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Breakdown

Breakdown (1997)

May. 02,1997
|
7
|
R
| Drama Crime Mystery

When his SUV breaks down on a remote Southwestern road, Jeff Taylor lets his wife, Amy, hitch a ride with a trucker to get help. When she doesn't return, Jeff fixes his SUV and tracks down the trucker -- who tells the police he's never seen Amy. Johnathan Mostow's tense thriller then follows Jeff's desperate search for his wife, which eventually uncovers a small town's murderous secret.

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NateWatchesCoolMovies
1997/05/02

Jonathan Mostow's Breakdown is one hellcat of a thriller, a nitrous injected highway nightmare scenario that doesn't quit until the tanks empty, quite a few people are dead and Kurt Russell has burned off umpteen carbs running about the southwest searching for his missing wife (Kathleen Quinlan). In the tradition of great road pictures like Steven Spielberg's Duel and Robert Harmon's The Hitcher, this one know ms to keep the speedometer revved for maximum effect, the best method for these types of films. Russell and Quinlan are your average American couple, driving from A to B along some forgotten stretch of freeway out there. After a brief stop, she vanished, he panics and so begins his breathless crusade for the truth. The local cops are useless, no one seems to have witnessed her vanish, and he's pretty much on his own, not to mention hunted by some nefarious truck drivers who probably know more than they should. J.T. Walsh, king of businesslike scumbag roles, gives what may be his nastiest here as Red Barr, a long-haul semi driver who knows exactly where Russell's wife has gone, and ain't telling, no sir no how. Similarly, big old M.C. Gainey, another Hollywood thug, is in high evil gear as just one more backroad asshole Russell has to deal with, and the two have a crackling showcase of a high speed standoff, one in the driver's and one in the passenger seat, playing close quarters mortal kombat to see who comes out on top, and who comes out dead. The Fast and The Furious has nothing on these types of films, for it's less about bombarding an audience with a stunt a second, and more about rhythmic pacing, then knowing when to open up and let the ripcord fly. Taut, precise, unrelenting little flick.

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jtest_kkc
1997/05/03

Warning: There is a small spoiler in here.This movie is total junk based on what the whole story is constructed on. Basically the direction, acting flow is all alright, not classless.One has to wonder who in the right mind would allow his wife to seek help the way she does in that story. Really? Kurt Russell is a smart capable fellow with that kind of common sense to allow his wife to ride with a trucker in the middle of nowhere? If anyone is even thinking this is insulting.Junk, I do not care how much better the rest of it is. There were many better ways to kick start the plot.

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scottishwhiskey
1997/05/04

Every time Kurt Russell is in something you can always rely on a solid film. And once again in Breakdown you will not be disappointed. A solid cast with great directing makes this a must see. A great thriller that keeps you second guessing until the end which I love. Russell always puts in the full 100 percent and it shows here again. Why can't actors do what he does like this anymore. Good performances all around make this a tight entertaining watch that you will feel you have not wasted your almost 2 hours. A fast paced thriller that hits the mark at every turn. See this one and you will see how the 90s had great suspenseful films lacking today.

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badfeelinganger
1997/05/05

Kurt Russells character Jeff, search for his wife is reminiscent of The Vanishing and yet there is something else, an insidious violence that declares open season on strangers. Whatever is going on, and you never quite know for certain, it has an ugly echo of the dark side of country.This could easily have been a style-washed film noir of the Red Rock West variety. Instead, Mostow remains believable, therefore increasing the tension. He makes you feel Taylor's terror and rage. He makes you breathe fast and shallow. Russell can be beef-caked and plastic films like Escape From New York, Big Trouble In Little China. He can be solid wood Stargate and stiff-upper ed The Thing. What Mostow achieves with him here is remarkable.Taylor is not presented in Stallonescope, rather as an ordinary bloke who doesn't know what to do. Russell can slip into stereotype at the scratch of a producer's pen. What makes Breakdown such a convincing ride is his ability to convey fear and courage simultaneously. Taylor's out of his depth. He's scared, but he's going on. Russell throws off the familiar guise, rejects showboat heroics and sweats for real. He's never been better.

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