Strawberry and Chocolate (1993)

This movie is a great example of latin American cinema, the story of the friendship and human relations based on a very latin American situation : political chaos. Cuba, the last resort of the socialism in America is the place and a guy and a gay are the subjects. The humor, the situation , force you , my dear non- latinamerican viewer, to open your mind and explore just for a minute what u feel if you were in this kind of place and under this kind of government. This is not a love story, that will be the easy and stupid way to see it , this a story about freedom, tolerance and hope. Try something different, and taste a piece of our way of live. By the way ...I am latin.

This movie is about accepting difference and learning to appreciate other points of view and other ways of life. It's not really a movie about gay men - get over that! It's about friendship, and about the love Cubans feel for their country. Jorge Perugorría is absolutely great in this role, as are all of the other characters. The scenes of Havana are beautiful and heartbreaking. This film conveys what it must feel like for Cubans to leave their country, and how difficult that is. It's also about learning to think for yourself and to have opinions and do things that others might not find "politically correct." There's nothing subversive about this movie, and nothing that you need to hide from the kids. In fact, I recommend that people show the film to their teenagers and talk about it, because it sends such a great message about accepting people as they are. It's also tender and funny, and has just the right balance of humor and drama. Nancy (Mirta Ibarra) is wonderful.

"Strawberry and Chocolate" is definitely one of the best foreign films I've seen so far. It's both entertaining and moving. In the opening scenes, I couldn't help but laugh at the fish-out-of-water interactions between the main character and the gay man. But the actor who plays the gay man isn't a walking stereotype. He shows many feminine characteristics, but not in a way that he seems to be almost laughing at himself. Often times, gay men feel like women stuck in men's bodies, so it's only natural that they act feminine, but that doesn't mean all they talk about is which guys they think are hot and their longing for promiscuous sex. During those interactions, the gay man hits on the main character, but that's because he's a handsome guy. If a straight man were to meet a pretty girl, he'd hit on her too. Only that wouldn't be disputed, because heterosexuality is considered normal. But the gay man's advances aren't too forward and he doesn't start harassing him or anything.The friendship between the two characters develops slowly, but realistically. You can't expect an average heterosexual man to immediately click with a homosexual. During their later conversations, the gay man expresses more of his emotions, and how he's shunned by society. Of course, we've seen other movies where gay characters express their disgust for being treated as third-class citizens, but in this case I felt connected to the characters to the point where it didn't feel like a plot device. As I said, the relationship develops naturally and not through sentimental coincidence. Some directors would augment the relationship to the point where the main character decides that he himself is gay. But what are the chances that'll happen in reality? I have some gay friends, but that doesn't tempt me to like men as well. In fact, I still cringe when certain gay friends of mine talk about their sexual episodes. In this film, the main character remains straight and even falls in love with the man's older next-door neighbor. I enjoyed that little subplot and felt it strengthened the narrative, instead of driving it off course. The next-door neighbor also adds more comic relief to the film, with her quick wits.The acting is excellent. Aside from the actor who plays the gay character, who I feel gave a tour de force, the main actor also delivers. His reactions are very genuine, as he's sort of the straight man (no pun intended, seriously) feeding off his co-star's energy. The film is directed the same team who made "Guantanamera," another independent gem which I had the pleasure of watching in one of my previous film classes. The two movies show the directors' knacks for telling an engaging story that can be both riotously funny and incredibly moving.My score: 9 (out of 10)

A beautiful movie for the heart. One of the most wonderful stories of friendship ever told.Jorge Perugorría as Diego is amazing. (I'd well like to see some of his other work.) It is most astonishing to see how his character develops from the limp-wristed cliché gay at the beginning to a fascinating man who gets in conflict with the regime because he is different on every level from what the system requires him to be: he is an independent spirit, a person with a genuine love for the arts, for literature, for music, he is disappointed by communist ideals - and he is also gay, by the way.Vladimir Cruz is also very fine as the young and naive David who discovers things through his friendship with Diego he'd never ever thought of: like discovering the beauty of things, of life, of poetry and music... And also being committed to another person, even though this person may seem very 'different' from oneself at first glance.The development of David's and Diego's friendship is fascinating (I wouldn't interpret anything more into it, not even in the final scene). This is also a "coming of age" tale, in a way: by his friendship with Diego, David begins to think, develops a maturity of spirit - and is also, at last, able to develop a loving and mature relationship with a woman. It is very sweet when he tells Diego: "No-one will hurt her. She is with me."A true gem of a film. I recommend it to everyone.