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Detroit Rock City

Detroit Rock City (1999)

August. 13,1999
|
6.8
|
R
| Comedy Music

In 1978, a Kiss concert was an epoch-making event. For the three teen fans in Detroit Rock City getting tickets to the sold-out show becomes the focal point of their existence. They'll do anything for tickets -- compete in a strip club's amateur-night contest, take on religious protesters, even rob a convenience store!

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hbsering
1999/08/13

This movie was very funny and nostalgic.I would recommend to anybody who is a Kiss fan or grew in the 70s.

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fortybelow420
1999/08/14

Ever since I was 12 I have watch this movie multiple times a year is definitely one of my favorites. Always notice something new that I somehow hadn't it before.Like particularly the scene in which they tried to break jam out of the boarding school and the pizza guy shows up it cuts of the sea and when he asks if you know where Philip McKnight lease office like particularly the scene in which they tried to break jam out of the boarding school and the pizza guy shows up it cuts the scene when he asks if any of you guys where Phillip Nutley is? I've always wondered what happens to the brib him or do they beat his ass. They end up with extra pizza after they get him out of the church and encounter the Jersey Guido's and have always thought perhaps that was karma trying to get them back. However the Guido going to far that's when karma decided to flip the switch

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Python Hyena
1999/08/15

Detroit Rock City (1999): Dir: Adam Rifkin / Cast: Edward Furlong, Sam Huntington, Lin Shaye, Natasha Lyonne, James DeBello: It resembles the hilarious Rock N' Roll High School in look, era and madness that celebrates KISS through the hysteria of its fans in this maddening comedy. Detroit represents destination, reputation and enthusiasm. Inspiring setup follows four high school teens on a road trip to obtain KISS tickets after the protesting mother of one of the boys burns their previous tickets. High energy farce that breaks more rules than it should. The portrayal of Priests and religious figures is offensive. Directed by Adam Rifkin with hysteria satire that remembers the mentality of music and the so-called rules. Lin Shaye steals scenes as a protesting mother. Her opening scene is priceless with an interrupted evening but the rebellious defeat may require discernment. Sam Huntington plays her son seeking escape, which he finds in union with his friends and their love for KISS. Edward Furlong plays the ring leader who strikes more trouble than needed. Natasha Lyonne plays a hitchhiker whom they saved. KISS make the promising appearance on stage with their phantom face paint and a knack for revealing the tongue. One can argue the morality of the rebellious nature of the teens that seems to be applauded but it also examines an era that knows no shame. Score: 7 / 10

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annevejb
1999/08/16

To really like this I need to work at it. The walls of the girls' Jericho did not fall until the third session of filming that particular scene, some things take work. There are also two rather special historic commentaries on my DVD and I assume that proper late 70's rock fans are likely to know of those. This is from a time that was not too good from my view, personal disaster, but there was some good rock and roll on the radio. Buying a few, very few, LPs, USA speak albums?, KISS was there. Not the best but among those that stood out as among the best. The classical music that stood out for me included Carmina Burana and I would have interpreted its influence on me in a different way to how this feature uses that piece, for me I was more waving a red rag at bulls that did not appear to be bulls. There is a lot of violence in this story, but other facets too. Round our way most seemed to use more subtle forms of violence on big babies but this does give some variations of that, sort of. I found it easy to get ground down, those years. Some get trouble from all sides. * The commentaries point to KISS having been targeted by some fundamentalist Christians who considered the band to be agents of the devil, their music something that these fun C felt a need to attack. My difficulty is with how the feature interprets that. The feature shows Catholic mothers and priests as agents of the anti KISS. They are very much in parody form. As an ex Catholic I do find the expression to be not in tune with the wide variety in that church. The bits with priests are mostly too way out for me to be able to take, I need to jump over those. The exception as the bit where Beth notices her love going into the church. Inside the church a problem, despite Beth's acting. There are several features where I would really need a personalised copy and this is one of them. I need deletions. The Catholic mothers, particularly the mum of Jeremiah, a different thing. First time round that felt way too bad but that reaction soon calmed. More viewings also allowed me to notice how her idea of child care appeared to be influenced by ways of dealing with a pet dog. Not a warm sort of way as with Hermione and her Crookshanks, more a Ron with Pig as shown in the novels. Pig expected to do things on a Must Do basis, otherwise no love. This is parody, but it could be noticing something rather relevant in some of the fundamentalist Christian worlds. I find that it is there in other worlds too but maybe one only notices if one is a big baby. I would expect Harry and Ron to not survive well in the modern world and JK Rowling and Warner do have ways of saying that. The ending of HP7 novel is very modern speak. So, some fundamentalists attack and this feature shows a response by the Rockies, them attacking back, but doing that in an upside down way. By going with the flow of trying to sound evil? By these four fans waving goodbye to most any sort of sense? The world moves away from fundamentalist understandings about such as the ten commandments and this shows everyone diving into disease as the alternative way? So, this is just a feature, one that took me some getting used to. It is not about reality in the fullest sense? Could be that in any type of fundamentalist belief there is a failure mode of there being no leeway. Believe, no other option, no freedom to think. If one feels a longing to drop out there can be no good way to do so. Most characters in this story remind me of that sort of thing. There will be different interpretations, though. * This feature has lots of good music on the soundtrack. I play it because of that. Just I do experience a problem with the foreground, most scenes that include priests, and deletions are the only solution that would be liable to work for me. This is a story about the walking dead, KISS as a setting for that.

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