The Bride Goes Wild (1948)

The movie's more a collection of sometimes funny schtick than a satisfying whole. The premise of Johnson being a rather obnoxious author of children's books shows promise, especially when he tangles with prudish illustrator Martha (Allyson). In order to win Martha back Greg (Johnson) schemes with publisher Mc Grath (Cronyn) to adopt a kid (Jenkins) who turns out to be a little hellion. As they say, complications ensue. On the whole, the film's series of skits tends to crowd up without building comedic impact. For example, the climactic car ride appears more frantic than funny. Johnson manages the madcap pretty well, while Allyson gets a straight-man role unfortunately subverting her usual sparkle. At the same time, that required restraint undercuts the pairing of its usual compelling chemistry. Of course, buck-toothed Jenkins steals the film with little boy antics for which he was so well suited. Still, his frustrated desire to be adopted does provide a poignant note. However, for me, seeing Cronyn in a slapstick role takes some getting used to since I identify him with the scary Nazi-like warden in the prison classic Brute Force (1947). He was quite an actor.On the whole, the comedy's a decent time-passer with enough set-ups to generate a few laughs from most anyone. But a well-crafted, efficient slice of madcap, it's not.

June Allison and Van Johnson made quite a few films together. Most were very nice, but this one is pretty dreadful--thanks to some terrible writing and a super-contrived plot. In addition, instead of the usual sweet couple, the studio chose to cast Van as a real jerk--and it just didn't fit his on-screen persona. You know the film has trouble when the actor that came off best in the film was young Butch Jenkins!! The film begins with Allison winning a contest to see who will illustrate the next book by a world-famous author of children's' books (Johnson). However, Johnson is NOT a nice child-friendly guy, but a heavy-drinking womanizing jerk. And, when he meets the nice and naive Allison, he proceeds to get her drunk and treats her like a piece of meat. The publisher is aghast and apologizes to her--and makes up a STUPID story about Johnson acting this way because he was a sad widow with a very unruly young son(?!?!?!). So, he talks Johnson into a situation where they need to borrow a kid (Jenkins) and pose as father and son. This is 100% contrived...and moronic.Along the way, it's not surprising that the couple fall in love. But you wonder why--Johnson is a heel and a habitual liar. And, because of that, you really DON'T want them to find each other in the end. As for Jenkins, he's really good and plays a great Dennis the Menace sort of kid. This is a VERY welcome change, as MGM promoted him for years--even though the kid could barely act. Here, however, he's in his element--mostly because he's a bit older and finally had a decent role. But, it could NOT be a breakout role and the movie was a dud. Poor kid...and poor audience!5

June Allyson and Van Johnson were paired by their studio in several pictures. Once MGM type-casted someone, or Hollywood, for that matter, an actor, or an actress, went to appear in other films performing, basically, the same role. Which seems to be the case with "The Bride Goes Wild", directed by Norman Taurog, a veteran film director who always made pleasant movies.The premise in this film is just an excuse for presenting all these players in a comedy typical of the times. After all, the times were hopeful and happy right after the WWII and a semblance of normalcy was the intention. This is a silly comedy that wouldn't have been made today.In the other comment submitted to this forum, the contributor links what appears to be a gay subtext to all one sees in the movie, and in many aspects, it makes sense. Hollywood was notorious for being a gigantic closet where gays were safely kept even though everyone seemed to realize what really was going on.June Allyson and Van Johnson are given the same roles to play. Butch Jenkins, a child actor, appears as Danny, the orphan that Greg Rawlings, the Van Johnson character, is passing as his own son. Arlene Dahl doesn't have much to do. Hume Cronyn, Una Merkel and Richard Derr play the supporting roles.Watch the film as a curiosity as long as you don't have any expectations.

This 1948 MGM comedy is enlivened by the sight gags utilised by director Norman Taurog, and the performance of June Allyson as Martha Terryton, a Vermont school teacher who is made an illustrator for `wild' New York children's book writer `Uncle Bumps' aka Greg Rawlings (Van Johnson). The screenplay by Albert Beich employs the standard contemptuous ploy of a man deceiving a `prudish' woman in order to romance her. Greg pretends to be the father of 8 year old delinquent orphan Danny (Butch Jenkins) to improve Martha's perception of him, after their initial meeting where she has been repelled by his advances. This set up is made to be exposed as the climax, with the middle section devoted to supplying reasons that will help Martha make the right choice. The romance is given another angle in that she has an `understanding' ie engagement with school manual training teacher Bruce Johnson (Richard Derr) so that he exists as the sane alternative to Greg. What gives the screenplay an unintentional subtext is our hindsight of Johnson's sexual preference, with the word `gay' used in its original innocent context. The subtext is particularly noticeable in the scenes between Greg and his publisher John McGrath (Hume Cronyn), from the actors performances (note how Cronyn squeals at the sight of a small snake) and one scene shot on a balcony. Johnson is bare-chested wearing a swimming costume, and Taurog frames the actors so that the line of the balcony ledge makes Johnson appear to be naked next to Cronyn. The subtext can also be read in Greg's fetishist attraction to Martha's long hair, and when Martha shows Greg her sketches of Bruce, where he asks `No nudes?'. Johnson's different behavior toward the Allyson as the prudish virgin and Arlene Dahl as Tilly, Greg's alleged `married' vampy girlfriend. Like the later Rock Hudson and even Cary Grant, Johnson's less stereotypically masculine persona plays off better with a less stereotypically female.Beich's narrative allows for physical comedy, including much leg kicking by Danny, water splashing, prat falls, Greg being injured by Bruce's use of Greg's typewriter, traps at a woodland camping site, a snoring fat man on a bus, ants at a wedding, Martha offering her forehead for Bruce to kiss because of the disparity in height between Allyson and Derr, and `wild' driving, featuring terrible rear projection. John's car needing to be towed after it has stalled during his search for Greg provides for a nice link when Greg borrows the car of the tow truck business, and John's car is attached with John still inside. There is also a witty sea-themed bar with a mermaid cigarette girl, a waiter dressed in a deep-sea diver's outfit, and a gag with a fake octopus. Beich also gets a laugh from the first meeting between Greg and Danny, where they observe each others freckles. Beich and Taurog also have fun playing with Allyson's persona. At first she makes Martha's pouting prudishness funny, her mouth somewhat reminiscent of Judy Garland in her good girl roles. What makes Greg's `No nudes?' line so funny is Martha's `Certainly not!' reaction. Allyson's sociopathic smiling is paralled with her hilarious faux-crying after Greg has got her drunk, and she also scores laughs from her parody of Dahl's vamp acting, including wearing duplicate clothes. As if to mock Greg, Martha gets her haircut for her make-over, though before that she wears a provocative Helen Rose sheer blouse under a white suit, which gives the impression of being low-cut. Taurog does wonders with an obviously small budget. The black and white photography may have been made to down play the freckles of Johnson and Jenkins, but it merely makes them look bruised. Jenkins is very likeable, but Johnson becomes tiresome, and Dahl acts like she studied baby vamp under Lana Turner.