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A Dangerous Woman

A Dangerous Woman (1993)

December. 03,1993
|
5.7
|
R
| Drama Romance

Martha Horgan is a withdrawn, mentally disabled woman who lives with her aunt, Frances. One of Martha's unusual traits is that she doesn't lie, a quality that leads to her getting fired from a dry-cleaning shop thanks to the actions of the shifty Getso. Conflict seems to follow Martha, since she also becomes romantically involved with local fix-it man, Mackey, who is sleeping with Frances as well.

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gavin6942
1993/12/03

Martha Horgan, a naive woman with an intellectual impairment who lives with her aunt Frances in a small town, is known for always telling the truth. She works at a dry cleaner, where her compulsive truth-telling leads her to report to the boss that another employee has been stealing from the cash register.Janet Maslin wrote, "A Dangerous Woman is soap opera... With Ms. Winger's eerily convincing performance as its centerpiece, the film creates a world of sexual chicanery that would do any television series proud... The film has been given an appealingly languid and intimate mood by the director, Stephen Gyllenhaal." This is pretty much it. Winger does a fine job in the lead role, but she seems to be too good for the movie they have put her in. The plot is not very exciting, and once we get to a point where it has potential everything is already winding down. Gabriel Byrne is a good actor, but does not seem to be really giving much effort here. Did this have a theatrical release? It seems more like a made-for-cable movie.

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Irishchatter
1993/12/04

Seriously, I thought it was just gonna be about a nerdy woman who just wants to get on with life as does the rest of us!Instead there was too many stupid scene's, it was always concentrating on her neighbors who do a lot of crime.No wonder she began to become a screwball in the end, everyone was turning into circus animals.I had to even skip a few scenes because some of it was just too long and boring. Man, I haven't seen any fun watching this, I'm probably gonna have nightmares about this movie, it is just terrible!I wish to be given this a 0 rating as it deserves nothing!

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James Hitchcock
1993/12/05

It is sometimes said that the best way to win an Oscar is to play someone with a disability, whether physical or mental, and this certainly seemed to be true in the late eighties and early nineties. Several "Best Actor" and "Best Actress" awards during this period went to those playing such parts- Marlee Matlin in "Children of a Lesser God", Dustin Hoffman in "Rain Man", Daniel Day-Lewis in "My Left Foot" and Tom Hanks in "Forrest Gump". "A Dangerous Woman" was perhaps Debra Winger's attempt at Oscar glory, as her character, Martha, is retarded, possibly mentally handicapped.The exact nature of Martha's disability is never made clear in the film, indeed, it is pointed out that the doctors are unable to diagnose her, let alone cure her. She is simple-minded, but her condition does not require her to be hospitalised (she lives with her aunt Frances) and she is even able to hold down a job with a dry-cleaning company. In the event, Winger was not nominated for an Oscar, although she did receive a nomination for a Golden Globe, but her performance is nevertheless a very good one. In some of her earlier films she played attractive, lively, vivacious characters, but Martha is plain, slow and shuffling, dowdily dressed, peering at the world through thick pebble glasses. Although Frances is supposed to be a generation older than Martha (and Barbara Hershey, who plays her, is seven years older than Winger), it is Frances who seems considerably younger.Despite her mental disability, however, Martha does not lack a sense of right and wrong. Indeed, her sense of right and wrong is very highly developed. She is incapable of being deceitful or dishonest, even when it would be in her own interests to be so. (There is a suggestion, not completely followed through, that in a dishonest society an inability to dissemble or tell lies is in itself a form of mental handicap). Martha loses her job at the dry-cleaners; the ostensible reason is that she is suspected of stealing money from the till (a theft actually carried out by one of her colleagues), but the real reason is that she embarrassed her boss by telling a customer that his suit had not been properly cleaned.Apart from the scenes where Martha loses her job, the main focus is on the growing romance between Martha and Mackey, the Irish handyman carrying out repairs to Frances's house. There is also a rather unnecessary subplot about Frances's own affair with a local politician and the attempts to reclaim him made by the man's estranged wife. Although Mackey has a serious drink problem and little positive about him, Martha becomes very attached to him, and allows him to take advantage of her when he is drunk. (Drunkenness is a common theme in the film; Frances and the politician's wife also have alcohol problems).The crisis of the film comes when Martha is molested by Getso, the employee whose dishonesty was the ostensible reason for her sacking, and she stabs him in self-defence, with fatal results. Martha is urged to claim that Getso was attempting to rape her, but refuses on the grounds that this would be a lie. Martha's devastating honesty makes her a "dangerous woman" to herself; her inability to lie puts her in danger of a conviction for murder. It is, in fact, never clear exactly what Getso was attempting to do; the film certainly leaves open the possibility that he was indeed trying to sexually assault Martha but that she was too innocent to realise this.For most of the film, the action is fairly slow-moving. The film is not only slow but also sombre; many scenes are dark, with dull browns and greys the predominant tones. The crisis comes near the end, which means that the film can seem rather unbalanced- a long, unhurried build-up followed by a hurried ending. Nevertheless, Winger's affecting performance makes this a film worth seeing as an insight into the problems of the mentally handicapped. 6/10

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moonspinner55
1993/12/06

Debra Winger is at her most mercurial portraying a mentally-challenged woman who becomes involved in a murder. This adaptation of Mary McGarry Morris' novel is difficult viewing--mainly because the protagonist can be such a handful--though director Stephen Gyllenhaal lends the material an intense, compelling flourish, and the results are ideal for audiences interested in something left of center. Gyllenhaal, who was creating quite a resume for himself in the mid-1990s before eventually turning to TV (our loss), bulldozes right through the screenplay's messy structure and barrage of hot-headed characters, and he's very sensitive when handling magnetic Winger, who does remarkable work. Incredible supporting cast includes Barbara Hershey, Gabriel Byrne, Chloe Webb, David Strathairn, Jan Hooks and Laurie Metcalf. **1/2 from ****

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