Ava's Possessions (2015)

Ava is just your average twenty something who's just been exorcised. She's now trying to figure out what went down when she was a demon. Ooops. I mean "entity." (You're not supposed to say the D word - inside joke with the movie). She gets some leads and finds some clues and eventually comes full circle. She may even end up in jail for her crimes. Ava (Louisa Krause) plays her part extremely well, both as a demon and a regular woman. All the other actors are just okay. I'd recommend this movie if you like possession movies. I watched this movie on Netflix.

"Ava's Possessions" follows the titular character, a young woman who wakes up one day tied to her bed after an exorcism. Having wrought havoc on the public during her demonic spree, she is ordered by the court to a "spiritual possessions anonymous" group to reorient herself. But in making amends with the people she wronged, she uncovers a plot deeper than mere possession.While it may sound like a substandard and silly representation of the possession horror genre, "Ava's Possessions" is really a morbidly funny, mysterious, and amusing post-millennial riff on a subgenre that has been drowned in terrible found-footage films and badly-scripted Z-grade movies.This film presents the aftermath of demonic possession in a contemporary world, albeit a topsy-turvy one in which such things as group therapy for ex-possessees are a real thing, and friends are insouciant to the fact that you've been taken over by a demonic entity. It's these kinds of idiosyncrasies that make the film slightly humorous, but it never really at any point becomes a comedy. The film is nicely shot and makes use of an overt neon color palette, which is rather beautiful. The performances overall are very good as well, with Louisa Krause as the semi-cynical Ava. Carol Kane also has a cameo as a downtown New York witch/botánica proprietor.Overall, "Ava's Possessions" is an amusing, slightly sardonic, and energetic horror movie. It is not profound by any means, but it is a self-aware rewriting of the conventional possession film that came to be defined in the wake of "The Exorcist." It's a playful twisting of conventions, is nicely shot, and considerably well-acted. Those expecting a B or Z-grade possession flick should be nicely surprised.

Finally, a new angle for the old satanic possession standard. Ava's Possessions starts where other movies end: a stoic priest is able to expel the demon Naphula, and the main character Ava is free from its perverse influence. However, it's not that easy to return to normality, because Ava and her family will have to face the practical and psychological consequences of possession. Director and screenwriter Jordan Galland establishes a realistic situation, combining subtle humor with a provocative mystery which impulses the story and assigns a motivation to the leading character. However, that mystery isn't the main point of the film; the most important thing is discovering how Ava's terrifying experience altered her perception of the world and brought her new qualities which will be useful for her to investigate her activities during that "lost month": who she met, why such many people hate her and where a mysterious clock showing up at her apartment came from. What did Nephula exactly do while it was controlling Ava's body? At the same time, we follow the process of "therapy", who works as a support group at first sight: the surviving victims sharing stories, receiving counseling on their re- integration to societies and forming friendships with people who went through the same situation; oh, and they also invoke the demons who possessed them, in order to get trained to expel them without the need of ecclesiastical intervention. All those sub-plots are eventually fused on an ingenious way, until leading to a very satisfactory ending. As for the cast, Louisa Krause displays a perfect balance of internal strength and cynical apathy in her role; and I would also like to mention the solid performances from Annabelle Dexter-Jones, Carol Kane, Whitney Able and the great William Sadler. In conclusion, I liked Ava's Possessions very much, and it deserves an enthusiastic recommendation mainly because of its creative premise combining humor, drama and interesting characters, proving that there still are new things to explore into the satanic possession sub-genre. Who would have imagined that the most interesting aspects of a possession wouldn't be the screams and contortions, but the human problems coming after the exorcism?

This movie drew my attention due to its somewhat original premise. Instead of focusing on her possession, this movie asks the question, what is life like AFTER your demon has been exorcised? It's a question not many movies have asked, so I sat down and took it in.AP has some starts strong, with a mystery at hand. I love movies that keep me off-kilter and I wasn't quite sure what was happening. This puts the viewer in the shoes of Ava, who also has no memories of her possession and therefore, no idea of the damage she wrought. There is also a lot of dark comedy here, with the rehab for the once possessed and Ava dealing with the things she did (beat up people, slept with strangers etc)Sadly, the movie loses focus and gets convoluted, with too many players on the board. They also have sub-plots like a girl who wants her demon back and a serial killer on the loose, that just didn't do anything but confuse the main plot. If they had left this stuff on the back burner, Ava's Possessions would've been a much stronger film. Points for originality and the acting is pretty decent, but unfortunately they tried to do too much and it ended up taking away from the main story and weakening the entire flick.