Nancy Drew... Trouble Shooter (1939)

When a ranchowner's body is found buried on his own land, it's up to Nancy Drew to solve another murder in NANCY DREW--TROUBLE SHOOTER. And once again, BONITA GRANVILLE decides that she and FRANKIE THOMAS must go about solving the crime despite the warnings of her father (JOHN LITEL) to stay away from the case.Nancy's other concern is that her father is being too chummy with a woman he seems to be attracted to. But mostly, she's bubbling with energy as she and Frankie Thomas set out on another adventure while racing around the countryside in her roadster. A tropical flower and a greenhouse figure importantly in the plot.So does a crop duster airplane. The film is an improvement over the first two entries as far as production values go. The B&W photography is crisp and the sets look as if more money was spent on them. The crop duster sequence is milked for all it's worth and ends the film with a wallop of a ride.Summing up: Better than average entry in the series.

Nancy Drew... Trouble Shooter (1939) was the third in the series of four films about the teenage heroine. All starred Bonita Granville as the title character. But Granville's "Nancy" owes more to the heroines of 1930's screwball comedies than to her literary counterpart. This Nancy alternates between master of deductive reasoning and teenage airhead, causing as many problems as she solves; with nice guy neighbor Ted Nickerson (Frankie Thomas) her comic foil. Granville was extremely expressive and did not seem to mind being shown in unflattering situations (much like Zasu Pitts back then and Miley Cyrus today).In "Trouble Shooter", Nancy and her attorney father head to the country with their housekeeper to defend old family friend Matt Brandon (Nancy calls him Uncle Matt) from a murder charge. Their escapades include poison ivy, an enraged bull, crop-dusting, a rare flower, Ted's new boat, and a rival for Mr. Drew's affections. Nancy is still crushing on poor Ted-who wanders around with a dazed expression on his face for most of the film. Willie Best appears as his standard stereotype character, this time named Apollo Johnson. Also known as "Sleep 'n' Eat", in almost all of his films this early black actor encounters a ghost and gives the audience a wide-eyed look of terror. I don't know why people found this repeated gag so funny back then, maybe Hollywood just thought they did and kept using it. At least in "Trouble Shooter" Nancy has the good grace to exhibit the same exaggerated reaction when the ghost appears. All four films in the Nancy Drew series are surprisingly entertaining and have a lot of charm. "Trouble Shooter" has Nancy at her daffiest. There is more silliness than characterization so I suggest watching at least one of the others first. Then again, what do I know? I'm only a child.

Of the four classic Nancy Drew films Warner Bros. released from 1938-1939, NANCY DREW...TROUBLE SHOOTER is perhaps the most imaginative, humorous, creepy and expensively produced of them all. Moving the locale from the Drews' home in River City to the nearby farm resort Sylvan Lake, where Nancy's lawyer father Carson is summoned to prove a relative not guilty of a murder, the breath of rural country air enlivens everyone involved. The widowed Mr. Drew's attraction to a lovely neighbor (Charlotte Wynters) sets Nancy's jealousy in full force, making her relationship with her reluctant (though none-the-less-enchanted) boyfriend Ted, played to droll perfection by the engaging Frankie Thomas, all the more delightful--and in some sequences downright romantic. Aside from the beautifully photographed location backgrounds, the deliciously intricate plot (a transplanted tropical flower, the torching of the local nursery, and farmhand Willie Best's dithering about seeing two "ghosts" on the night of the murder) provides the necessary clues for Nancy and Ted to piece together the identity of the murderer--and enriches their relationship at the same time. Of the four Nancy Drew films, this third entry shines with its subtle, underlying portrayals of the love and dependence that draw the principal characters together--along with good-natured humor (for once, Willie Best is not denigrated by the time's racial stereotypes--he's treated as an affectionate equal by the other characters--and seems to be having a ball poking fun at the "chicken-stealing darkies" he was called to portray in that era of moviemaking). Bonita Granville is as blonde, buoyant, perky and loving a teenager as has ever been presented in movies of any era. And the underrated Frankie Thomas is her equal as the sweetest, bravest, most caring fellow a teenaged girl could ever wish for. The witty, intelligent depiction of their relationship--and unacknowledged love for each other--makes NANCY DREW...TROUBLE SHOOTER perhaps one of the most captivating portrayals of friendship and family life ever put on screen, with equal praise for John Litel (as Nancy's all-too-understanding father)and the warm and enchanting Ms. Wynters. And all in the guise of a suspense-filled murder mystery (incidentally, the use of a homicidal crop-dusting plane precedes Hitchcock's "North by Northwest" by a good 20 years!). In short, NANCY DREW...TROUBLE SHOOTER is as unpretentious, disarming and downright lovable an entertainment to come out of Hollywood during its Golden Age. Turner Classic Movies has apparently gotten the message, and the quartet of Nancy Drew movies (after too long a time languishing in obscurity) are now being shown on a fairly regular basis. Don't miss any of them, but put NANCY DREW...TROUBLE SHOOTER at the top of your list. Dated (as other IMDB comments claim)? Perhaps, and more's the pity. A rare and timeless treat? Absolutely!

Bonita Granville is an almost perfect Nancy Drew--cute and spunky. This is generally a good story, fast paced and quite humorous in spots. The only negative is the racist depiction of Apollo Johnson. By the way, the title card reads "Nancy Drew... Troubleshooter"