Mr. Six (2015)

Mr. Six was a Beijing crime boss who still has the respect of his hood despite being long retired, but he gets back into the game when his son gets into some trouble, owing rich privilege kids some money. It's not as action packed as I thought it would be from the plot line, Yet it's still very appealing as if you are watching an action movie.It's a lot like Unforgiven, as Mr. Six spends the film trying to reconnect with old ties in order to help his son. It was interesting seeing him handle himself ageist a foe that does not care about his past. The actor who played Mr. Six was very successful in his low key style of acting.It was funny and charming and dramatic perfectly at the same time.

I didn't expect to like this movie. The premise sounded dull and Feng Xiaogang was always known as a director rather than an actor. So imagine my surprise when I thought to myself after the credits rolled that wow, this is definitely one of my favorites of 2015.I love everything about it, I am familiar with Guan Hu as I have watched two of his films which I also liked and I thought this would be the first movie of his that I would hate. Turns out it'd be one of his best.Mr Six is not meant to be a hero or a sympathetic character even. He's an old guy set in his ways and stubborn to a great fault. Which is why the ending was fitting in all its symbolic glory.The character that really stayed with me was Xiao Fei, the spoiled brat turned sympathetic kid who looks up to the values of old and yearns for a father's attention. The interesting thing about this movie was that it also had the story of a father and son but the more compelling story was the one between a father and another man's son.I would recommend this movie to anyone. Brilliant and well-executed filmmaking.

This is a movie that has nostalgia written all over it. It utilizes elements of the traditional Chinese culture and combines it with modern issues. Essentially it is a tale of redemption between a neglectful father and a broken son, of how people we put down can have their own big story and of how modern society lacks the "rules" that define our actions. The themes in the movie were intriguing (corruption, old gangs...), the premise of the story was promising but it just wasn't a well told story. The scenes dragged, the dialogue felt flat at times and all in all the movie easily lost the audience. This could be blamed on the unnatural pauses in the story telling, the weird cuts and mis-en-scene as well as the out of place soundtrack. It felt like the team behind this movie was pushing the 'artsy' tones a little too much and it all came out forced and fake.A good film drags the audience in, makes the audience empathize and feel every raw emotion of the characters. In this film, the character I was moved by one character and it happens to be an unnamed ostrich. Jokes aside, the only female lead was played wonderfully by Xu Qing, the character worked because her actions felt real. The title character Mr. Six was played well by leading man Feng Xiaogang, but I couldn't help but feel he was 2D at times. With cinematography of this standard, and this type of storyline the movie could not possibly attract the attention of the younger population. So, it decided to cast two of the hottest young actors, Wu Yifan and Li Yifeng. Voila! Teenage girls will go crazy! There's one down side though...they can't act! Wooden expressions, awkward delivery...sometimes the performances bordered ridiculous. Yes, there were a few shining moments but all in all the younger characters were a failure. Heck, they even got one of the most popular "teen idol" groups to make a cameo! What happened to movies being about acting... The take-home message here is that this is a great idea squeezed inside a small container, it tried to be personal, but it wasn't, it tried to be epic, but it wasn't that either. It seemed like the ending of the film tried to be both...it ended up making me want to retreat into my seat and never come out again.

It's really difficult to review this film in a different language. In fact it's even tough to comprehend it for many Chinese who are distant from Peking for the reason that it entirely roots on the very local culture of Peking, of both yesterday and today.The main theme, to me, is about the change of belief.To many countries, the late half of the 20th century is a continuous of history. But in China, things are opposite. There was no much difference from North Korea till 1980s. But now it's more Capitalism than any genuine Capitalism countries. The old generation, including the Mr. Six, was born in the North Korea - like era. Although brainwashed by propaganda daily, what these former Peking boys value most are something traditional, the loyalty to friends and the courage to risk life for friends. They are really man, of great dignity, and will not bow down for money.The young generation, born in 1990s or 2000s, grew up in a totally different era. Peking, along other major cities of China, spent the last 20 years to become metropolitans cannot be differentiated from New York by appearance. The lifestyle of many Peking youth is in close association with alcohol, pub, racing cars. Also ironically, a significant portion of these playboys are descendants of those high rank communists who intended to shape the country to the 2nd USSR. Consequently, the belief of the younger generation, the worship of money and power, is totally different from the former.The film is of plenty vanishing features of old Peking, like the Peking alleys or so called Hu Tong, the parrot in the cage, and the last scene, a remarkable stamp of those heroic boys in 1970s who fight with Katanas (collections of high rank communist from Sino-japan war) and green woolen coats.