Eyes in the Night (1942)

An amateurish screenplay and some one-dimensional characterizations dominate this ridiculous thriller where a not-quite so thin man had a brief attempt (2 films in a 3 year period) at a series that never got off the ground. It all starts with the murder of a ham actor who was leading on the stepdaughter of an old flame, and that old flame's ousting by the jealous step-daughter from her father's home. Donna Reed, future Oscar Winner for "From Here to Eternity", gives an entirely too impish and testy performance, snarling as if she were preparing for an audition to play Veda in "Mildred Pierce". Ann Harding and Edward Arnold fare better but the best performance is by a German Shepherd named Friday, obviously given the role since Asta was unavailable.It's obvious from the get-go where this film is going, basically a dime store novel whose structure earned a quick read after being bought on the close-out shelves but ultimately ended up in a thrift shop once that initial read was completed. For MGM to have commissioned this as a screenplay with a cast of former "A" stars seems misguided with its preposterous story, ridiculously melodramatic writing and cartoon villains (a la Boris and Natasha) drawing groans.

I thought this was a great movie. I found the concept of a lead blind detective and a very active smart sidekick, the dog made this a very unique movie to watch. Great use of the fact he was blind in some scenes. Not sure if the dog made it into other movies, but one very smart animal and this added another layer to the movie.The acting seemed a little stilted, but overall I found this to be very entertaining, and somewhat groundbreaking with the mix of character traits, plot and action scenes. Highly recommended.

Although Edward Arnold did play some other good guys in his career, it's one that's normally associated with villainy. So he must have looked on with gratitude to MGM for allowing him to play Baynard Kendrick's fictional blind detective Duncan MacLain in two films of which Eyes In The Night is the first. My guess is that if Arnold were an MGM contract player the screen might have seen more of the resourceful Duncan MacLain.Blindness as it has in a lot of people has forced Duncan MacLain to rely on those remaining senses and has honed his intelligence to a fine edge. He thinks pretty fast on his feet, especially after being hired by Ann Harding gains entrance to her household while she's away by convincing her servants that he's a long lost blind uncle. It's from there he finds out what's going on.Harding hires Arnold because she's concerned that her step daughter Donna Reed is getting in way over her head with actor John Emery. When Emery turns up dead later that's an understatement.But when Arnold gets into the household and sees what an interesting group of servants Harding and husband Reginald Denny have, he's thinking that romance might not just be at the bottom of this mystery.Aided by filmdom's most remarkable dog since Rin Tin Tin in the canine of Friday, MacLain is also aided for strong arm stuff by his driver Allen Jenkins. Although as you will see in the film, Arnold when he gets in close is every bit up to the rough house aspect of the gumshoe profession.The cast is excellent, especially butler Stanley Ridges who becomes Arnold's opposite number in terms of wit and intelligence. A worthy Moriarty type to Arnold's Holmes. It's too bad that film never saw more of Duncan MacLain.

Eyes in the Night (1942) *** (out of 4) A woman (Ann Harding) fears that her stepdaughter (Donna Reed) is involved with an evil man so she goes to his apartment to ask him to leave her alone. Once at the apartment she finds the man dead and the step daughter catches her there and believes that she did the killing. The mother goes to her blind detective friend (Edward Arnold) who starts to investigate and learns that German spies were behind it. This was the first of a two part series for MGM and I'm really not sure why more weren't made as both proved to be good films. This film features a very attractive cast, a nice story and some very good direction by Zinnemann, which makes this a must see for fans of detective movies. Arnold is very good in his role making it very believable that his character is actually blind. The actor plays the part very well and has good chemistry with everyone in the cast. Harding comes off quite strong as well even though her character isn't the best written in the film. Stephen McNally, Katherine Emery, Allen Jenkins and Reginald Denny all add nice supporting performances as well. Reed actually steals the show as the 17-year-old step daughter with an attitude. Her attitude is so dead pan perfect that you'll have no problem hating the young lady who thinks she knows everything. Mantan Moreland is wasted in his few scenes though. The German subplot just works itself into the story and there's never a spotlight shined on it due to WW2, which is a nice twist for this type of film. Most movies from this era beat the war stuff to death but this film stays away from that.