Knock Out (2010)

In "Knock-Out," Silvio Simac proves again that he is a global actor who is indispensable for the best action scenes in movies today. In this riveting thriller from India, Simac's contribution is far too brief, but his climatic fight with the film's lead proves to be a nail-biting highlight. Simac plays the aggressive leader of a tactical team deployed to eliminate a rooftop shooter. The charismatic actor infuses the scene with tension and talents to elevate it far above the usual concluding battle between good and evil. Simac's precision and dramatic skills have distinguished other films such as "DOA" and "Transporter 3." From atop the peak of a skyscraper in a dizzying fight scene, Simac also makes "Knock Out" another movie that soars! My 10 star rating for the film is the result of Simac's dynamic performance.

If a film has to be judged only on the basis of noble intentions behind its making and its main aim of generating some awareness among the viewers (about their own money) then KNOCK OUT works in one way. But if the movie has to be judged as per its style of making, taking into account the various sources of its inspiration then KNOCK OUT is a complete waste of time, money, effort and creativity put in by one and all in the project.In other words, to describe it as a movie, let's keep Joel Shumacher's PHONEBOOTH and our own Neeraj Pandey's A Wednesday together in a mixer and then mix it to have a new crispier and designer product to sell out in the market. That's what Mani Shanker's KNOCK OUT is in a nutshell. Taking its major inspiration of execution from PHONEBOOTH and then incorporating the national awareness theme adapted by a common man from A Wednesday, Mani Shanker comes up with his own project which unfortunately stands no-where close to any of its originals (if you have seen them both). In fact for the viewers who are well familiar with both of the above mentioned classics, KNOCK OUT remains a completely inspired and unwanted project which very childishly tries to take away the credit of the works done by the other filmmakers previously.So for me, the moment I witnessed its clear unaccepted and unacknowledged link with PHONEBOOTH, the movie lost all its meaning and importance of being an Irfan Khan, Sanjay Dutt or Mani Shankar film. It was extremely shocking to see both Irfan & Sanjay doing the roles which are nothing but the copy of the work of others. This once again raises the same question that Are these well known actors so uninformed or unaware of the roles they are assigned to do by their directors? OR Are they only interested in the monetary rewards they are getting in return? With the body of work associated with both Imran Khan & Sanjay Dutt, there is no way that they may have not seen the hugely famous English film PHONEBOOTH and the Hit Hindi movie A Wednesday. Still they readily agreed to do exactly similar roles as seen in these two films is indeed questionable.As far as the movie is concerned, Mani Shanker continues to show his fascination with Electronic Gadgets, Computers and Passwords as earlier used in his 16 December. His intention of making the people of India aware of the amount of money deposited by the Indian Politicians in Swiss Banks is appreciable. But his choice of executing the same by the means of copying is not acceptable. The film is simply PHONEBOOTH made in Hindi before intermission which starts moving towards becoming A Wednesday in its second half. Performances too in the movie have nothing much to write about as they have all just performed like a routine job including the versatile Irfan Khan.And with a court verdict coming in the news today about the original makers of PHONEBOOTH wining the case against KNOCK OUT, there is nothing more to say about this latest example of Bollywood copying from the West.Ratings : No Rating as its simply a rip-off.

The name as such does not suggest anything so one snowing night I got this movie and started watching as I had nothing much to do. The first five minutes got me and my husband(who does not like Hindi movies easily).. glued.. and 2.5 hrs later we were still glued. It is a must watch and the screenplay is awesome. I would not like to give out the story here as it will kill the suspense, but the movie is about the money that our worthless ministers hoard at Swiss banks... No waste of time and the character build up great. Good movie.Irffan has outdone himself, and Sanjay Dutt looks and acts good. Kangana is OK... Sushant acts well.All in all I loved it.

there are hundreds of movies that were copied and now as quoted inspired from Hollywood movies in Bollywood. Even the Indian audiences recognize right after watching trailer of such movies. But the trend doesn't end. It gets better. Knock Out is an example of that. Movie starts with a corruption money being transferred to a Swiss Account. Then leads to character name Bachchu played by Irafan Khan who gets to a phone booth and makes a call. Right after he hung up the phone, he receives a call. There the story begins. A story about a shooter (Sanjay Dutt) who has Bachchu on gun point and ask him to do things that Bachchu would have never imagined. the story remains excited till the ending. I wouldn't say it was the best movie I have ever seen. but was worth watching once and enjoy. Sanjay Dutt and Irrfan Khan's chemistry works. They both done well as you expect from experienced actors. Kangana Ranaut is natural. Gulshan Grover gets few good lines other than that doesn't get much scope. Is short watch it once, it wont spoil your time.