The Hottest State (2007)

Ethan Hawke pulls off nothing short of a one-man cinematic tour de force in "The Hottest State," a movie he wrote, directed and briefly appears in. And to top it off, it's based on his own novel.This low-budget film chronicles the rocky relationship between a struggling Manhattan actor and a beautiful young woman from Connecticut who's come to the city to start a new life for herself as a singer. Originally hailing from Texas, William Harding is not the most ambitious or highly motivated young man when it comes to pursuing his goals or the most monogamous when it comes to his relationships with women, but all that changes when he meets Sarah, "the girl of his dreams." She makes him want to become a better, more stable person, but Sarah has other things on her mind than getting tied down in a relationship, so she essentially keeps William at arm's-length, allowing him only so far into her heart before shutting him out completely. Meanwhile, blindsided by love, William can't seem to figure out why the girl he's ready to devote his entire life to pleasing seems hell-bent on sabotaging their relationship. And, yet ironically, the more aggressively he pursues her, the more he winds up pushing her away.Thanks to extraordinarily perceptive writing and acting, "The Hottest State" rises far above the average Hollywood romance - its characters more recognizable and complex and its situations more believable and true to life. Both William and Sarah bring a certain amount of baggage with them from their childhoods and previous relationships, but, for the most part, they are just two fairly ordinary young people feeling their way through life, trying to make a go of it as a couple, with all the pain, pleasure and confusion that that entails. And if their demons occasionally get the better of them, well heck, that's all a part of this game we call love as well."The Hottest State" is really an examination of what happens when one half of a romantic couple falls out of love with the other half, leaving the latter no outlet through which to channel that still-smoldering obsession. The movie nicely turns the situation on its head by making it the woman, rather than the man, who's having trouble making the commitment. There are times when both these characters can be maddeningly frustrating to watch, and when, frankly, neither of them is all that sympathetic or likable. But that's merely an indication of just how utterly committed the movie is to the truth of its characters and story - and how highly it respects and values the intelligence and maturity of its audience.Mark Webber and Catalina Sandino Moreno are simply astounding in their portrayal of two people trying to come to terms with how each one feels about the other, and they are beautifully complemented by Hawke, Laura Linney and Michele Williams in supporting roles. The final confrontation scene between William and Hawke, playing the dad who abandoned him when he was thirteen years old, is searing in what it has to say about the devastating effect an absent parent can have on the psyche of a rejected child - and how that effect can continue on throughout the entirety of that child's life.Buoyed by an ending that refuses to cater to generic formulas or the expectations of its audience, "The Hottest State" is a heartbreaking story about heartbreak.

Written and directed by Ethan Hawke, and based on Hawke's (I presume) autobiographical novel of the same name, The Hottest State is an intensely personal movie. Yet unlike, say, Woody Allen's autobiographical films (Annie Hall, Stardust Memories, Husbands and Wives), Hawke's personality doesn't flood his material. Hawke is quite casual about baring his soul to us, and audiences may not be aware how deeply he takes them into his psyche. But he holds nothing back.The film recounts a brief, magical love affair between 20-year-old William (Mark Webber), Texas-born living in New York, and Sara (Catalina Sandino Moreno), a beautiful Mexican who has moved to the city to pursue her singing career. The film unfolds with an easy, natural spontaneity that is both engaging and faintly ominous (we know where it's heading because William informs us in voice-over). Working with his actors and crew, Hawke uses simple, unassuming brush strokes to communicate the joy and misery, and the complexity, of falling in love. William's trouble is that he has fallen in love with "a force of evil," which is to say, with unfathomable femininity.The Hottest State shows the futility of romantic desire without ever opting for self-pity or easy cynicism. Hawke imbues the film with the wisdom and acceptance of a broken heart made stronger and freer by the breakage. The film is so faithful to his own experience that it gets at something universal, and cuts all the way to the bone. As a result, it may stir feelings we'd rather not have to deal with, ones we'd hoped we'd put to rest. I don't think I have ever seen a romantic film that manages to be this painful without being in the least bit sentimental. It's not so much about the sadness of watching a great love die, but about the horror and incomprehensibility of it.Although it's raw and almost nakedly personal, there's nothing amateurish about the film. Hawke's handling of his actors is flawless, and just about every scene resonates, rings bells of recognition. In scene after scene, Hawke seems to have got precisely what he was after. His use of the soundtrack (songs by Jesse Harris), free-form editing, overlapping scenes, voice-over, the rich, sensuous colors and his knack for placing the camera just where it needs to be, all is remarkably assured, making this probably the most auspicious debut from a writer-director since Sean Penn's Indian Runner. The Hottest State is a wonderful film and I felt richer for having seen it; and it deserves a wider audience, because so far as I know it did little business and got Luke-warm notices. Another precious gem in danger of slipping under the radar.The film is a little soft around the edges. Some of the dialogue (particularly between William and his mother, played by Laura Linney, and in the crucial scene with William's father, played by Hawke) may be a little too pat. We're aware of Hawke's limitations as a writer here, of his putting words into the characters' mouths instead of letting them speak for themselves (which is the problem with Sara's last few scenes). But considering what Hawke is attempting here—adapting his own novel, directing it, and playing a key role—it's an astonishingly assured work.Like Penn, Hawke has an authentic artistic sensibility, and with any luck he could become a major filmmaker. He's so confident of getting to the truth of a scene that he achieves poetry without trying, without even a whiff of pretension. The film has a raw honesty to it, and yet it never seems self-indulgent or narcissistic. It's confessional in the best sense. It's as if getting these experiences down (in the novel, which I haven't read, and by making the film) was essential for Hawke's peace of mind, as if by sharing his pain and confusion with us, he was able to come to terms with the past and reduce its hold over him. As a result, the film has urgency and poignancy, it feels essential, from the heart. I can't think of another film that conveys the agony of heartbreak and the rite of passage it entails as effectively as this. It has its very own ache.

The Hottest State is the story of William, played by Mark Webber (Storytelling), an up and coming young actor in New York City who meets the unassuming Sarah, played by Catalina Sandino Moreno (Maria Full of Grace), one night at a local bar. There's an immediate attraction. As he walks her home that night and pulls out a cigarette she tells him not to smoke. "Why?" he asks, curious. She answers "Because I might want to kiss you." William is nervous, emotional and bracingly honest. Sarah, who has just moved from Connecticut to pursue her dreams of being a singer, is quiet, emotionally reserved and detached. As they get closer, his growing excitement is matched by her growing fears.After a hypnotic and sexually charged week together in Mexico, William stays to film a movie while Sarah returns to New York. When William gets back he immediately senses something is not right. Sarah becomes distant and increasingly annoyed at William's attention. Soon the bomb is dropped. "I came to New York to be free." It is the beginning of the end.Already scarred by his estranged father (played by Ethan Hawke) who left him when he was just a boy and unable to reason with losing the one good thing in his life, William begins a tragic descent into desperation and despair. His behavior becomes increasingly chaotic and manic, climaxing with one of the most uncomfortable answering machine message scenes the screen has seen since Swingers.The Hottest State is a story of first love and heartbreak but it's also the story of a wounded young boy searching for a father he never knew. Both Webber and Moreno have a unique and intense chemistry that quickly builds and falls while Hawke does a masterful job of letting his actors control each frame.

I saw this film at the LA Film Festival and found it to be a boring talk-fest between two largely unsympathetic, unconvincing characters. If Hawke was trying to channel Linkletter's Before Sunrise/Sunset, he should have also created characters whose motivations and reactions are at least somewhat plausible, even if they happen to be 20 year olds. On the other hand, the character portrayed by Laura Linney (the mother of male lead) is refreshing in her contribution of realism to the story. Otherwise, if you like lots of self-involved rambling about nothing much, punctuated by music videos and a few moments of soft-core porn, this is your movie.