Jack Brooks: Monster Slayer (2007)

When his science teacher becomes possessed by a voracious parasite and turned into a savage monster, a plumber with violent behavior tendencies races against time to save his class from being turned into his violent slaves.This was a rather unusual horror-comedy, in the sense that the big joke is supposed to be that he's got a violent temper and is using it to fight back against the creature, which in itself isn't all that funny and just comes off as irritating since there's been so many who have used that gimmick before and here it does nothing new with it. That said, it's still a rather enjoyable effort as the film has a decent amount of suspense in his professor turning, there's some good fight scenes that are a lot more enjoyable than expected and it has a really enjoyable amount of special effects from the creature and his turned slaves, which are thankfully puppets and practical effects instead of CGI. This one has some good gore moments as well with a pretty high body count. Overall, not a bad time but could've used a little more work on the comedy.Rated R: Graphic Language and Graphic Violence.

"Jack Brooks Monster Slayer," is not a good movie. In fact, it is a big letdown. While the production quality and tongue in cheek use of rubber costumes reflects the moderately large budget, the story itself is both flawed and boring. The culprit of the failings is found in the assumptions made by the film makers. By focusing on monster creation process, the film neglects important character development and playful action. Overall, this is a film to be missed. Admittedly, "JBMS," will strike a chord with some nostalgia buffs; yet, as a film, this is little more than a mediocre rehash of genre clichés.The downfall of this film is two assumptions. First, the makers assume that showing the history and creation of the monster is both necessary and amusing. Second, supplying detail to the above mentioned monster ontology is assumed to also be necessary and interesting. Neither assumption is wrong, per se. The execution in this film, however, is outright boring. An extended example may help to clarify. Cooking shows run a tenuous line. Watching the act of creation is interesting and informative. Detailing every action that goes into dish preparation is dull. A cooking program needs to find a balance between informative exposition and potentially dull but important detail. The answer seems to be that every part of a cooking show is a mix of technique and technique explanation. As such, breaking down an onion is shown because it informs on knife technique in practice and also illustrates the benefits of uniform piece size in cooking. Peeling a potato or boiling water is not shown because they are important techniques that benefit little from being demonstrated. The point is that all elements of the process are evaluated on the levels of understanding that are conveyable. The same is true for the horror film. A background to the protagonist and antagonist is appreciated as long as it sets the current context as well as developing the actual characters. "JBMS," provides a great amount of detail concerning how the main monster is formed. The slow transition from human to demon is the body of the film. Choosing this transition as the focal point of the story leads to a ninety minute film; a ninety minute film that could very easily have been forty minutes. Furthermore, the added detail affords no real development. To the contrary, the monster development is the cinematic equivalent to watching a trained chef peel a potato. Essentially, this film would have benefited from a focus on devious monster action and not hum drum monster ontology.The above stated, the film is not a total loss. The characters are likable enough, and Robert Englund clearly enjoyed this production. The use of rubber suits as opposed to CGI is a welcome throwback to the creature films of the eighties and before. The unfortunate fact of the matter is that these benefits do not come near enough to balancing out the dry, elongated, boring story telling. This film is worth a miss. I am loathe to recommend this movie even to the horror/comedy buff. There are a great many more interesting and better told stories that are actually worthy of one's time.On a personal note, I will mention this film to friends as a real Turkey. Unfortunately, this will almost guarantee that it is seen by at least one more person. Should you feel the need to hunt this film down, the movie is best paired with low expectations and somewhat sloppy drunkenness.

Tightly wound plumber Trevor Mathews has serious anger issues due to the fact that his parents were killed by monsters when he was just a wee lad. When his college professor played by Robert Englund unleashes an ancient horde of evil creatures, it is up to the plucky plumber to realize his destiny as a monster slayer and save humanity. The ranting of Trevor Mathews in the title role is very amusing but it is really Robert Englund who steals the show. He is clearly having a ball with the material and his enthusiasm is contagious.I laughed quite a bit.The SPFX are pretty good and refreshingly old-school.Lots of gore and prosthetics as opposed to lame CGI. I wouldn't mind watching Jack Brooks slay monsters thru a whole series of films like this!

Found out about this movie from a top 10 movies of 2008 list I found on the web. Having been sorely disappointed with other movies on the list (like the french torture porn Inside) this was a welcome choice to an otherwise weak list (maybe it just wasn't a good year for horror movies...).With a title like that you don't expect to be really truly scared out of your shoes. Essentially what you expect is some comedy and entertainment packed with some decent gore. To boot this time around you actually get a decent story, if somewhat predictable, and some very decent acting from the cast.As to the plot: Well the title essentially says it all. Jack Brooks is a monster slayer. And this is his Origins.This flick pays homage to the best traditions of movies like Braindead and Evil Dead. There may not be a single real scare in this movie, as the whole premise ridicules any such possibility. But who really cares? Especially since Robert Englund plays a significant role in this no-fun barred movie.Worthwhile watch for anyone looking for good clean entertainment with no intellectual strings attached (that said this movie is far from being dumb).