Windrider (1986)

Maybe I shouldn't be writing this because I only watched the first half before realizing that it wasn't my kind of movie. However, it might be someone's else's, someone who enjoys beach party movies with plots, actions, some wit, and a teen-aged Nicole Kidman.Burlinson is a computer engineer or something at his dad's company. He comes up with a design for a theme park built around artificial waves. The surfers will go ape. They'll all try to do a "360," which I gather is flipping your sailboard around in a complete circle in the air above a breaking wave. That's a guess. Whatever it is, it has to be done on a sailboard and it's difficult.Burlinson manages to pull it off one afternoon but nobody is around to see him except the distant figure of Kidman. Burlinson's mates in the pub ridicule him so he sets out on a search for Kidman, who is a rock queen. She gets to sing an entire fast pop song, her voice almost buried in electronic percussion and guitars, all bathed in a blood-red light. You can see why it requires a certain taste to enjoy this past the point of no return.I wondered, while listening to the airy and up-tempo dialog, if American kids will get some of the allusions and jokes. Burlinson's nickname is "PC". It stands for "Police Car." Why is he called that? Because he's always chasing sirens. Sirens? Worse yet, somebody quotes Voltaire.However, I expect that the sensibilities of our teens will roughly discard these sorts of challenges because by the time they realize that they didn't understand it, they'll have already forgotten it.Besides, the dialog won't be as important as the many surfing scenes, the amiably reckless attitude of Burlinson, and the sassy, brassy Kidman, who was only eighteen when this was shot. She has a head of curly black hair that flops around with her, big enough to have its own weather system. She's a lot of fun. She hadn't been turned into the epitome of vacuous blond perfection that Hollywood would do it's best to achieve, but she can act and she embodies the role.There are amusing allusions to "Jaws" in the writing -- not just the dialog -- some often amusing. Just as often, it's not. I didn't get a kick out of watching Burlinson prepare a fast breakfast while the camera cuts back and forth from the frying egg to the countdown on the microwave. It wasn't offensive, just pointless.

Saw this late on ABC, can see why they put it on in middle of night. This is amateur hour, watching this 'car crash',the dialogue, editing and special effects - shark/seal scene! - get worse and worse. When the 2 larrikins get honked by garbage truck and their retort is "Up yours, garbage breath", scriptwriters! Then when there is a drag between PC and the yobbos the dueling banjos start. Only interest is seeing young Kidman, Matt Parkinson and Alan Dale (Dr Karl) ironically in the band, Karl nursing muso ambitions early on.On a side note, it would be more helpful and balanced if negative and positive reviews were put up as it seems that user reviews are only added when someone really likes the film. This leaves the user reviews unbalanced and some 'terrible' films get very high rating. Subjective, of course

I have just watched this movie on late-night TV & it reminds me of when I saw it the 1st time at the Beechboro Drive-in in Perth's north eastern suburbs back in 1986/87 as an 18yr old. It was good then, but much better now, 24 years later. Only a local would pick up on the scene backgrounds that were far from accurate, e.g. when they were filming the final sequence off Trigg Beach, when you saw the coast from the water there was no crowd, or buildings even, as the actual windsurfing would've been shot further north beyond the suburbs. The film is a great period piece that any Aussie would enjoy.. the clothes, the hairstyles, the cars, etc. Tom & Nicole are definitely very cute together. If you have never been to Perth, as the movie shows, there is plenty of beaches & plenty of sun. I loved seeing the movie again.

This is a surprisingly good film, bearing in mind it was probably made on a miniscule budget. What's unforgettable about it is a 19-year old Nicole Kidman as a sassy rock singer in a red leather jacket and slit skirt (as well as in the nude for about 5 scenes - all too brief). There's more than a hint of the famous actor she was about to become, with some feisty dialogue and a totally believable intensity in her relationship with her screen boyfriend. It's a pity that the credits reveal her 'singing' was dubbed by someone else, as Moulin Rouge showed she was quite capable of doing it herself. Oh, and if you like windsurfing, or huge waves crashing on Australian beaches, you'll also like the film for those reasons, and it's even got quite a good storyline with tension rising towards the end. The scriptwriter's attempts at humour - and the briefly-glimpsed plastic shark - are a bit embarrassing though!