American Guerrilla in the Philippines (1950)

It's not really about what I thought of the film - I note military and naval experts have commented on various inaccuracies. This is more a comment on an aspect of the film, which I saw many years ago in b/w, and got a greater insight into when seeing the Canadian commentator Elwy Yost's programmes on cinema history in the 1970's. How many viewers realise that the reason the heroine (the Filipino hero's wife) is cast as a Frenchwoman? This is not to make the story more romantic, or as a tribute to 'our gallant wartime allies' or even because the actress might be French, but because in those days to comply with the Hayes Code, the heroine, if she gets the white hero in the end (or vice versa!) has to be white!

Even as a non-movie war buff, I really enjoyed this movie. As a Filipino who lived in the Philippines for 16 years, 6 of which was in the province and the rest in the States, I really identify with the movie. It shows the beautiful scenery of the country and the rustic huts which are still being used to this day. It displays the villager life quite authentically as I recognized the national costume, (barong Tagalog and filipiniana), a typical nipa hut, the way people typically wash their clothes, and the huts on stilts.Tyrone Powell stars as the dashing war hero who gets blown off his PT boat and leads his motley crew to Australia. In the process, he gets caught up with the Filipino guerilla movement against the Japanese, trying to duck the Japanese whenever the village is invaded. It is an interesting portrayal of trying to make do with Asian countryside resources to make a viable radio to contact general MacArthurs troops. He meets the heroine who later becomes widowed and the two fall in love in the midst of the war. The ragtag crew gets caught in a last stand at a sturdy church, when General MacArthur arrives in the nick of time, making for a feel good movie, I found it exciting, easy to get into and located in a typical local Filipino flavor even featuring the typical native dance tinikling. I loved this movie, it will not disappoint. Maybe they could have portrayed the Japanese high rankers as a little bit more cruel, the way my mom used to describe to me, and they could have shown some Japanese as young kids who had no choice and were just homesick and were in a war they never wanted to be in. But other than that, an excellent war movie. The difference between movies in the 1950's and 2000's clearly show in terms of excellent acting and inspiring cinematography.

If anyone thinks they've seen this film before, An American Guerrilla in the Philippines bears no small resemblance to the John Wayne film Back to Bataan. But what a difference in terms of production.Back to Bataan was done on the RKO back-lot with their official jungle set used for films going back to King Kong and The Most Dangerous Game. An American Guerrilla in the Philippines was shot entirely on location in the Phillipines and the cinematography is beautiful.I'm not sure that Tyrone Power's military service brought him to the Philippines, but he did serve in the Marines in the Pacific Theater in several campaigns against many islands. It certainly lent a lot of credibility to his performance.Unlike John Wayne who is ordered into the hills to begin organizing resistance, Power is a navy ensign who's just trying to escape the Philippines after Bataan has fallen and to avoid the brutal Japanese prison camps. Along the way Power decides along with Tom Ewell and others in his motley group to join the resistance.And unlike John Wayne, Power gets an opportunity for a little romance with a plantation widow, Michelline Presle. Power does a good job here. The film is not a dark and moody Fritz Lang type product, but Lang does all right with a project that he obviously took for a pay check. I will say this though the ending is a bit too much to swallow as Douglas MacArthur does indeed return, and in the nick of time as well.

As an ex-military person, the discrepancy of rank in this movie is very glaring to me. Chuck Palmer is an Ensign (the lowest navy officer rank), but wears silver clusters (the rank of a Lt. Commander). At one point he is talking to an army Major and mentions that, although he is in the navy, they are of the same rank (the navy equivalent of an army major is a Lieutenant). It's an interesting movie to watch when you're up at 2 am and can't sleep. But, overall, I think this is a very sanitized version of the guerrilla fight in the Philippines during World War 2. If you've just tuned into the film at some parts, you'd think you were watching a documentary. An interesting trivia note: Jack Elam is the narrator in this film, but he also has a cameo in which he plays a con artist who bilks the locals of money in order to "buy guns and ammunition to fight the Japanese".