George Harrison: Living in the Material World (2011)

Loving the Beatles, loving George Harrison and his individual music and him as the separate artist from the Fab Four and loving Martin Scorsese and his method of directing is what this documentary sums up to me. There is such awe in watching old clips of George and the Fab Four sewn together with some never seen before footages to produce this special . But this also clearly shows that George , like many old school rocker is past the money and fame wagon but is more on to a higher ground of spiritual search for enlightenment. On a parallel level, the story about the evolution of the FF4 is also told, with recollections from Paul McCartney and Ringo Starr. Indeed in one part, the narration has focused on the lyrics of the song While My Guitar Gently Weeps, because for me it is a bullseye description of how the four of them must have felt for each other when they tried to pick up where they left., as I tried imagining being in their shoes countless times. There is no turning back and two of them FF4 are long gone. For documentaries, rock and roll nostalgia and legendary music lovers, this is a highly recommended watch.

First up, a music documentary on a music celebrity can be measured by content and insight. On the first point Martin Scorsese knocks the ball right out of the park. There is no bigger Martin Scorsese fan than myself, but this does not have a Scorcese feel and by the end I just didn't feel I knew George Harrison any better than before. Let's face it folks, his role in the Beatles has been told many, many times. There was nothing new in the movie that hadn't already been published but the very short interviews with his siblings at the beginning left me wanting to know much more.There was no narration to carry the movie so it was essentially a grab bag of items made from interviews and clips without explanation. The closest we get to a voice-over is Dhani Harrison reading excerpts from his father's diary and letters to his Mom. Having said that, there were moments of joy and beauty. It is worth a watch and I did appreciate him more after watching and many fans will find it awesome

I will always go out of my way to see the work of certain actors and directors – a select few, who, in my opinion, can do no wrong. I will always watch an Al Pacino or a De Niro film – even if it is a bad one, as by their very presence, they will somehow drag it out of the mundane and make it a pleasurable experience.One of my favourite directors is Martin Scorsese and to me, he can do no wrong, ever since I saw Taxi Driver all those years ago. Since then, he has followed up with masterpieces such as Goodfellas, Casino and Gangs of New York. Recently, his production and directorial contributions to the TV series, Boardwalk Empire has elevated it to the echelons of all time TV greats, such as The Sopranos. Scorsese also has also directed a number of notable documentaries through the years, almost always connected in some way to his love of music and music performers. His latest, about the life of the Beatle George Harrison, is a feast for the eyes.To Beatles fans, lovers of popular music, or just someone interested in the life and times of this fascinating and talented man, this documentary is a 'must see'. I sat down to watch it at around 10 p.m and sat transfixed, hardly realising that the clock was almost at the hour of 2 a.m by the time the final credits rolled down the screen – along with a few tears rolling down my cheeks… There is no narrator - no quoting of dates or facts - just a cinematic account of the life of George, from his earliest days in the Beatles right up to the day of his death from cancer in 2001. The story is 'told' through mainly previously unseen footage and magical interviews with so many friends and family who knew him and lived through the same life and times as he did. I have a new respect for Paul and Ringo who clearly gave very honest, heartfelt and sometimes surprisingly vulnerable accounts of themselves and their relationships with George and their times with him – both good and bad. There many others; Eric Clapton, John Lennon, both of George's wives, Eric Idle, Terry Gilliam, Tom Petty, Phil Spector, Yoko Ono, Jackie Stewart and so many more. Some of these people were interviewed especially for the film and other interviews were taken from archive footage, much of it never seen before. At the top of the list of interviewees is George himself, speaking from his very early Beatle days, almost up to the time of his death. George was a fascinating man who lived a very full life, from his music, to his film production, to his love of cars, to garden design and to his almost fanatical involvement in Indian mysticism and trans-meditation. Through the years, this quiet but highly charismatic person acquired an incredible array of devoted friends from all walks of life. I particularly loved the videos of the impromptu sessions shot at Bob Dylan's home recording studio in New York when members of the 'Travelling Wilburys', (George, Tom petty, Bob Dylan, Jeff Lynne and Roy Orbison), collaborated on a new song. It is pure magic. But there again, there are so many magical moments. This wonderful documentary is a film not to be missed.

The title is no misnomer.As George sang in the track from the eponymous album,"by the Lord Sri Krishna's grace (....) my salvation from the material world" .At the time many people laughed at Harrison whom they dismissed as unhip and holier-than-thou.Scorcese's movie is exactly what George would have wanted:a long and winding line of thought of an icon who,little by little ,ditched the material world :an adulated entertainer in the glorious years of the Beatles (to whom he contributed a good handful of classics) ,a peak of musical and spiritual inspiration with his mind-boggling " all things must pass" (which remains,along with "John Lennon/Plastic Ono Band" ,my favorite solo album).In the seventies ,it seems that George was not that interested in carrying on with a career which anyway was on the wane after "material world" ,his last number one .The concert for Bangla Desh was a grand gesture (and Bob Geldof's laurels actually belonged to the ex-Beatle),but the rest of it ,the 1974 tour,the infatuation with racing cars ,the homemade productions ,the Japanese tour,even the marvelous Traveling Wilburys, were minor events .George had warned us on the overlooked B side "the inner light" in the words he set to music on a college professor's request:"without looking out of my Windows ,I could know the ways of Heaven" .His final years were probably the happiest of his life ,with a marvelous wife ,Olivia ,who shared his way of life ,and a son to carry on.Two hundred years after Voltaire,like Zadig,he cultivated his garden while continuing his spiritual quest.His ultimate album,"brainwashed" ,lived up to its name:although terminally ill,the musician produced a cheerful album,full of serenity .More than thirty years after the song,he had learned the "art of dying" ;"I've never seen such a confident patient " a physician said .Like Scorcese's take on Dylan ("no way home" ) ,"living in the material world " is never off the point .Nothing sensational,nothing scandalous,but an absorbing portrayal of a man,who,after conquering the whole world,realized he could "arrive without traveling " and "see all without looking".