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Killer's Kiss

Killer's Kiss (1955)

October. 01,1955
|
6.6
| Drama Thriller Crime

The film revolves around Davey Gordon, a 29 year old welterweight New York boxer in the end of his career, and his relationship with a dancer and her violent employer.

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George Roots (GeorgeRoots)
1955/10/01

The techniques of "Killers Kiss", shows a lot more familiarity when it comes to your expectations of a Kubrick picture. A young boxer towards the end of his career, eventually begins to grow closer to a woman who lives in the apartment blocks next to his. A relationship then begins as the two grow closer, as they also plan to collect money from her violent employer. Does things ever go smoothly in these scenarios? I found myself enjoying this work much more than Kubrick's earlier effort "Fear And Desire" (1953), which Kubrick himself tried to remove from circulation. Shot when he was 26 years old, it shows a fantastic use of light when it came to emphasis and also a lot more confidence in narrative and framing. There is a long dance sequence where the Ballerina is played by Kubrick's second wife (Ruth Sobotka), and the sound was post dubbed as the microphone would interfere with the lighting system.Final Verdict: Unfortunately I can't say much about it compared to his previous and later works, as well as only talk mindless movie trivia. But it is worth your time if you can find it, it is usually boxed as an extra in the Home release of Kubrick's next picture "The Killing" (1960). 6/10.

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clearwinner
1955/10/02

This movie seems way ahead of its times just due to its cinematic pleasure. The protagonist narrates the story that had happened to him in the past few days and it seems like he is recalling all those events which make it very genuine. There is a boxing match, a fight between the lead lady and villain and then the hero takes on the charge trying to rescue the girl.There is a good turn of events in these parts but all these have become so very clichéd that just does not interest you but on the better side you can view it as how those scenes were shot and then you could appreciate something. I particularly loved the roof top shot when the hero runs over the connected roofs and final clash between the hero and the villain, there was something to it. It was humorous as well as satisfying. So this movie seems to be for those students studying film direction, and it is only this part the movie gives something and that too quality stuff considering the genre. Apart from that there is nothing in the movie, simple plot, some good cinematography, good direction but plot is too weak for you to like the movie.

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wiseguymattt
1955/10/03

Irene Kane is gorgeous! What a performance. Although, she had her awkward moments in which I felt the behavior didn't match the mood which caused me to become less engaged. Jamie Smith played his role really well and sure intimidated me. Let's just say you wouldn't want to be the guy between him and his gal. And I learned that Frank Silvera has been cast as a white character before due to the inability to really take notice when shooting in black and white. His performance was also really good. I began HATING his character because of how pathetic he made himself out to be at times. But, that was his character and eventually things took different turns that revealed more about his character than you first imagine. I'll leave that to the viewer to find out. Overall, the story is intriguing. It was a well done film for its time. You can see a dramatic improvement in quality over Kubrick's previous film especially in the acting and sound.

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tomigarciap
1955/10/04

Before judging "Killer's kiss" one has to take into account some considerations. It is Stanley's second feature film. With a very low- budget he achieved a decent film noir. Unlike every other Kubrick film, the plot is quite plain and predictable. A classical criminal storyline together with a sensitive love story. The attempt of davey of rescuing her woman from the hands of her crazy boss who is in love with her.I particularly enjoyed the chase and finally the fight between Davey and Rapallo. After a stimulating chase they end up in a creepy warehouse, inside a circle of maniquies and they fight, spear against axe. In a sort of circus-like battlefield, or maybe a colisseum of maniquies, Davey is victorious. Maybe this movie doesn't fit the category of "unique" as his work of the following years would, but if you enjoy film noir then you should definitely watch it.

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