Police Story 2 (1988)

Police Story 2 is so tone deaf at times that it's almost unbelieavable considering it's made by the same team that made the awesome first movie. It retains the goofy attitude and the same superb stunt-work but the whole plot is contrived, violent and sad at times. It's like "gloomy slaptstick". The sadism of the new villains and the comedic actions of Ka Kui clash into each other like to tidal waves. Also the weird cameos of the bad guys from the previous movies doesn't help at all. If it wasn't for Jackie this would be a complete dissapointment, but fortunaly he makes it bereable enough to almost enjoy it through those rough scenes.

Jackie Chan in flight is such a joy to behold (especially during the end credits showing bloopers and the injuries from the mind-blowing stunts), as this particular series (five films so far and a spin off from the third feature) along with "Project A" and its sequel would come down as probably his most recognizable home-grown efforts to western audiences. I love Chan's early work, and the Police Story features (which did come across as epic crime joints) are some of his best latter stuff. As for "Police Story Part 2", it continues on from the excellent original to simply match the quality and go on to be a little larger in scale and excitingly explosive… literally.The Hong Kong police force doesn't like individual heroes and that's what they see Ka Kui as. His effective, but it always comes at a cost which they are not willing to take. So for he extreme acts Kui is demoted to a traffic cop. However after some threats on his life and his girlfriend which causes more of a stir, he decides to quit for his well-being and that of his girlfriend. But it doesn't last long when he's conned back onto the force to help combat against a string of bomb threats involving a gang holding ransom a big corporation.Jackie Chan flexibly directs astonishingly dangerous stunts-galore and inventively rapid, if elaborate martial arts choreography in what is an old-hat, but very busy and comic book pulp cops and robbers chase formula. It's customary investigation work, by trying to predict the next move and virtually racing against the clock to stop the bad guys… which has two lots for Chan to take on. The tough action is instinctive, uncanny and lethal making it amazing to watch (with an upbeat music tempo underlining it) and boy their's a destructive mess after nearly every ordeal. This goes for the electrifying and impulsive climatic showdown. Like most of these outings it doesn't forget the humour, which is quite broad and silly, but these comic elements can be fun and actually it's rather toned down than usual. It's more-so serious involving the pressure and dangers of the job with a multi-facet performance by Chan as there's an unhealthy obsession (boldly dogged, but self-centred) making his character truly blind of what really should be important to him. However I found to get in the way was the love interest angle (the factor of police work getting in the way of love), which was important for certain story developments and to squeeze out suspenseful situations, but still those awkward moments do slow down its momentum. The performances are immensely colourful (Maggie Cheung, Bill Tung, Kwok-Hung Lam, Charlie Cho and Benny Lai) and Jackie Chan under a heavy work load shows the stamina and agility with that glowing charisma, which makes him a favourite.

There is one detail, which is not very common for Jackie Chan movies, but which is present here. It has some very tough and serious atmosphere about it while the funny elements are present too. Jackie is menacing and psychotic here. He is not a hero who is attacked and only then fights back (in a usual laid-back pattern), but he is the one who can go and start the tumult. His manner of hitting that evil guy in the glasses is amazing (every time it goes "crack!"). Another highlight is the scene when Jackie goes to the pub and thrashes the villains who had fronted on his girlfriend. It's one of the best blitzkriegs put on screen. Besides, the whole scene is shot with the background of some action character painted on the wall (it also looks like a poster of "rabochiy" from the Soviet era) and some lines in Russian on the left. That looks terrific (and nostalgic for Russian people). I also like when the windows are being smashed in the movies. Here there's a lot of this stuff. It's quite amazing watching the characters falling/jumping/running/driving through all manner of panes.All three movies are great. There is no down-slide in the quality - it's a perfect trilogy with sense and incredible stunts (and not only Jackie Chan's character appears in all three movies - that's also excellent and keeps continuity up).Each movie can be described in a few words: No.1 - great (in all aspects - it is one gripping story from the very beginning to the very end) and funny (many scenes are ridiculous); No.2 - raging (Jackie is really off the hook here) and painful (Jackie gets tortured); No.3 - unbelievable (the woman that fights alongside with Jackie is incredible) and bombastic (should a lot of guns and explosions be mentioned?).As to the rest - much has been mentioned by the others.It's a trilogy that can be watched over and over again (at least by me). Its place is in top 10 among action jewels.A solid 10 out of 10. Thank you for attention.

I don't know what that other guy was talking about, but he obviously doesn't appreciate a great Jackie Chan film. He is correct in the fact that the original Police Story was one of the greatest achievements in Hong Kong film history; but the sequel was definitely not a disappointment. Keeping and elaborating further the excellent characters makes this film consistent with the first. The action is more clever and driven by a deeper force. Fighting in a Chan movie is not just random. There is always a reason and intention in the combat. Jackie has a flawless talent in creating these fight sets, and in Police Story 2, it is no different. His devotion to live action sequences is shown as he makes the record for biggest on screen explosion in Hong Kong film history. It is true that no one can touch or recreate the original film, but Police Story 2 broke the boundaries of "a disappointing sequel".