Ghost Son (2008)

After watching the first 2 seasons of the excellent Spartacus,I took a look at John Hannah's IMDb page,and discovered that he starred in what is currently Lamberto Bava's last film,which led to me getting ready to catch a glimpse of the ghost son.The plot:Recently getting married,Stacey & Mark go to live on Mark's farm in South Africa.Whilst driving down to town one day,Mark gets involved in a car crash that kills him. Experiencing a deep sense of grief,Stacey starts to close herself off from the rest of the world,as she begins to see Mark's "ghost." Noticing that she has not had her period,Stacey goes to the doctor,and discovers that she is pregnant.Returning home with her new son Martin,Stacey finds the ghost of Mark to become increasingly aggressive,as Martin starts to act in a rather strange manner. View on the film:Filmed on location in South Africa,co-writer/(along with Silvia Ranfagni)director Lamberto Bava reveals an unexpected,restrained elegance for what is currently his final film.Largely taking place in one building,Bava and cinematographer Giovanni Canevari grip the title in a tightly coiled terror atmosphere,as long,elegant tracking shots close in on Stacey (played by a terrific Laura Harring,who also appears naked in the film)as Mark (played by a great,burning with rage John Hannah) makes his presence felt.Along with the classy chiller mood,Bava also uses the movie to sum up his career,as the house location and eye-catching in-camera trick shots allows Bava to revisit the lurking in shadows Giallo mystery of A Blade In The Dark,whilst Mark's possession of his son lets Bava return to the gory delights of his Demons series.Focusing on Stacey having to raise Martin on her own,the screenplay by Bava & Silvia Ranfagni pushes parental fear to the extreme,as the writers smartly take an even-handed approach for the first half,with the first sighting of Mark strongly hinting at Stacey suffering from parental stress.After spending the first half hitting the ghostly chills with a real precision,the writers push the tension to the side lines in order to turn Martin into a Bava "mini-Demons",which whilst allow the practical effects makers to cover the screen in outrageous gore,leads to the relationship between Stacey & Mark being seriously damaged,thanks to Mark's psychopathic side completely coming out of left-field,with there not being the slightest hint of the ghostly son that awaits Stacey.

"Ghost Son" takes place in South Africa.A married couple Stacey and Mark live on the farm with their black teenage maid.Mark and Stacey love each other deeply.Unfortunately Mark dies in a tragic truck accident.Stacey returns to the farm and decides to remain there since she feels close to Mark.She is also carrying Mark's baby.After delivering the baby Stacey quickly becomes sure that her infant son is possessed by Mark's spirit.The evil force tries to kill Stacey to bring her to Mark."Ghost Son" has the higher production values than Lamberto Bava's efforts.The production design is great and the cinematography is very lush.There are some dull moments and silly scenes,though.The climax is truly terrible.6 vomiting babies out of 10.

The entire first half of the film drags beyond belief. There is a great setting in Africa, decent acting, and one half the movie to develop the background scenario that Mark and Stacey are in love and passionate about it and "make a baby". This is hardly a revelation given the title of the movie.The rest is perhaps intended to be mood setting but is really an exercise in trivia. The black Africans are all portrayed as having mysterious beliefs, a throwback to the films of the 50s. The rest is a long drawn out portrayal of the trite. Mark buys a piece of wood. Stacey wants to take a picture of the natives. Mark paints a room. Mark has weird statues and carvings. The natives lie a lot (really, this is actually a line in the movie). Get the picture? All of this is filled with music that is supposed to build drama I guess but instead just adds to the general and interminable boredom.Finally the plot begins to develop, but it does so in a way which strains credulity. Mark is in an accident on a clear road which somehow pins him under the outside of the car. (You read that right.) Stacey drives down the road and voilà, there he is, ready to die. She grabs a jack and raises the car just enough for them to have a long drawn out conversation. Meanwhile the car is balanced on two wheels in the most preposterous position imaginable. Gasoline is pouring out... oh no, wait, there must not be any gasoline because it isn't pouring out of the car tipped on its side. In fact the whole scene looks so contrived that it is hard to believe someone didn't leave it on the cutting room floor.The movie has its moments. Some of the interplay between the mother and child is indeed rather spooky. But the best of it doesn't make up for the mediocre plot build up, nor the rather milquetoast ending. When the plot resolution finally occurs, I was almost cheering because it was over. But that was premature, because it wasn't over. There was another few minutes of pointless epilogue remaining to be covered.If you make it through the first half and are still awake the second half is better. But all in all it is rather lame. I gave it a far too charitable 5.

Now this, I really consider to be Lamberto Bava's international comeback-movie (instead of his previous lower budget effort, THE TORTURER, in 2005). You gotta hand it to the man: Coming back to the theatrical world of horror with an Italian/South African/Spanish/British co-production. And you know what? To my utmost surprise, it's even pretty decent (I saw this one before I saw THE TORTURER later this week, so you can imagine how unpleasant a surprise the latter was….). It's even hard to believe that GHOST SON and THE TORTURER were both directed by the very same director.GHOST SON looks great! The cinematography looks astonishing. And Bava really took the time to direct this one. And he clearly had a very comfortable budget to work with (it always helps to have the money to afford a capable and talented crew). Almost every shot in this movie has movement (travel-shots, letting the camera slowly and stylishly turn around the actors, crane shots,….). It was a lust for the eye to see Bava finally being able to show his more technical directing skills again.The story, on the other hand is a hit and miss deal again. I liked the fact that Bava is giving us a different take on your average ghost story. But while the movie manages to be effectively scary at some points, it also had quite some ridiculous, but highly entertaining events in it (a baby with a boner biting his mother's boobie????). Nevertheless, these events, to me, were extremely fun to watch (still too bad they damaged the over-all 'seriousness' of this movie a bit, though).All-in-all, Ghost Son is a slow mover, but story-wise it did managed to keep my interest because I wanted to know to where it would all lead to, eventually (just don't expect any exciting twists or surprising conclusion to it because the denouement isn't exactly a spectacular climax). In a world filled with horror-movies containing derivative surprise-twists at the end, Ghost Son manages to simply avoid that trap. Rather rare these days, I'd say. But it was really the more than decent cinematography and Bava's skill-full directing that kept my going through this movie. Well, it even has more merits, of course. Like the good acting by Laura Harring and the adequate musical score. Not to forget Pete Postlethwaite's noticeable presence in this one.I'm fully aware of the fact that a lot of people might not like this one as much as I did. Some people even might say THE TORTURER is a better movie. I say: Don't believe them, because it's not... but that's totally up to you, of course.