Of Human Bondage (1946)

***slight spoiler*****I just finished watching Of Human Bondage on TCM. I kept thinking throughout as Paul Henried limped around how that man can wear the hell out of a suit. To add to what others have said, I was surprised by this version of the film. I was expecting a dull rendition, especially after the tours de force by Davis and Howard in an earlier rendition. Despite lukewarm reviews, I loved it! An elegant film overall and well crafted, beautifully decorated and photographed in high contrast black and white, full of angled looming shadows, almost oppressively so, and small pools of light, sometimes unkind light, a manifest expression of Philip Carey's inner life. Gestures and movement are also important, often more so than words.I thought Paul Henreid was fantastic in it as well as Eleanor Parker; I think he gets short shrift relative to the star power of the female role. He seemed like a man trapped, who knew he was trapped and was helpless to do anything about it except to careen between cruelty and kindness. His experience has a compelling immediacy, of the moment and so does his story. I never had seen Paul Henreid in such a different role, where he lacked confidence and could be awkward and despairing, coarse and primal in a way that made me uncomfortable to see such naked need and helplessness. And still, the character had a grace, a redemptive quality that would peek out in spare, quiet moments.I especially loved the simplicity of his wordless visit to Mildred at the end; it was as if he were carressing a dying animal. And then he was quietly, without fanfare, released. His obsession is never explained because it doesn't really matter. His experience matters. The director captures this beautifully.This film and the crafting of its themes reminds me very much of the 40's version of A Razor's Edge with Tyrone Power. It turns out Edmund Goulding directed both.8.5 stars out of 10

In a London tea shop, young medical student Paul Henreid (as Philip Carey) meets ill-tempered waitress Eleanor Parker (as Mildred Rogers). Lacking in love due to his club-foot (defined online as, "a deformed foot that is twisted so that the sole cannot be placed flat on the ground"), Mr. Henreid is smitten with Ms. Parker. He wins a date, but is stood up on the second. Parker dumps Henreid for a more handsome man. The situation repeats and we wonder if and when Henreid will learn his lesson and hook up with beautiful writer Alexis Smith (as Nora Nesbitt) or pretty 16-year-old Janis Paige (as Sally Athelny)...The black-and-white photography, by Peverell Marley, is the film's main strength...This re-make of the more famous "Of Human Bondage" (1934) gets off to a bumpy start with a scene involving Henreid and Ms. Smith. Someone should have noticed Smith copying the phrasing of Bette Davis - for example, accenting the last word of sentences. After about 30 minutes, Smith does a Joan Crawford impression. This makes is more difficult for Parker. She's too perfect and proper-looking for the role, anyway. The story (or, this part of Somerset Maugham's larger novel) would work well (better) with Henreid's character aged - unfortunately, this alteration was not made; instead, his youth is firmly noted.***** Of Human Bondage (7/5/46) Edmund Goulding ~ Paul Henreid, Eleanor Parker, Alexis Smith, Edmund Gwenn

What I find fascinating is that two of my 12 favorite (most alluring) actresses starred in different versions of the same film: Eleanor Parker and Kim Novak.In an era where lousy remakes of good films are made once a month, 'Of Human Bondage' improves with time. Kim Carnes might have idolized 'Bette Davis' Eyes' but I think Bette was homely. Eleanor Parker was (and still is, at 90) a scintillating, wholesome looking beauty, as I also rate Cathy O'Donnell ('Best Years of Our Lives') and Margaret Sullivan ('Shop on the Corner,' amongst others). Problem is, they all were divorced several times, so they may not have been as wholesome and charming as they appeared on-screen. Then, again, they may have been 'unlucky' in love; perhaps they had cheating husbands. I can't imagine Cathy O'Donnell being anything but the eternal virgin.Kim Novak was (is?) sexy and flaunted it. That's why she was best cast in 'Of Human Bondage.' I have always been a fan of Laurence Harvey (my middle name is 'Harvey').I would recommend watching all three versions of 'Of Human Bondage' and judge for yourself.

I do not think this is a movie about love. It is a movie that compares and contrasts MANY human emotions that hold us in bondage - most notably, love and obsession. I pity people who think that what Philip (Henreid) feels for Mildred (Parker) is LOVE! Of the 3 versions of this Somerset Maugham tale, this one is the strongest. Bette Davis' performance in the original may have been groundbreaking, but neither the film nor her performance is great. Davis' performance leaves indelible impressions; it earns my respect and admiration. However, it is not very nuanced; she is nothing but a shrew. Also, she is simply not pretty enough to inspire Philip Carey's obsession with Mildred. The original film and the portrayal by Davis are classic not because they are great, but because they are groundbreaking.For my money, both of the remakes are better movies. Eleanor Parker and Kim Novak both portray a Mildred who is prettier and less shrewish - and consequently more believable. Mildred becomes both more understandable and more pathetic. Also, because they are both prettier than Davis, obsession with either one of them is a great deal more conceivable. Also, I like Paul Henried in this version much better than Leslie Howard (or Laurence Harvey). He may not be as sensitive or intellectual, but neither is he nearly as weak. I think a woman is more likely to feel sympathy or pity for Howard, NOT love. Henried seems much more "lovable." After all, 2 women actually do love Philip!I am a big fan of many character actors of the 30's and 40's, including Edmund Gwenn. This is a great Edmund Gwenn role, and his presence is a real plus for this version.Although her appearance is brief, I also love the beautiful, sympathetic Alexis Smith.The neat surprise for me in this version is Janis Paige. I didn't really notice her until this, my 2nd or 3rd viewing, but it is fun seeing her as such a young actress in this very wholesome role. One of her more memorable roles is the blonde vamp who is first insulted by David Niven and then tries to seduce him in Please Don't Eat the Daisies.But for me Eleanor Parker steals the show. I barely recognized her as a brunette. Neither had I ever seen her play such a loathsome character. Seeing her display such range was fun. Plus her performance is far superior to Bette Davis' in the original.