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Man from Del Rio

Man from Del Rio (1956)

October. 30,1956
|
6.4
|
NR
| Western

Mexican gunfighter Dave Robles outdraws the town's outlaw-turned-sheriff and is invited to fill the dead man's shoes. But a tin star doesn't bring automatic respectability and Robles is shunned by the town's leading citizens. His popularity with its less-savory element, particularly saloonkeeper Bannister, wanes dramatically, too, as he starts to take his job seriously. It is his love for a decent, caring woman that keeps Dave in town, but can she convince him to lay down his gun and start a new life?

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HotToastyRag
1956/10/30

Ah, the good old days, when a slap in the face meant a man loved you. In Man from Del Rio, that's what it meant to Anthony Quinn and Katy Jurado. Believe me, the movie is much more than that, but that scene was pretty amusing.Anthony Quinn stars a half-Mexican from the wrong side of the tracks who isn't really welcomed by the small town he wanders into-in other words, this is a typical Anthony Quinn role. It's a pretty mediocre 1950s western, which is a genre I don't really like, and if it weren't for Tony's good looks-and good performance-I probably would have turned it off. Thankfully he was good looking, and he did add nuances to his character that made him likable and easy to root for, despite slapping Katy Jurado, so I watched the whole movie. Another actor could have rattled off his lines with no feeling, like much of the supporting cast, but Tony decided to give his character motivation and feelings. His main issue revolves around pride: he's ashamed that the town doesn't accept him and he wants to be able to hold his head up high. So, whenever he's challenged to a fight, he can't back down. I'm pretty sure it was Anthony Quinn who made those motivations clear. As you might expect from a movie taking place in the Old West, there are lots of shootouts, slugfests, barroom brawls, and lawless mobs. If you like that genre, you'll probably like this movie. I won't spoil anything, but Richard Carr's story grew to be pretty imaginative, and I ended up liking Man from Del Rio much more than I thought.

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edwagreen
1956/10/31

Very slow moving film where Anthony Quinn comes to town to gun down a fellow shooter who evidently had done him wrong 5 years before. There is no explanation whatsoever of why Quinn had the grudge.In a lawless town, Quinn kills 2 more guys and the town asks him to be their sheriff. He complies but he is socially ostracized by the people living in the town as observed at the town dance.He is a drinker and the saloon person, a former gunslinger, wants his aid in promoting Lord knows what.Katy Jurado is the woman who divides her time working in the general store and assisting the town doctor. Married and widowed from a gunslinger, she spurns all advances made by Quinn.There is an inevitable showdown between the Quinn character and the saloon keeper that will keep you wondering if Quinn had really broken his writs in the film.The part of town drunk Breezy, played by Whit Bissell was an interesting character that should have been explored more.

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rooster_davis
1956/11/01

I re-watched this movie recently and it re-affirmed my belief that Anthony Quinn is one of the great character actors. Man From Del Rio was obviously a low-budget film - not because it looks 'cheap' but because it was shot in a simple old-West town setting, much like High Noon, and because it is in b/w and doesn't have any of the really top-name stars. None of those things detract from it because it has a very good story, an excellent, taut script and fine performances all-round. (Well, with one reservation I'll mention later.) Right at the beginning of the movie, David Robles (Quinn) approaches gunfighter Dan Ritchey (Barry Atwater). He has spent the last few years learning to shoot so he could avenge those who Ritchey and his friends killed when they shot up Robles' hometown of Del Rio. When Robles kills the noted gunfighter the town offers him the job of sheriff.But the town is crooked, basically run behind the scenes by the former gunfighter who owns the saloon, and Robles makes it apparent from the start that he is not going to play along. The townspeople even regard Robles as little more than just a 'tool' to keep order, not wanting to afford him equal treatment as one of their own.Katy Jurado plays Estella, the assistant to the town doctor, and Robles has eyes for her. She has been in SO many Westerns, playing mostly the same role - the detached, cool, beautiful Mexican lady - but here she speaks her lines in such wooden fashion it's like she's reading them phonetically and doesn't really know what she's saying. Her inflection doesn't go with her words sometimes. It's not too off-putting but I did notice it enough to mention. I don't want to spoil the story, and there is a lot more to it than this, but it's an excellent little Western with a good plot, well-written script and believable dialogue. I would recommend this to anyone who wants to see a less-well-known but still worthwhile Western.

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helpless_dancer
1956/11/02

Good western with Quinn playing a man bent on revenge who lives on the shady side of the law. After coming to a strange town his life is changed completely and he must come to a major decision concerning his future. Lots of good gunplay, bad guys, and, of course, the love interest.

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