Black Scorpion II: Aftershock (1997)

The vigilante crime fighter is back only this time she is also back on the force. This however does not stop her double life as the kinky fishnet wearing crime buster as she is called into action once more to stop two villains this time...yes two. The original concept was clearly a homage to more easy going comicbooks and the classic fun camp TV show Batman and Robin starring Adam West...albeit with a slightly adult edge. This time the shameless Batman rip off goes into full force as we get a Joker-esque bad guy and a female that transforms herself into a supervillainess in her very own tight kinky outfit ala Catwoman.A female scientist is creating a machine that can predict and stop earthquakes on the west coast of the US. This gets sabotaged by the naughty LA Mayor who needs earthquakes because it brings in vital revenue for him from various sources. At the same time the leading female scientist gets injured or shell shocked (unsure really) during the meltdown of her machine and transforms herself into the supervillainess 'Aftershock' to wreak revenge on LA and Black Scorpion, yet strangely not the Mayor directly. Aftershock hires the assistance of petty criminal 'Gangster Prankster' to aid her with her plan to destroy LA with a massive quake.So this time around as I already said the film really goes down the 60's Batman and Robin route with overall campness and silliness. Gone is the slightly adult theme of the first film (although there is still a small hint of tits n ass) as its replaced with the kind of daft lunacy you'd expect in a cartoon. Its like a blend of DC character rip offs and a Saturday morning cartoon for kids. The two main baddies are clearly heavily influenced by certain DC characters (The Joker, Two Face and Wonder Woman) and their main evil plot is so stupid it stands side by side with Shark Repellent Bat Spray.Admittedly I did quite like Gangster Prankster as a villain due to his freaky twisted visage, slutty stripper girlfriend and playhouse lair. The whole concept is totally clichéd and just slightly unoriginal but it does work for this movie (when do twisted evil clowns ever not work?). The villainess is the head baddie but doesn't really have much impact aside from having a really nice ass sealed up in latex. Her outfit is much more basic and clichéd along with many other standard superhero designs but the fact she's a blonde with thigh high boots is obviously for the young male audience. Aside from that its business as usual with pretty much everything else really...same transforming Scorpionmobile with the same poor CGI effects, same lame looking punch ups, same attempts at humour and visual gags but amazingly the same cast also which does deserve kudos.The whole thing descends into the same dull predictable formulaic plot process you have come to expect from superhero/action flicks. A loved one gets kidnapped, someone gets blackmailed into doing something against the hero, tip offs, inept police, police still against the main vigilante hero despite the good they are doing and a big showdown where everything gets sorted out with a nice neat bow on top. Yet there are still some nice moments, the sequence where Gangster Prankster gets his comeuppance is actually quite well done on a clearly small budget, and lets not forget the odd semi decent car wreck too.The only real reasons to watch this Corman gem are for the insanely silly characters on display, some cool tacky effects, tight ass in tight latex and of course Black Scorpion fighting Aftershock in a pre-teens wet dream of tight ass in tight latex (and fishnets)...hell it was good enough for me! Not to be taken seriously and of course everyone involved knows just that, hence the film does work as a fun wacky tacky piece of superhero fluff just like the first, although not quite as good methinks.6/10

Some people would have thought that one "Black Scorpion" film was quite enough. Indeed, some people, myself included, thought that one Black Scorpion film was more than enough, but enough people obviously disagreed with that analysis to persuade the producers to come up with a sequel. The title character is essentially a female Batman, a crime fighting superheroine who (like Batman but unlike Superman or Spiderman) does not have any super powers but relies upon a combination of martial arts and advanced technology to overcome the bad guys. Just as Batman had his Batmobile, so the Black Scorpion (who in real life is a police detective named Darcy Walker) has her own high-tech car, the Scorpionmobile. In the first instalment she saw off one gang of supervillains; here she has to deal with a new crowd, including the giggling Gangster Prankster (an obvious rip-off of Batman's nemesis The Joker) and a woman calling herself Aftershock who aims to cause an earthquake to destroy the City of Angels (for which read Los Angeles). The original "Black Scorpion" film was bad enough, but this one is even worse. Both were comedies based upon one single joke, namely that the superhero concept is something essentially ridiculous which can serve as the basis for camp humour using exaggerated characters and unrealistic plotting and dialogue. (The same joke served as the basis of that old "Batman" TV series from the sixties, and indeed as the basis of some of the entries in the more recent "Batman" film franchise). I have never been the greatest fan of superhero movies, but at least the likes of "Spiderman" and "Batman Begins" have shown that it is possible to make decent films within the genre by treating the concept with a modicum of seriousness and without resorting to camp, self-mocking humour. One-joke comedies quickly outstay their welcome; the first "Black Scorpion" film ran out of steam about halfway through, after which the whole thing quickly became tiresome. "Black Scorpion II" never had any steam to start with and is tiresome from the very beginning. The standard of acting is appalling; Joan Severance as the heroine shows even more clearly than she did in the first film that she was cast on the basis of looks rather than talent, but the rest of the cast are no more talented and in most cases do not even have looks to recommend them. (Whoever thought Sherrie Rose made a seductive villainess was sadly mistaken). I was surprised to see Rick Rossovich cast as a "construction foreman"; in the late eighties he was regarded as a rising star after roles in "Top Gun" and "Roxanne", so it must have been something of a comedown for him to be cast in a bit part in a movie as dire as this one. The one good thing that can be said about "Black Scorpion II" is that, although it was followed in 2001 by a "Black Scorpion" TV series, it was the last of its line in the cinema and did not spawn a "Black Scorpion III". One must at least be thankful for small mercies. 2/10

If you've seen or are planning to see this film, chances are you've already seen the first. If not, I suggest you go see that, even if you only have the chance to see one of them. It's better and it basically lays the foundation for this film. This has more silliness and less style than the first, and one will be hard pressed to find someone, somewhere who wouldn't rather have seen the first, if given the choice(if the popularity-based ratings are anything to go by, at least). The plot is, much like the first, very simplistic and formulaic. It's pretty much ripped straight out of a 60's superhero comic book. The characters, most of them returning from the first film, continue to be comic relief and clichés, and a few of them, as little development as they have(in the first) actually go backwards as far as that goes. The villains both lack the originality of the one of the first film; both are rather obviously rip-offs of famous superhero villains(or super-villains, for short). The humor goes more towards the silly and campy, something the first one started nicely on. Fewer one-liners, unfortunately. The action is decent enough... it's slightly larger in scale than that of the first, but its uninspired filming costs a lot of intensity. There is more direct T&A in this installment, to appease the young males in the audience. Most of it is just there, for no actual reason, making it stand out embarrassingly. The dialog is poor, both as far as writing and delivery goes. The script has its share of clichés, but judging from the overall tone(and my experience with films that Roger Corman is involved in making), I would wager that it's fully intentional. All in all, an entertaining and fairly worthy followup to Black Scorpion. I recommend this to fans of the first and of comic book movies in general. I urge anyone to watch the first before trying their luck with this, though, and if you don't like what you see in that one, don't bother with this one. It's just more of the same. 5/10

This movie has some good elements and some bad elements.The good: Watching Joan Severance.The bad: Everything else.If it's 3:30am and you can't sleep, and there's nothing else on but infomercials, this movie still isn't really worth watching. The plot is lame, the characters are absurd and barely 2 dimensional, the situation is absurd, and the writing is adolescent. The main villian gave a new definition and dimension to the concept of "stupid". To say it was "comic-book-like" would be an insult to comic books. The only good thing about it was watching Joan, and even then I prefered her when she was in street clothes, her black scorpian outfit was one of the least flattering female "super hero" costumes I've ever seen. She has great eyes and the mask covered those. Even her dialog was cliched and silly. Watch only if it's late, you can't sleep, and there's *nothing* else on. Turn the sound off. Watch until you experience unconsciousness. 1 out of 10.