On the Riviera (1951)

On the Riviera is the third film made from a stage play called The Red Cat, the other two being L'homme des Folies Bergère (1935) with Maurice Chevalier and That Night in Rio (1941) with Don Ameche. The plot is an example of a genre that goes right back to Plautus and Shakespeare: the comedy and confusion that result when two people who happen to look identical keep getting mistaken for each other. In this case, the two people (both played by Danny Kaye) are a famous French transatlantic aviator and an American entertainer playing a club on the French Riviera. This seems like a very obscure film: it's not found in any of the half-dozen standard film guides I happen to have, though it's in IMDb.The film, directed by Hollywood workmanlike director Walter Lang (who made a number of other 50s musicals, like this one now mostly forgotten,) is a semi-musical; that is, there are plenty of song and dance numbers, but they are all stage performances. The most interesting aspect of the film is its display of Kaye's multiple talents as a singer, dancer, comic and impressionist -- he's the sort of performer popular in the thirties through early sixties, but now seems an almost extinct species.The film is an interesting period piece for its sumptuous female fashions and as an early example of what would become mainstream American Hollywood musical entertainment, and if you are interested in those topics, or in Kaye, this will be worth watching. Others may find it only moderately entertaining. There is some impressive landscape photography of the Riviera, though Hitchcock did this better in To Catch a Thief.The 20th Century Fox Home Entertainment Blu-Ray DVD is of good audio and video quality.

"The Red Cat" was a Broadway play. It was back Darryl Zanuck and brought to the screen almost immediately as "Folies Bergère de Paris" and then, within a short time, remade it as "A Night in Rio" and now here in "On the Riviera"! And, if that isn't enough, the basic story idea of this script is very familiar--using one of Hollywood's oldest clichés--the 'identical stranger'. Like "The Prisoner of Zenda" and "The Prince and the Pauper", this movie hinges on the audience accepting that this is possible. In other words, if you can't accept this, the film will be rough sailing.In this version, the lead is played by the talented Danny Kaye--who sings and dances up a storm. Now if you like singing and dancing, you're in luck. If you don't, then once again it will be rough sailing. My problems is that I am not a huge musical fan. There are, of course, exceptions. Kaye plays dual roles--a singer/dancer as well as a famous French aviator. The humor begins, such as it is, when the aviator is in London and he's needed in Paris--so, reluctantly, the actor/dancer is paid to pretend to be the aviator. The acting is quite good but the story is just too old and too familiar to make the story anything other than a time-passer.By the way, while I wasn't all that impressed by this film, I must say that the special features on the DVD for the film are terrific--and actually make watching it worth while. I especially liked "The Rivera Story", as it showed side-by-side comparisons of the three films--and they were often word-for-word the same picture.

When i was young i was a great fan of Danny Kaye.I even remember being taken to see him at the London Palladium.I saw all of his films and watched his TV shows when they were aired as BBC2s prime variety show when it opened in 1964.Now i look at films like these and wonder why.This is a tepid remake of Follies Bergere which starred Maurice Chevalier.The original was far funnier and had a couple of marvellous musical numbers.Unfortunately one has to say that one let alone two Kaye performances in this remake is too much.Lets be honest he just isn't funny.All of his routines we have already seen many times before this GE Walter Mitty.The musical numbers are long and drawn out and with more perspiration and inspiration.There must have been a reason why i liked him but i cant imagine why now.

My axiom is that any movie featuring Gene Tierney deserves to be viewed, and "On the Riviera" is one of them. The plot is a moderately funny comedy of errors, with Danny Kaye in the roles of an American cabaret-entertainer and of his double, a French hero-aviator. The acting is generally good. The photography is accurate, with bright, spirit-raising colors, worthy of the beauties of the Cote d' Azur (but the movie appears to have been largely made elsewhere). Kaye performs a number of nice, though longish, ballets. Gene Tierney has the opportunity to show her talent just in one scene, when she is uncertain whether she has slept with her actual husband, the pilot, or with his American double (by the way: a bit salacious situation for the early fifties, isn't it?). With her usual professionalism, Gene doesn't steal the show to the pretty Corinne Calvet, who in fact has a larger role. In any case, as soon as Gene appears on the screen, the movie soars: the splendor of her eyes obscures the sky and sea of Provence. After all, "On the Riviera" is an enjoyable movie, especially for fans of old classics.