Nick Carter, Master Detective (1939)

This film comes much earlier than Out of the Past but both show keen detailing for their times' social, political and gender realities. Excellent depiction and good camera-work of industrial security and espionage of the day. After the opening action sequences, during which Walter Pigeon's Nick Carter establishes himself with the audience, we're treated to a series of well executed short scenes of 1939 high-tech. Technology shown as integral to the future/the coming war. Transitional image of women--on the one hand Rita Johnson's character flies an airplane in an emergency and we see the looks of pleasure on her face as she experiences her own competency. But when she lands the plane, "of course," she's overwhelmed and faints (we don't see this, we're just told). A few years before Rosie the Riveter.A B film--these films were the television of the day--but just like T.V. today, up to 20% of them were well worth watching. And not always because of their plots, paranoid fantasies full of plot holes that they are. Some are actually interesting cultural windows onto the recent past. This is one.

Walter Pidgeon is cast as detective Nick Carter, whose mission is to find out who is behind plans to steal blueprints for the enemy in this pre-WWII yarn. Rita Johnson is teamed nicely as leading lady. Her presence is so welcome that it's a wonder she never had a bigger career on screen.With a supporting cast that includes Frank Faylen, Henry Hull, Donald Meek and Stanley Ridges, it's a neat programmer that crams a lot of plot into a one hour time slot. The only sore spot is Donald Meek in his bumbling role as a bee-keeper who aids Carter. Usually a very reliable character actor, this time his role is so unlikeable, unlikely and annoying that it's more of a distraction than a help. Whatever humor is supposed to be gathered by his involvement in the plot, never quite makes its mark.But in its brief running time, this one passes the time pleasantly enough with the handsome Pidgeon marking his time at MGM before he became a big star.

MGM in buying the rights to the Nick Carter stories and then making three films with the character just shows the twist of fate in some people's careers.Walter Pidgeon was one of their second magnitude stars at that time. B picture leads and occasionally in an A film where he always lost the girl. Louis B. Mayer must have thought a whole slew of these would have been made for Pidgeon and he would have become identified as Nick Carter on screen. But he managed to get some decent films, two back to back Best Pictures, How Green Was My Valley and Mrs. Miniver and a lifetime partnership with Greer Garson. He escaped movie oblivion then.It's a competently executed film, but I have to agree with previous reviewers. Donald Meek as the bee man looked like he just took his zany character from You Can't Take It With You and it just didn't fit in this fast paced detective story. The film itself is barely an hour. Meek distracts from the plot. Too bad because Donald Meek is usually a fine performer.I much prefer Walter Pidgeon as the Reverend Mr. Gruffydd or Clem Miniver or even Dr. Morbius. Good thing he escaped Nick Carter.

Nick Carter- Master Detective tries way to hard to make a B film into an A film. The director uses countless tricky film techniques and camera angles to make the film a classic. The result: Failure!!! Nick Carter good of been one hell of a film without that stuff and the stupid humor that was featured in the film, especially that stupid, annoying Bee-man. He was a total joke and very irritating to watch anytime the old guy's face appeared on screen. It would probably of been better if a child tagged along instead of the annoying old geezer. If the film did without the humor and the Bee-man, the result: Entertaining!!! Nick Carter is noooo Charlie Chan and doesn't have the skill or mind like he does. He's also kind of a bore and sometimes very cardboard like. To sum it all up, at times entertaining but with the humor and old dude the film just isn't that masterful. Charlie Chan kicks Nick Carter's ass anytime, anyplace, anywhere. *1/2 out of ****.