The Mystery of Mr. Wong (1939)

Having a popular, first-rate actor like Boris Karloff in the title role of its Mr. Wong mystery series added an unaccustomed touch of class to poverty row studio Monogram's usual low-budget lineup of undistinguished programmers. The portrayal of the genteel Chinese detective must have likewise been a nice change of pace for the refined Englishman from the run of monsters and other sinister types he had been typically cast. Okay, so Karloff looked about as much like a Percheron ice wagon horse as a Chinaman. Let's just assume he was one of a those half-British Hong Kong Wongs. In any case he manages to project a convincing Oriental ambiance with only a minimum of makeup, while showing the maximum of sophisticated acting talent his fans have come to expect. Monogram seems to have responded by giving the Mr. Wong series the best staff and the biggest budget the financially disadvantaged studio could scrape together to support Karloff, who was a bigger name than they were used to having around.The Mystery Of Mr. Wong, second in the series, is immeasurably better produced than the first entry. Nice sets, both interior and exterior, smart, well-lighted cinematography and tight editing complement William Nigh's sharp direction. A full-bodied, original score by Edward J. Kay enhances the drama, action, and suspense while setting the just-right mysterious, exotic, and sometimes spooky atmosphere. The Scott Darling screenplay is complex and intelligent with engaging, at times even snappy, dialog. It presents a classic drawing room style mystery. The principle murder victim is a cad hated by all, which makes practically every character a suspect. Clues appear and disappear, sometimes even falling out of pictures on the wall. Karloff gets a competent supporting cast including elegant, if not so well-known leading lady Dorothy Tree, polished, oft-seen character actor Holmes Herbert, and stalwart Grant Withers in his reoccurring role as tough cop Captain Street. The police in this one are portrayed as less overbearing and bumbling than in the previous entry -- perhaps there were complaints from the policemen's benevolent associations. It's a mixed blessing. While the cops here are more efficient and less disruptive to the cagey Mr. Wong's efforts to solve the case, they are inevitably and sadly less humorous. While those of the politically correct persuasion may complain about an Occidental playing the Chinese detective, these little movies nevertheless gave good employment to a number of Oriental supporting actors, notably in this one Lotus Long, as a maid who knows more than she should about the mystery, Chester Gan as the no-nonsense butler who tries to help the police, and Lee Tung Foo in a reoccurring role as Mr. Wong's efficient manservant. The producers of the series gave pretty Ms. Long parts in two other Mr. Wong numbers, including the leading lady role in Phantom Of Chinatown (1940).The Mystery of Mr. Wong nimbly belies its cheap origins all the way through -- so well put together, intriguing, smoothly paced, and entertaining, it seems almost like an "A" picture, or at least a big studio a "B" production. Karloff is a delight. Viewing the first two movies in the set, has made the fifteen bucks I sprang for VCI's well restored two-disk album of all six Mr. Wong movies look like the shopping coup of the season. If you like off-beat little mystery potboilers that pack a load of entertainment into a short running time, then Mr. Wong is wight for you! Sorry, I couldn't resist.

This second entry in the "Mr. Wong" series has a classic mystery setup: a game of charades at a party turns deadly when a gun supposedly loaded with blanks actually kills someone. Or is that really what happens? Luckily (or unluckily, for the murderer), the eminent detective Mr. Wong is among the guests, and is more than willing to help the police solve the murder. The sinister suspects, red herrings and other traditions of the genre are all present and accounted for, and while the direction may not be fanciful, it is efficient. Boris Karloff is very good as the calm, polite, observant, analytical Mr. Wong, helping you ignore the "wrong ethnicity" barrier. What is harder to ignore is that, in order to get to its admittedly unpredictable resolution, the script withholds vital information about the motive of the murderer; we never suspect him/her because we are given absolutely no reason to! Even with that reservation, I think most mystery buffs will find enough to enjoy in this film. **1/2 out of 4.

This low budget Monogram film is not short on intrigue or mystery. The largest sapphire in the world, "Eye of the Daughter of the Moon", has been stolen from an antiques collector, Brandon Edwards(Morgan Wallace), at the same time of his murder. His wife(Dorothy Tree) and her lover(Craig Reynolds)are of course of great suspect. The renown Chinese sleuth Mr. Wong(Boris Karloff)is called on to solve both crimes; and the clues are leading to one culprit. Once again Wong calls on his friend Police Captain Sam Street(Grant Withers)to help in the investigation. A fine detective flick worth watching. Other players include: Ivan Lebedeff, Lotus Long and Joe Devlin.

Although this is a typical "B" movie from the 1930s, it is way above the average suspense flick from that period. It has a lot of interesting elements such as the presence of a valuable gem sapphire called "The Daughter of the Moon", a gunshot out of nowhere, a creepy old house, and a gathering of sinister characters in which all would have motives to commit murder.Karloff may seem superficially miscast seeming to look just passably Chinese with the makeup used, but one must consider the premise that Mr. Wong is supposed to be raised in England and educated at Heidelberg, Germany and Oxford, England which would account for his heavy British accent.The film continues at a fine pace throughout the film with the various characters functioning as red herrings (love triangles, attempts to reclaim the gem, another murder, an attempt on Mr. Wong's life) until the true murderer is revealed at the end of the film (which I won't reveal here).Worthy to be mentioned along with the best of the "Charlie Chan" and "Mr. Wong" series from the same period.10/10.Dan Basinger