The Right of Way (1930)

A Bizarre, far-fetched, wholly unrealistic bit of nonsense! Conrad Nagel's performance is so overripe it is actually hilarious! And what the hell was with that mustache of his? As most of the other reviews have said, the one saving grace is the presence of beautiful Loretta Young, who was obviously adapting to making talking films much better than her co-stars! The film is so crudely constructed and acted that i cant help but wonder if it was made earlier and sat on the shelf for a while? I cant agree tho that one should avoid this film, it is def an early talkie curiosity and because of Nagel's outrageously overwrought performance, almost a must-see!

Right of Way, The (1931) ** (out of 4) A hot shot, loud mouth and obnoxious attorney (Conrad Nagel) is beaten and left for death. A fisherman finds his body, takes him home and soon the attorney recovers but he can't remember who he is. With the help of a nurse (Loretta Young) he learns how to be nice but will the past catch up with him? This is one of those early talkies that talks way too much. In fact, I'd be willing to bet that this 65-minute movie had more dialogue than a three hour movie of its time. Another major problem is the casting of Nagel who delivers a very bad and embarrassing performance. Young isn't given much to do either. Previously made in 1915 and 1920.

I like a lot of the early '30s "pre-code" films but this was just drivel with poor dialog and some poor acting. I only watched it to see Loretta Young, who was a real beauty in her younger days.The dialog and some of things in here are so dated, so sappy and so overly-melodramatic with the lead character, played by Conrad Nagel, that it's almost laughable. What lawyer interrupts his closing speech to pick up a hankie from a woman in the audience, and then whisper something, kiss her hand and leave the courtroom? The guys nickname is "Beauty," and he sure is that! I wonder if audiences in the early '30s actually took this character and dialog seriously....or were they enamored to have "talkies."Well, at least Loretta looked super, and sounded like a normal person but how many could people today watch this and stick around long enough to see her? She doesn't appear until almost a half hour, which is almost half the movie!

The Right of Way is a film that was made several times during the silent era and was based on a novel. It concerns a lawyer named Charles Steele (Conrad Nagel), a man whose marriage with a society woman (Olive Tell) is falling apart and whose brother in law is going down the wrong path in life. Steele goes to defend his family against a group of ruffians who beat him up and throw him in the river to die, but a man he defended in a murder trial finds him and takes him to his home in the mountains. Unable to care for the man alone, he enlists a young lady from the village named Rosalie (Loretta Young) to nurse Charles back to health. When he awakes, Charles has no recollection of his former life and begins a new one in the mountains.This film is short, but it is hardly sweet. Nagel is the biggest ham in this movie, constantly overacting in scenes that need subtlety. Young is beautiful but somehow and obvious novice in her scenes, which is strange because she made so many wonderful pre-codes. Perhaps the direction was not up to par.One might enjoy this film simply to make fun of the acting, but the dramatic story might make one uncomfortable in doing so. The movie isn't meant to be a comedy, but it was certainly made to be that way by the acting.