Wichita (1955)

The award-winning Golden Globe western for Best Outdoor Drama in 1956, "Wichita" reunited "Cat People" director Jacques Tourneur and leading man Joel McCrea for the third and final time. Previously, they teamed up to make the exceptional "Stars in My Crown" (1950) and "Stranger on Horseback" (1955). Although Tourneur won more kudos for his quiet little horror movies with Val Lewton, the Parisian native was no stranger to horse operas. In addition to his Joel McCrea westerns, he helmed "Canyon Passage" with Dana Andrews and "Great Day in the Morning" with Robert Stack. "Wichita" is a standard-issue, town-taming oater with McCrea cast as Wyatt Earp before he acquired his reputation as a lawman. Incidentally, when McCrea made this western, his portrayal of Earp was the tenth time that this famous badge-totter had been depicted. Prolific scenarist Dan Ullman, who also penned the screenplay for another McCrea sagebrusher "The Gunfight at Dodge City," would later reunite with Tourneur on "Great Day in the Morning." Ullman covered all the tropes in this wild and woolly western about cowboys herding cattle into a new railroad town and then blowing off with pent-up aggression as well as their pay on liquor and women. This western marked another collaboration between producer Walter Mirisch who had produced "The Gunfight at Dodge City" as well as "Fort Massacre" with McCrea. Mirisch assembled a first-rate cast that included several seasoned western actors, among them Jack Elam, Robert J. Wilke, Edgar Buchanan, Walter Coy, I. Stanford Jolly, John Smith, and Peter Graves.Wyatt Earp (Joel McCrea of "The Virginian") rides into the wide-open cattle town on the inauguration of its first herd. In no time, he makes a reputation for himself when he foils a bank robbery and arouses the interest of the wealthiest townspeople. They marvel at his ability to handle a six-shooter without killing anybody and promptly offer him a badge that a lesser man is wearing. Politely but firmly, Wyatt turns them down until the drunken cowhands start shooting the town up and accidentally kill an innocent five-year old standing at an open window and watching their shenanigans. Town mayor Andrew Hope (Carl Benton Reid of "Escape from Fort Bravo") swears Earp in as marshal and our hero marches into the dark street armed with his six-gun and a long- barreled shotgun. He arrests the cowboys and herds them off to jail with the help of a local newspaper reporter, Bat Masterson (Keith Larson of "Last of the Badmen"), who later signs on to become his deputy before Earp's brothers Morgan (Peter Graves of "The Five-Man Army" and James (John Smith of TV's "Laramie") ride into town. Despite their repeated efforts to hire Wyatt and his general reluctance to accept the badge, the town wheels are pleased with his performance. Those halcyon days are short-lived after Wyatt issues a town proclamation that guns cannot be worn in town. Railroad entrepreneur Sam McCoy (Walter McCoy of "The Searchers") objects to this ordinance and others like fear like he does that Wyatt has doomed Wichita. When the cattlemen get wind of this law, the town big-wigs worry that they will divert their herds elsewhere and prosperity will be a thing of the past. For a while, Wyatt drives a wedge between them. The mayor refuses to fire him, while the others plot to drive him out."Wichita" is an above-average western with sturdy production values and good performances.

Superior McCrea western thanks to an intelligent script that also plays up the actor's penchant for steely resolve. How much law and order is too much. That's the question the town council of Wichita must decide. Too much will drive away the fun-starved cowboys coming to town after a long trail drive. Too little and the town gets shot up. Newly installed Sheriff Earp (McCrea) is on the side of strict law and order, forbidding the cowboys from bringing their guns to town. This upsets powerful businessmen and saloon owners. So Earp must contend not only with rowdy cowboys but with town politics as well.McCrea is perfect for the quietly resolute sheriff. As expected there's no swagger or bravado in his grim determination to keep other townspeople from being accidentally killed by busting-loose cowhands. When he stands alone, you believe it. It's also a well-stocked production from lowly Allied Artists, with enough extras to make the crowded town scenes credible. Of course, there's a romantic angle with a lovely but heavily made-up Vera Miles (soon to come under the wing of Hitchcock in such thrillers as The Wrong Man {1956} and Psycho {1960}). But the romance is pretty well integrated into the plot, without dangling like a distractive add-on.All in all, it's a good western drama woven around the quietly powerful Joel McCrea.

Joel McCrea was 50 when he made this movie. The real Wyatt Earp, when he took the job in Wichita, Kansas, was 28. "He only shot to wound those fellas" is also claptrap. This movie is filled with this "made for kids" dialog and fight scenes. Wrongs are righted, the bad guys are caught, and all is right with the world. TV was a booming place for TV westerns in the mid 50's, and this was right out of that world. Sorry, but this film is just plain laughable.It has all the usual characters-- well dressed saloon bosses, the boozy newspaper man with a secret past, the town marshal who has a yellow streak a mile wide. Cattle barons and cow punchers who feel it's their duty to tear a town apart. All the "saloon girls: are wearing fancy duds without a hair out of place and perfect makeup-- but they don't show cleavage. Yeah, right.... Pass.

The same year that Wichita came out, 1955, the TV series about Wyatt Earp debuted with that famous theme song, "Wyatt Earp, Wyatt Earp, brave courageous and bold." And certainly Hugh O'Brian was all these things in that series.But the western hero that fit all those virtues was certainly Joel McCrea. After portraying Buffalo Bill Cody in the way Cody would have liked to have been remembered it was only natural that Wyatt Earp be done the same way.Wichita was the first town that Earp had a job in law enforcement and he was there one year, 1875-1876. Wichita is purportedly the story of that year and how he cleaned up the town and made law and order function in Wichita. It's certainly all been done before, but the story is in the hands of a capable cast.Particularly to watch is the double dealing role that Edgar Buchanan has and how a bad case of mistaken identity costs him dearly.Tex Ritter sings a nice title song over the credits and while it didn't exactly have the impact that his same efforts had in High Noon, it certainly sets the tone for this film as well. After all back in the day Tex made a western or three.