Wild Palms (1993)

In childhood i once heard a story from Greek mythology, long story short, the Gods hid a little piece of god in all of man were we could never find it. Hence the Fathers were trying to use VR to separate our intellect or soul from man and create disembobied god online. Which IMO explains the movies religious undertones, the praying to child actors and what not. I haven't seen this movie in since it appeared on TV and i still think about it.In hind site the movie was a prophetic warning the way everyone was addicted to the virtual reality online world while in reality they lived in poverty and everything around them was going straight to hell. On one hand we do all our bisness, communication and socialization online, on the other hand online is not real? But we can live without it anymore we are addicted to the unreal..

I remember when Wild Palms was originally shown amid much hype in 1993, but have only seen it now that it comes to DVD.Imagine an adventure of cyberpunk intrigue which takes place in a near future world where VR ("Virtual Reality", for those too young or old to have assimilated the 90's buzzword for telepresence) is hitting the media mainstream; all in an environment of weird religious cults and treacherous politics. A cutting-edge commentary on the effects of new media.But in reality, there was very little of this! It seems to me that the writers were worried that these heady concepts were not quite ready for prime-time acceptance, and took pains to dilute them quite a bit. The production looks great for its time, and some of the actors fit their roles quite well - especially Robert Loggia and Angie Dickenson. In the six sprawling episodes of the miniseries, not a lot really happens. There is not a lot of character development. Many of the actors could have handled more substantial roles - Belushi, Bebe Neuwirth, especially David Warner and Brad Dourif come to mind. Rather than a well crafted mystery, there is mostly conceit that something sinister is going on which the main character is unaware of, explanations of which are spooned to us in small portions. The dialogue was often quite good, if sparse. The cult and VR aspects really struck me as being pretty superfluous, the "media manipulation of social reality" idea didn't bring anything which couldn't have been explained in terms of newspapers or television - apart from the fact that people interacting with "holograms" (while on designer drugs, no less!) afforded a few opportunities for fun photographic trickery.Wild Palms seems to me very much a product of its time. In the US at least everybody was jumping onto the internet bandwagon, techno music hit the mainstream, immersive VR became practical, the little-understood prefix "cyber-" became linked to countless names, just as "electro-" and "astro-" had been hyped decades before. I'd recommend Wild Palms to those who may never have thought about this sort of scenario before, as a bit of an introduction. More than ten years earlier, the film "Network" covered many of the same ideas in much less time, more memorably, and with far more style. For better examples of watered-down cyberpunk fiction for television I'd rather recommend ABC's short-lived series "Max Headroom" and the recent animated series "Ghost in the Shell: Standalone Complex". It is not a bad show, but where Wild Palms falls short is in the promise of revealing how combining new media with the older routines of people's obsessions and ideas of self- interest can result in interesting shifts in society, and in the societal consensus of reality itself. Too little, too late, I'd say.And what was the deal with that cameo of William Gibson?

WILD PALMS (1993) **1/2 (MADE FOR TV) Jim Belushi, Kim Cattrall, Angie Dickinson, Robert Loggia, Brad Savage, Nick Mancuso, Dana Delaney, David Warner, Ernie Hudson, Brad Dourif, Robert Morse. Oliver Stone produced this bizarre tv miniseries about the unsteady future with Loggia as the head of a cult-like society brainwashing America with technology, virtual reality and good all-time fascism. Running amok on all cylinders with some eye candy visuals and shades of David Lynchian nightmares. Quirky.

This is a cult favorite, and in my opinion, it is Oliver Stone's finest achievement in film. This film watches much more like David Lynch-- If you liked Twin Peaks, then get a copy of this as soon as possible. This film is actually very deep in the examination of our society in how it portrays the masses as being glued to their televisions and easily controlled by media giants, and how much religion is cultish no matter how big. I recommend you watch it if you have a brain in your head and like to use it. It's not just another action movie that seem to waste the projectors at movie theatres these days...