The Ex-Mrs. Bradford (1936)

... and yet it still came out pretty entertaining. It is obvious that RKO is trying to imitate the Thin Man series over at MGM, and they did pony up the money to borrow William Powell from MGM as the sleuth/surgeon in this one - yes I said surgeon. The thing is, this one has almost exactly the same skeleton of a plot outline as RKO's "The Star of Midnight" from the year before where Powell is the sleuth and Ginger Rogers is the girl that from the beginning claims she is going to marry him. This film even borrows the music from "Star of Midnight". This time it is Jean Arthur as the ex-wife who is awfully chummy with Powell's character, Dr. Bradford, considering they are divorced. What caused the break-up? Another man/woman? Money problems? Bored with each other? Nope. Just that the ex-wife involved the doctor in all of her murder mysteries to the point he was more her co-writer than doctor. Slim reasons for a divorce, thus the chumminess and the easy camaraderie. Paula Bradford comes to town on a visit just after a jockey has dropped dead as he was about to win his race. Paula uses a visit from the horse's trainer, Mike North, who believes the jockey was murdered, to get Dr. Bradford involved in a murder case AGAIN. Now overall this film is great fun. One of the problems is that the great Jean Arthur is really miscast as the ex-wife. All the best qualities of Miss Arthur, earthiness and toughness, aren't allowed to do more than peak through with this stilted rather goofy character. Also, the story gets quite confusing to the point that it does hold your interest if you can keep pace with it. Also, casting James Gleason, usually the smartest guy in the room, as a cop that can't see that Dr. Bradford has been obviously set up for a second murder for which he had no motive and no weapon just seems outrageous. Even as Dr. Bradford worries about being arrested for this murder, it is impossible to join him in his fears because the set up is just so apparent. Oh, and how do you further confuse an otherwise confusing story? Cast five actors with pencil-thin mustaches that all look the same! And yet it's worth a look, because of the stars, because of the pace, and because of the rather outrageous ending. I'd recommend it.

I was so taken with the chemistry between Powell and Arthur that I barely followed the plot, which was OK but had some holes. Horse-racing jockey dies, mystery ensues, involving gangs and money. The murder instrument and method were not very realistic, reminiscent of the James Bond scene with the tarantula. Sorry, but I'd guess movie audiences even back then were too sophisticated to fall for that.So, I was mainly just queuing up for their scenes together, which was most of them. Their dialog was so witty and sharp, her endearing and wily attempts to show her affection and recapture his love were so real, and his feeble attempts to off her advances when it was obvious he loved her back, made it that much more enjoyable. There was real affection afoot between those two, and the movie cameras that separated them from us could not hope to hide it.I rate their chemistry much higher than that between Powell and Loy in The Thin Man series. It really sparkled. The rest of the movie could have been the corniest thing going (and at times, it was), but it wouldn't have mattered. And because of these two, this movie had me not wanting to miss a minute.Altogether, Powell and Arthur had 5 collaborations, two in 1929, two in 1930, and this one in 1936. We were robbed in that this medium was not seized upon and repeated. It's a shame we couldn't be treated to more of these.

With the solid box office pairing of established stars William Powell and Jean Arthur The Ex- Mrs. Bradford fails to meet expectation as it flaccidly plays itself out. Arthur's energy is forced and out of sync with Powell who comes across a touch listless himself.When a jockey falls from his horse and dies his trainer suspects foul play and consults Dr. Lawrence Bradford ( Powell ) to look into it. He's at first hesitant but goaded by his mystery writing ex (Arthur) gets involved.Even without the ghost of Loy's Nora hovering above Arthur's Paula is little more than a glamorous Gracie Allen, Bill an uncomfortable George Burns. Out of step and going in separate directions you find it hard to believe they were attracted to each other in the first place never mind be able to match wits long enough to solve a cross word puzzle.Stephen Roberts direction lacks the spark and energy necessary for screwball comedy mystery and the hybrid never rises above tepid on both ends in a match-up that never seems to jell. It would be a good idea not to engage with The Ex Mrs. Bradford in the first place.

Enjoyed this 1936 film with plenty of veteran classic actors and especially, William Powell, (Dr. Lawrence Bradford), "Mister Roberts", who played the role as a doctor and detective. Dr. Bradford was once married to Jean Arthur, (Paula Bradford), "Shane", and got a divorce and still they managed to live with each other and also fight all the time. Paula wanted her husband to investigate a homicide and did everything she could to convince him it was very important. Jean Arthur plays a rather nutty type and there is plenty of 1936 Comedy and the method of murder is something you will never believe, especially with a jockey on a California Race Track. Robert Armstrong, (Nick Martel) "King Kong" gave a great supporting role as a bookie along with James Gleason, a detective who need the help of Dr. Bradford in order to solve this very strange murder mystery. If you see this film, just remember it was produced and directed in 1936 and the people in the audience in those days thought this was great entertainment and it really was in Those DAYS!