Wedding Present (1936)
Charlie Mason and Rusty Fleming are star reporters on a Chicago tabloid who are romantically involved as well. Although skilled in ferreting out great stories, they often behave in an unprofessional and immature manner. After their shenanigans cause their frustrated city editor to resign, the publisher promotes Charlie to the job, a decision based on the premise that only a slacker would be able crack down on other shirkers and underachievers. His pomposity soon alienates most of his co-workers and causes Rusty to move to New York. Charlie resigns and along with gangster friend Smiles Benson tries to win Rusty back before she marries a stuffy society author.
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one of films who must see. not for story itself but for actors. and for the moral lesson about responsibility. in fact, a love story like many from the same period comedies. a shining Cary Grant, a seductive Joan Bennett and a not usual present for wedding. a mix of stories with never end - the story of Archiducke is the most relevant - and a lot of humor in different styles , from bitter to crazy. short, a nice story about free spirits and about media, about friendship with a gangster and the spiced dialogues with the woman who represents the love of your life.
In so many ways, this film seems to have strong elements from one of Cary Grant's best films--HIS GIRL Friday. While the Friday plot is taken from the Pat O'Brien/Adolph Menjou film, many elements about the characters seemed to have been taken from WEDDING PRESENT--with Cary playing pretty much the same character in both films and Joan Bennett playing a part very similar to the one later played so well by Rosalind Russell.Unfortunately, despite these similarities, WEDDING PRESENT is from from being a classic film. While up until the terrible ending I would have given the film a 6, by the time it was over the film barely earned a 4--while HIS GIRL Friday is clearly a 10 and one of the best films of the era.The film begins with Cary and Joan wacky highly respected newspaper reporters (just as in Friday). They are about to get married, but it all falls through thanks to Cary's being too much of a comedian--and Joan realizes that he'd make a lousy, but fun, husband. Despite the breakup, they spend much of the first half of the movie together on various adventures and this is by far the best part of the film. I particularly loved the scenes with Gene Lockhart as the Archduke (this was perhaps the best supporting role of Lockhart's long career).The problem, though, is that the momentum wasn't maintained after a while. When Cary became the boss at work and Joan walked off the job, the film became a mess. In particular, the ending. In a very irresponsible and unfunny ending, to stop Joan from marrying another man, Cary calls in tons of false alarms--reporting fires, most-wanted criminals who were spotted, illnesses, mental patients, and a ton of other problems at the fiancé's home. This certainly wasn't funny--just very cruel and irresponsible. And, in a Hollywood twist, Cary gets away with this AND gets the girl. In the process, Joan treats her fiancé and his family like dirt. What a selfish and nasty way to end a film!! Had they shown Cary in prison for a year for calling in all the false alarms and inciting panic, then I might have enjoyed the ending!Overall, not a great film and at best a time-passer. While I love Cary Grant films, I also have to admit that occasionally he had a disappointing film like this one or ONCE UPON A TIME or KISS AND MAKE-UP. Of course, he also had HIS GIRL Friday, ARSENIC AND OLD LACE, NORTH BY NORTHWEST and a ton of classic films to make us all forget about these few duds.
A rather undistinguished film, the sometimes incomprehensible romantic comedy WEDDING PRESENT contains a numerous amount of potentially interesting plot devices and story elements, but ultimately fails to capitalize on it's own potential and ends up making little to no real impression. Various characters and plot threads are introduced with great fanfare, only to be dropped with no explanation as the film wanders through it runtime with no clear direction. Cary Grant and Joan Bennett are fine in the leads, and even have a respectable degree of chemistry, but they are let down by the film's lack of narrative and structure. Not a bad film by any means, but certainly an unfortunate waste of enormous talent and considerable potential.
Screwball comedy reminiscent of His Girl Friday - which also starred Cary Grant. Zany reporters (Grant, Joan Bennett), an editor who can't live or without them, and some strictly-for-laughs gangsters. An open manhole gag worthy of any silent comedy, too. But the ending is a bit implausible. You can't really get away with that much malicious mischief, can you?