The Big Brawl (1980)

Jackie Chan's first attempt to break through into the American market and a famous flop in any meaning of the word. I can definitely see why. And it's not Chan that's at fault here, except perhaps in that he should have picked a better movie to star in. Because, quite honestly, aside from his enjoyable presence, the rest of the film is very amateurish.The story is barely there, first and foremost of all. A Chinese (Chan) man living in Chicago gets threatened by the mob and is forced to join a fighting tournament after the boss sees his martial arts skills. A training montage, some fights, et cetera. You know exactly how it goes. Exactly. The movie is short as it is and it insist on dragging us through every tired cliché there is. If you've seen any martial arts film or even any gangster film, you've seen this film as well. It's uninspired in the worst possible way.And sure, Jackie Chan is a great martial artist and even an engaging actor, if given even halfway decent material to work with. But he cannot work miracles and that's what would have been required here.Sure, see the film if you want to say you've seen all of Chan's films. And it's not like it's offensively bad. Just boring. Just very, very, very boring. Which is sometimes an even greater crime.

It's weird to think that there once was a time when the whole world didn't know about Jackie Chan. It's even weirder to realize that at one time, he was introduced to us but we didn't think to remember him. BATTLE CREEK BRAWL is odd for being a Hong Kong-inspired movie before Hollywood knew the value of the HK influence. But while director Robert Clouse may have been unable to capitalize on Jackie Chan like he did Bruce Lee, this is still an exciting adventure and an interesting study of one of the earlier chapters of one of the genre's top stars.The story: A martial arts-practicing adventurer (Chan) runs afoul of a Chicago crime syndicate and is strong-armed into competing in an all-important toughman contest.While there are plenty of criticisms to be leveled at this film, I don't accept its departure from the style of other JC movies as one of them. Director Clouse isn't Stanley Tong, and he doesn't need to be: his utilization of Jackie isn't the ideal standard, but someone as talented as Chan benefits from showing poise in alternative circumstances. Admittedly, one casualty of Clouse's style is Chan's comedy, which comes across as clumsy and childish, but his action scenes remain pretty swell. Almost none of his on screen opponents approach Chan's level of agility and they clearly aren't comfortable with the hero's rhythmic style, but Jackie's athletic abandon is matched by satisfying, stunt-heavy choreography. The filmmakers keep the camera pulled back, diminishing our boy's facial expressions but showing off the authenticity of his abilities. Given that this was the first time Chan was being captured as a lead outside of Hong Kong, I'm impressed with the results.The production is on the modest side of respectable. Clouse works well in small, homey locations and pulls off the 1930s setting pretty smoothly. Disappointingly, the story and characters within the setting are not intriguing. The screenplay offers exactly one character and relationship that I found intriguing: dear old Mako in his surprisingly stern role as Jackie's mentor. Everyone else, from Chan's on screen girlfriend (Kristine DeBell) to the evil champion (H.B. Haggerty), are simply varying shades of boring. Even Oscar-winner Jose Ferrer is incredibly vanilla as the lead villain and doesn't enliven a story that's almost solely kept afloat by its lead star's infectious talent. Chan himself isn't at his best either, though this is mainly due to his discomfort with English at this point, and his physical expressiveness conveys a lot of what his dialogue doesn't.BATTLE CREEK BRAWL teeters on a less enthusiastic rating, but eventually wins me over through its strengths. It's not surprising that this film didn't make Jackie Chan a household name, but it's good enough to qualify as a collector's item for the right viewer. The one thing all viewers needs to do when watching is not expect RUMBLE IN THE BRONX, and if you manage that, you'll probably have a good time.

even though it's his first American movie, it delivers everything you expect from a jackie chan movie, including stunts, great fight scenes and comedy. its a great watch and jackie chan is a joy to watch in his many fight scenes with big wrestlers, and the comedy while some of it dated, for the most part it remains very funny and is entertaining. now some fans don't like this movie, and i cant understand why, it delivers everything you expect from a jackie can movie, sure maybe it is a little cheesy and times, and the acting not the best you've ever seen, but arnt most of jackie chans movies. never the less the big brawl is a great jackie chan flick, and i recommend to fans if his, and action fans in general.

Jackie's first staring role in an American made movie, Robert Clouse (Enter the Dragon) directs but this never really hits the high notes of say Project A or Armour of God. The problem being that Jackie is lumbered with ex-pro wrestlers and the like with which to produce fight choreography and not his own JC stunt team so the timing and trust was just not there to produce truly stunning fights.Only once does Jackie get to work his true magic and this is with two members of his own team in a fight that easily surpasses anything on show in the rest of the movie. If they had let Jackie choreograph the entire movie this would have been a much better film as lets face it the fights are what we here for in a movie like this.Overall it's entertaining in places but for Chan enthusiasts only, if you've never seen a J.C film before your better of starting with Project A, Police Story or for the older more traditional style kung fu flick Drunken Master.Entertaining for Chan fans only - 5/10