Cave of Outlaws (1951)

I have been twice to the Carlsbad Caverns, in the fifties and early sixties. It is something magnificent and I was afraid this film would not do justice to it. But that's not the case because the beauty of "Cave of Outlaws" is how it combines the impressive scenery with a well written plot of mystery, love, and even an unusual (in westerns) duel. The story starts when young Pete Carver (Russ Tamblyn) is found inside the cavern after a train robbery. They can't find the money, he stays fifteen years in jail, and comes out played by Macdonald Carey. By now he is famous, the whole town (near the cavern) offers him credit, and he decides to help Elizabeth Trent (Alexis Smith) build a newspaper. Alexis Smith is beautiful and classy, she enhances every film she is in. This film deserves a high definition version to fully appreciate the cavern. When they say at a certain moment, after many people get killed at the cavern, that they want to get out of the place, they remember they must come back to contemplate the incredible beauty. And every one that will visit the Carlsbad Caverns will never forget it!

Cave of Outlaws is directed by William Castle and written by Elizabeth Wilson. It stars MacDonald Carey, Alexis Smith, Edgar Buchanan, Victor Jory, Hugh O'Brian and Houseley Stevenson. A Technicolor production out of Universal International Pictures, with music scored by Joseph Gershenson and cinematography by Irving Glassberg.1895 and Pete Carver (Carey) is released from Kansas State Prison, he is the only survivor of a gold robbery 15 years earlier that saw his father killed in caves near Cooper Bend, Arizona. The gold was never recovered, and now Carver is back in Copper Bend, and this place, its inhabitants, are about to be privy to greed, treachery and murderous secrets of the past.William Castle was 7 years away from making his lasting mark on cinema, where his scare tactic gimmicks used to accompany his horror movies ensured him a lasting reputation as a showman producer with tactical nous. Prior to this he was a jobbing director, churning out a number of low rank and file pictures that are rarely mentioned and mostly forgotten about. The odd one, mind, is worthy of spending time with on a Sunday afternoon. One such film is Cave of Outlaws, a Western that certainly doesn't shake the earth or raise the pulse considerably, but has enough interesting locales and quality of story to render it as watchable fodder for the B Western fan.Standard formula applies here, man has mission to accomplish, gold is the route of all evil, pretty girl offers hope of romantic redemption, but villains and the law are spoiling the broth. There's no great stand out action sequences, but they are well handled by the director and stunt men, with a couple of good old fist fights to brighten the day. The Technicolor print is nice and with Glassberg and Castle making great use of the eerie Carlsbad Caverns and the lovely exteriors at Vasquez Rocks, picture is always pleasing on the eye. Cast are modest, but nothing to annoy or hinder, though it's unusual to see Buchanan turn in an average portrayal. 6/10

Cave of Outlaws (1951) ** (out of 4) Technicolor Western set in 1880 finds a gang of outlaws robbing a train full of gold and hiding it in a cave. Before they can leave the cave all are killed with the exception of teenager Pete Carver. After fifteen years in prison, Pete (MacDonald Carey) is released and heads back to the territory where the cave is located only to learn that it's now a booming town due to copper being found in the mines. The good news is that the money was never discovered but now Pete must try and outsmart a few other bad guys who have their own plans for the money. It's amazing that someone like William Castle can remain so popular yet very few of his films are actually viewed by people. It seems most either never knew he had a career before his Horror pictures or perhaps they just don't care. As I slowly go through his Westerns it's clear that he was certainly a director-for-hire as his quick shooting and under budget reputation certainly got him hired to do this film. There's nothing overly horrible about this film but at the same time there's nothing good either. I think a lot of the problem is the screenplay, which gives us a fairly interesting idea but very little is ever done with it. Once Pete arrives back to town we get the typical bad guys following him and the typical women wanting him. There' some mild comic stuff dealing with every store owner giving him an unlimited line of credit because they think he knows where the money is but not enough is done with this. Castle handles the opening robbery pretty well but the rest of the film is rather lifeless. There's not too much energy in any of the scenes and the ending seems more fashioned for a comic book than an actual film. Carey isn't the most entertaining leading men and Alexis Smith doesn't get too much to do either. Edgar Buchanan, Hugh O'Brian and Hugh Sanders aren't too bad in their supporting roles but the screenplay does them no favors. There's some decent cinematography and fans of Universal's horror films will notice that a lot of the stock music is carried over here. If you close you eyes throughout the film you'll think you're watching ABBOTT AND COSTELLO MEET FRANKENSTEIN considering the scores. In the end, it's pretty hard to recommend this movie to anyone outside of someone like me who just wants to go through the director's entire career.

Fifteen years ago, a gang of bandits hid a stash of stolen gold in a cave. Now Pete Carver (Macdonald Carey) has returned, after serving a long prison sentence, to collect the loot. The trouble is, everybody in town wants a piece of his action. He helps the pretty widow Liz Trent (Alexis Smith) to re-launch her newspaper, The Clarion - but what is Ben Cross's interest in her?Apart from a big, elaborate cave set with realistic stalactites and stalagmites, this listless western doesn't have much to offer. Ever-present western character actor Edgar Buchanan is good as Dobbs the Wells Fargo investigator, and the two leads are adequate, but that's it.Some of the ludicrous touches include the cave interior being brighter than day, and Carver's ability to overcome two armed heavies, even though he has recently been shot and beaten up. The denouement is preposterously neat.Verdict - slack, run of the mill horse opera.