Operator 13 (1934)

If you take the US History SAT, you're likely to encounter a question like this: "The main reason the North won the Civil War was...?' The answer is along the lines of "the War lasted too long." That is, the North had an advantage in numbers and industrial base, and wore down the South. However, this wonderful movie shows the real reasons the South lost:1. Their officers were stupid. Marion Davies plays a slave in blackface. Anyone looking at her should be able to tell she's about as black as Jeff Davis. But Confederates must have believed no white would want to pose as a black.2. Their officers were naive. We see them trusting blacks and minstrels implicitly, never believing any would be a Northern sympathizer.3. They spent most of their time dancing. In half the scenes, Reb officers are at balls.A fantastic film. Davies is wonderful as usual, and the film implies an anti-war message;both sides are brutal, with summary executions. It has an impossible happy ending.

Operator 13 (1934)** (out of 4) Extremely bizarre and rather choppy Civil War drama about actress Gail Loveless (Marion Davies) who goes to work as a spy for the Union. Once undercover, as a black maid, she begins to have feelings for a Confederate soldier (Gary Cooper). Once again Davies lover William Randolph Hearst put the money up for this production and half way through the making he had director Raoul Walsh fired even though he had made GOING Hollywood with Davies a year earlier. A new script was written and the rest is history but in the end this turned out to be one of the strangest dramas from this era. I might go even further and call the film a complete and utter embarrassment and a horrid excuse for entertainment but the thing is just so strange that you can't help but be entertained by it. The first thirty-minutes has Davies in some very bad blackface make up as she's undercover as a maid. Davies wasn't a newbie to blackface but the make up job here is so light skinned that you can't help but laugh at the thought that this make up job would be able to fool anyone in discussion with her and that includes Cooper's character. This is a drama yet Davies plays this maid role as some sort of comedy with the bad accent, which again doesn't sit well with what the film was going for. Not to mention that whoever was doing the make up forgot to paint her palms so they're constantly white. The second half of the film really doesn't get any better even though we do get a few battle scenes but none of them are all that interesting. Even worse are various musical sequences which come out of no where and will have you wondering if the Civil War was an actual war or just one big concert. Add in the bad direction and rather bland performances and you've got a movie that really needs to be rediscovered and held up as a cult classic. Even Cooper can't save this mess but he does add some charm to an otherwise crazy movie.

Marion Davies plays an actress recruited by the Union Army during the Civil War to be a spy. Gary Cooper plays an officer in the Confederate Army who is a spy in the north. Through a series of events they meet, but he doesn't quite know if she is a spy or not.Davies' initial disguise is as a Black maid (she has fun with the accent and looks great in the black wig), but when her "mistress" (another actress from the north working as a spy) is discovered, she bails the South only to return as a famous northern sympathizer of the Confederate cause. Back in the South, she again meets Cooper.Implausible story is made interesting by solid performances by the leads and some good cinematography (Oscar nominated). The battle scene montages are OK, but the ending seems choppy and hurried. Still, Davies looks great.Big supporting cast includes Katherine Alexander (as a spy), Jean Parker and Henry Wadsworth (as young lovers), Sidney Toler, Douglas Dumbrille, Marjorie Gateson, Sterling Holloway, Clarence Wilson, Ted Healy, Robert McWade, and silent film villain Walter Long (as Operator 55).Davies sings "Once in a Lifetime" and "The Colonel, Major and the Captain." The terrific Mills Brothers show up in a minstrel show and sing a few songs and are especially good with "Sleepy Head" and "Jungle Fever." There's a stunning scene where Davies is sitting on a staircase and crying; the long scene is shot from below looking up at her face. Another nice scene is with Davies on a huge swing, being pushed by Cooper.After this film, Davies left MGM and moved to Warners, where she made four more films before retiring.

Marion Davies is unbelievable as a spy behind Confederate lines who falls for Confederate spy Gary Cooper.The black stereotypes are normal for the time, but now hard to take. The main interest to me are the women's costumes by Andre, especially those in the ball scene.