his hospital visits as time that could be better spent in the pub.When a social worker sees that each man could be the solution to the other's problems, these two characters (complete opposites plagued by personal problems they try to keep hidden) who were hospital waiting room acquaintances are now brought together full time.This is the sort of charming, well-written television drama that nobody seems to want to make anymore, the two leads forming an even more effective partnership than they did in The Dresser fifteen years earlier where Finney stole the show.Courtenay is superbly understated, Finney is more powerful and boisterous and probably the more versatile actor. Their contrasting styles complement each other perfectly.Although this is mainly a double-act, Joanna Lumley also excels as the gold-digger who has her eye on Reggie's wallet.However this drama belongs equally to Finney and Courtenay. The final scene with these two grand old men of film and theatre dancing to Glenn Miller's 'Moonlight Serenade' will surely prove to be one of the most lasting and endearing moments in British television.

The pairing of Courtenay and Finney,whose contrasting styles combine so well together,were brilliant in The Dresser,which makes their pairing in this drama so very welcome.They play contrasting men widowed on the same day and paired together by social services.Finney is a womanising ex=Battle of Britain pilot whose wife came from wealthy stock while Courteney is a former milkman.Courteney possesses all the requisite domestic skills while Finney would struggle to boil water without a recipe book. Against all odds and not helped by Finney's habit of assuming command they rub along well together until the arrival of Joanna Lumley a gold-digger who sets her sights on FinneyBeautifully written and impeccably played character study.It illustrates that dumbing down ,while having achieved epidemic proportions on UK television,has not yet conquered all bastions of the box.