Aces and Eights (1936)

Director: SAM NEWFIELD. Screenplay: Joseph O'Donnell. Story and continuity; George Arthur Durlam. Photography: Jack Greenhalgh, James Diamond. Film editors: John English, Robert Jahns. Assistant director: William O'Connor. Sound recording: Hans Weeren. Producers: Sigmund Neufeld, Leslie Simmonds. A Puritan Pictures Corp. Production, presented by Bernard Smith. U.S. release: 6 June 1936. 62 minutes. SYNOPSIS: Gambler McCoy reforms when he meets up with square-shooting Marshal Hodgins and a courteous senorita, Luana Walters.COMMENT: As is often the case in "B" westerns, all the action is saved for the climax. Despite this lack of action, however, the card-sharping plot promised by the title does maintain the interest, although sometimes it's a little difficult to follow. A half-hearted murder mystery doesn't help, nor does the similarity between the two villains, Wheeler Oakman and John Merton. Fortunately, Tim McCoy is his usual charismatic self and is given great support here from the likes of Earl Hodgins and Jimmy Aubrey.

Aces And Eights with its rather unnecessary prologue of why the poker hand of Aces and Eights is called the dead man's hand is a somewhat overplotted western starring Tim McCoy. It was made for a fly by night outfit called Puritan Pictures that had as its logo a picture of the guy that looked like the guy on the Quaker Oats cereal box.Everybody who knows any western lore knows that Wild Bill Hickok was holding that hand when he was shot in the back. But Tim McCoy plays a somewhat different western hero, he carries no gun and he's on a mission to expose card cheats.He exposes a couple of them and in the process gets accused of murdering one of them. He's got Marshal Earl Hodgins on his trail and Hodgins for once is not a comic foil. A rare western indeed having a hero who carries no gun for its time. Still a little too much plot in this B picture horse opera for the Saturday matinée crowd.

As the film's title suggests, the famed aces and eights poker hand plays a role in the outcome of the story, but this time it's not a murder. Cowboy star Tim McCoy portrays Gentleman Tim Madigan, a card sharp who's not above a little bottom dealing himself. His reputation is so renowned that posters warn other gamblers to keep their distance from the well dressed poker player.Madigan's sidekick is a fellow named Lucky (Jimmy Aubrey), who keeps a pair of dice handy to consider what the day will bring. They ride across the border to Roaring Gulch, California following the murder of a fellow gambler that's pinned on Madigan. Madigan doesn't wear a gun, relying on his wits and power; he can tear a deck of cards into quarters. In Roaring Gulch he's befriended by Don Julio Hernandez (Joseph Girard) and his daughter Juanita (Luana Walters), while her brother Jose mistakenly believes he's the one responsible for the murder back in Nevada.In an effort to save the Hernandez ranch from crooked saloon owner Amos Harden (Frank Glendon), Madigan challenges him to a poker hand using a clean deck. Seems to me that was quite a gamble, even IF Lucky rolled a seven that day. Perhaps in the end it was Tim McCoy's steely gaze that saved the day, I've never seen it better.The Marshal (Earl Hodgins) tailing Madigan becomes convinced that he's innocent of the Nevada murder when Madigan pulls a slug out of a wall fired from Ace Morgan's (Wheeler Oakman) derringer. It matches up with the slug found near the dead body, in a logic defying exercise in ballistics, since the bullet had to go entirely through the dead man's body and then fall to his side. Not only that, but the Marshal had to find it! I'd like to see the Warren Commission explain that one.At least one interesting custom is explained in the course of the story, though I don't know if there's any basis in fact for it. At the Hernandez ranch, a chalice of gold coins, 'La Copa D'Oro', is on display in one of the rooms. The custom says that the coins are for any guest who finds himself truly in need, and even a thief would not dishonor that generosity. Given the story line and the opportunities made available to tempt fate, the cup made it to the end of the tale untouched. That at least seemed a lot more credible than the exact same 'aces and eights' poker hand showing up at different times in the story, to the point of matching the fifth card in the hand each time.

The title refers to the "dead man's hand" which was held by Wild Bill Hickok when he was gunned down during a poker game, and which plays an important part in this limply directed Western which fortunately stars the always poised Tim McCoy, whose piercing glances enfeeble his rivals in his portrayal of "Gentleman" Tim Madigan, an unethical gambler whose finer instincts cause him to assist a beleaguered Mexican family near the California/Nevada border. Madigan survives by his wits as he carries no gun and is given some clever lines, from the uneven screenplay, which McCoy delivers with aplomb, stealing the acting honors with ease in this rather subdued example of the genre, wherein recovery is the keyword: of pride, honor and property.