Hammerhead (1968)

I think with a bit better script, this could have been a pretty good spy film. As it is, I can see why Vince Edwards never went on to be the next Bond!Edwards plays Charles Hood--an international man of adventure who is called upon to, what else, save the world from a baddie. The big difference is that Mr. Hammerhead is also a pervert with a taste for good old fashioned. The problem is exactly WHAT Hammerhead's plan is going to be is anyone's guess and through the course of the film, Hood puts the pieces together but almost gets killed in the process. Along the way, he's teamed up with one of the most annoying women in spy film history, a kooky idiot named Sue (Judy Geeson).So why wasn't I thrilled with this film? The biggest reason was Geeson's character who was just annoying and made little sense. Additionally, nothing about the movie otherwise is outstanding--not Edwards, the script or the direction. The only standout, really, is the nice Portuguese location for the shoot.

MASTER PLAN: obtain the info on some secret papers. By this point in the late sixties, some filmmakers were getting a little carried away with all the psychedelia and decadence of the decade, including a few who jumped on the James Bond bandwagon. The first scenes seem to say that the director & his crew were dropping acid during the filming, though it turns out to be some bizarre performance art depiction. We're also introduced to Mr. Hood here (Edwards), the secret agent of the story, looking on bemused. He fits the profile - an American but working well within the British & other European locales as a handsome man of adventure. He's not all that impressive, however: though able to handle himself well in a fight, he does get knocked out a couple of times quite easily (one of these fights, in a dark garage, recalls a similar scene in "Deadlier Than the Male" of the previous year). As the very British girl who keeps popping up unexpectedly throughout the movie, Judy Geeson is an acquired taste and can be a bit annoying; I didn't blame Hood for wincing the 3rd time she reappears. I also kept thinking, what is she doing in this movie? This sense didn't change much for me by the end of the film. Much of the action at the forefront of this film takes place against the backdrop of the youthful generation doing their thing during those swinging sixties.The plot involves the machinations of the very Bondian uber-villain Hammerhead (Vaughan), complete with peculiar eccentricities, such as white gloves to keep the germs away and especially sadistic tendencies towards females. The actress Adams plays the more interesting female character, in a brief role. Oh, and, to make sure we understand that this bad guy is a sleaze, he also has interests in pornography. His dastardly plans are hinted at during Hood's briefing in a train cabin; there will be a special meeting of top men from NATO nations and one of these men has papers that Hammerhead wants a gander at, involving defense plans. This offers a good dual role for versatile actor Bates, who plays the target and one of Hammerhead's key henchmen. The film meanders a bit in the first half, even with the intriguing scenes on the villain's huge yacht, with everything moving at an easygoing pace, as if the filmmakers were unsure of themselves or the story. But, it does all come together in the final half-hour, when the details of the villain's subterfuge are played out (though why Hood and his girl aren't simply shot instead of that protracted scene in the coffin...never mind). Watch for Dave Prowse, soon to be in "A Clockwork Orange" and future Darth Vader, as the huge henchman - the strongest man Hammerhead knows. The climactic action, especially the unexpected end of the villain, will either irritate or enthrall you, depending on how much you like darkly ironic, satirical endings. I thought it was a bit out of left field. Hero:5 Villains:5 Femme Fatales:5 Henchmen:6 Fights:6 Stunts/Chases:5 Gadgets:4 Auto:5 Locations:6 Pace:5 overall:5+

Third rate Bond ripoff,with super villain,scantily clad women,etc.About the only moment I even really remember is *NOT A SPOILER* with about 10 minutes left, the wind from a helicopter blows Judy Geeson's skirt up, giving us a good 3-4 second look at her white briefs.That should tell you how memorable the entire movie is.To the first comment,at the bottom,the *SPOILER* ending you described,was to an equally awful film,from the year before, called "The Day the fish came out."

Like the first commenter, I discovered "Hammerhead" via the score LP in the 1970s. CBS-TV in the US used to show a heavily-edited version regularly; later, an uncut print was seen locally. (It was also spotted on cable during the 1980s.) It's a neat movie, with some good chase scenes (one involving a large hearse). The "Chelsea Happening" music accompanies an interesting performance-art show that was typical of the era. Judy Geeson's character manages to be both kooky and sexy as she and Vince Edwards scoot all over Europe in search of Hammerhead.Note: the music on the LP is a different recording from that in the movie; the arrangements are, however, pretty much identical. The score rather predictably conforms to visual action: for example, those five rhythmic "hits" near the end of "Villa Fight" are cut to Charles Hood slamming a car door on someone's hand! This actually bolsters the charm of this picture.Any chance to see "Hammerhead" should be seized upon!!