TV
Because Of Meeting You, We Can Be Here Together
Ha Sinh is a country child who was born into a very poor family. Always mistreated by his parents and siblings who hate him, Ha Sinh is given to a wealthy man from the city by his Grandfather, as payment of a favor from the past, who thought this would be his best chance to have a better life. Leaving the bosom of his family, now Ha Sinh has to learn to adapt to life in the big city and deal with his new homemade: Vien Truc. At first what seemed to be a complicated and hateful relationship, then becomes friendly and loving. A different feeling between the two begins to be born and, despite trying to resist, becomes stronger than they can admit.
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anohana: The Flower We Saw That Day - The Movie
A year has passed since Menma's ghostly return to the Super Peace Busters. Although the time they spent together during that summer was short, the five members reminisce about what happened as they each write a letter to their lost friend.
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We Can Make You Talk: A History of Interrogation
This documentary is also part reality show. A dozen volunteers are set a mission to fulfil, but one by one they are captured by interrogators. They are held for a weekend, blindfolded and shackled and subjected to the same interrogation techniques talked about in the documentary. One by one they crack and tell their captors everything they know. They are made to talk!
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We Stand Alone Together: The Men of Easy Company
Over a period of two years, Mark Cowen and his crew travelled to thirty U.S. states and ten European cities, to interview the veterans of Easy Company. The stories told by the veterans themselves, create a history of the Second World War from the point of view of this heroic company of men, made famous in the mini-series Band of Brothers.
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We Spin Around the Night Consumed by the Fire
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.
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King Lear: How We Looked for Love During the War
Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.
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Things We Won't Say About Race That Are True
Trevor Phillips confronts some uncomfortable truths about racial stereotypes, as he asks if attempts to improve equality have led to serious negative consequences.
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The Damned: Don't You Wish That We Were Dead
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band's complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
