The Great Garrick (1937)

Ernest Vajda's "play for the screen" revolves about a fictional encounter between the celebrated 18th-century English actor David Garrick and the members of the equally celebrated Comedy Francaise at a country inn.Under the direction of the estimable James Whale, the film is generally lively but sometimes sags with too much talk. It also benefits from a team of choice supporting actors (Melville Cooper, Lionel Atwill, and especially Edward Everett Horton and Etienne Giradot) who come to the rescue with inspired line readings or bits of business. A theatrical spirit prevails. Heading the cast is Brian Aherne as Garrick who gets a rare chance to chew the scenery and does so in high style. But we never know from this scenario whether Garrick was really great or just a charming ham. When does the acting stop and the real Garrick take over? The line between the two is not clear here. Maybe it's not meant to be.The story: the French troupe, having heard a false rumor that the visiting Garrick arrogantly intends to teach them how to act, impersonates the staff and guests of a country inn where they know Garrick will be staying on his way to Paris, with the intention of devising such mayhem that Garrick will bolt in terror, whereupon they will reveal who they really are, proving they are indeed great actors, and humiliate him. But he sees through the ruse and turns the tables on them. Olivia DeHavilland, effective in an early role, turns up at the inn as a young woman fleeing an arranged marriage and falls in love with Garrick, who spurns her, thinking she too is part of the collective trickery (as the film's trailer states, he "couldn't tell the difference between real love and bad acting").

If anyone is expecting the story of the real David Garrick than this is not the film for you. According to Wikipedia, the real Garrick was rather short, but his talent added several inches in stage height and happily married to a German dancer for many years. Though I'm sure then as now the celebrated actor attracted his share of groupies. I also doubt that Garrick ever made an appearance at the Comedy Francaise as a guest artist. Mainly because Great Britain and France were at war a whole lot during the 18th century. Just as I doubt Moliere saw much of his work playing at London's Drury Lane Theater where Garrick was the managing director as well as star attraction.However The Great Garrick is a charming comedy of manners about a quick witted actor who is given an unforgettable night at a roadside inn by the Comedy Francaise. Garrick played with effortless ease by Brian Aherne and when he announces that he will be off the London stage for a while because he's going to be a guest artist at the Comedy Francaise, the crowd reacts bad. With a quick wit Garrick gets the audience on his side when he appeals to their nationalism by implying he will be giving them acting lessons. He leaves with the ringing cry of "teach the French".Of course the company of The Comedy Francaise reacts real bad when they hear that news. They resolve under managing director Melville Cooper to teach Garrick a lesson. They rent out an inn where Garrick is supposed to stop overnight and prepare a bit of theatrics for him.Aherne is tipped to it and he and valet Edward Everett Horton just act oblivious to some madcap behavior. A young woman played by Olivia DeHavilland arrives at the inn and she's running away from a proposed marriage. Aherne just thinks she's one of the players though he offers her accommodations in his suite.I think you get the idea how this is going. Though The Great Garrick has no relation at all with the real David Garrick it's not a bad film with several good comic spots. This was another costume film where Olivia got cast in and got rooted in at Warner Brothers. She's pretty and classy, but the laughs all belong to the guys. And Aherne became family for a while, soon marrying Olivia's sister Joan Fontaine shortly after The Great Garrick came out.

Kudos for this under-rated costume farce. It was included in Olivia de Havilland's TCM special, but she has a relatively small though choice role in it. Brian Aherne is surprisingly good as Garrick, the leading English actor of his day, cutting a tall, strikingly handsome figure in rococco-wear and powdered wig, delivering the staged lines with considerable panache. He is certainly every bit a match for Errol Flynn and the movies he shared with de Havilland, but it's a mystery why Aherne was only cast in this one. Olivia was quite young and very radiant, playing a mistaken-identity sweetheart-contessa type that she will repeat many times, possibly too often, in her career(eg, The Ambassador's Daughter, Princess O-Rourke). The take-off on the Comedie Francaise as bungling ham actors is priceless in itself. Certainly the director, screen writer and anyone else who took part in the production should be noted, for the fast, slightly frenetic pacing of the lines and timing of the repartee are key aspects of the success and they weren't necessarily transferrable to other movies by the same director and writer.Special notice should be given to Etienne Giradot, who plays the prompter with a conscience who gets batted about for speaking the truth and showing up his jingoist "betters" with his honesty. His intermittent appearances, starting at the beginning and then at the end, in his prompter's box, are almost worth the price of admission. Those who have seen "The Kennel Murder Case" with William Powell, will remember Giradot as the doctor/undertaker who never gets to finish a meal. With an actor of such a unique personality, yet so perfectly cast in both supporting roles, one wonders whether if he was simply playing himself, or whether the parts were tailored for him. Four stars **** out of four.

James Whale's "The Great Garrick" is perhaps the most overlooked classic of 1937, a year that also saw such classics as "Stage Door", "The Awful Truth", "Make Way for Tomorrow", "History is Made at Night", "Angel" and some others."Great Garrick" is a brazen but abundantly enthralling costume comedy on David Garrick, a Shakespearen ham actor and the most famous English actor of the 18th century. Garrick played a significant role in the development of English stage in this period which saw the rise of Shakespeare and other playwrights. Garrick had a reputation of enthralling his audiences on and off stage. Here in "Great Garrick", he is ingeniously played by Brian Aherne, a sadly underrated actor giving one of his most memorable performances. Aherne's co-stars include Olivia de Havilland as Garrick's love interest Germaine, Edward Everett Horton as Garrick's sidekick Tubby, Melville Cooper, Lionel Atwill, Lana Turner, and Luis Alberni.Beautifully shot in stark black-and-white photography by Ernest Haller, "Great Garrick" is a nonstop laugh riot. The opening titles tell us, "David Garrick the actor was at the height of his fame. He was the idol of London and the tale we are now unfold is a romantic adventure that might have happened during the vividly gay career of the colourful Garrick". Garrick is just finishing playing "Hamlet" and makes a farewell curtain speech to the audience at London's Theatre Royal Drury Lane. He has been invited to Paris by the Comédie Francaise, a famous French theatre which rivalled in fame London's Theatre Royal. To convince the audience he is not actually ditching them, he reads a blank letter telling them that he is going there to teach the French. In Paris, the actors of the Comédie Francaise hold an emergency meeting to discuss what they consider to be an insult. "Ridicule kills" says one of the actors. Thus, they perpetrate a series of hoaxes at an Adam and Eve inn near Paris where Garrick and his Tubby will be staying there before they arrive in Paris.Some of the hoaxes are outrageously hammy and over-the-top, especially Luis Alberni's annoying Basset, but that doesn't really hurt the picture at all. There are genuine glories in "Great Garrick" and most important of all are Whale's inventive, stylized direction, Ernest Vajda's endlessly witty screenplay, and Aherne's quietly graceful incarnation of Garrick.The film works as a companion piece to Whale's underrated 1936 musical "Show Boat" in that both films are entrancing and exuberant celebrations of the theatre. "Show Boat" concerns a group of traveling actors who are putting on a show; "Garrick" is bio-pic of a famous actor. Both films display the talent and versatility of a great director.