K-20: The Fiend with Twenty Faces (2008)

"K-20" is a visually stunning Japanese steam punk epic with a couple of promising ideas that are destroyed with a too ordinary story and a quite instable acting performance.The story takes places in an alternate history of the year 1949 in Japan where the second World war never happened. In the fictional capital Teito, the viewer can observe zeppelins and similar flying objects as well as adventurous machines that work with alternate forms of steam or electricity. These science-fiction gimmicks are what make this movie truly imaginative and fantastic. If you observe closely, you will see many lovely details of that kind in this film.The story is set around the poor circus acrobat Endo Heikichi who needs some money to heal his old and sick master in form of an operation. He is portrayed in a rather weak and horribly faceless way by actor Kaneshiro Takeshi who is one of the reasons why this movie doesn't work as well as it could have been.Meanwhile, the fictional city is haunted by a smart thief who seems to have twenty different faces or masks and is therefor called K-20. The character seems to be a mixture of Robin Hood who mostly steals from the rich, Spider-Man thanks to his great acrobatic and flying skills and of the Shadow because of his appearance. From that point of view, the movie picks the best influences from famous American superheroes which is not very original.This thief comes to meet the poor circus acrobat and gives him a lot of money to take a couple of pictures of the engagement ceremony of the intelligent but cold-hearted detective Akechi Kogoro who has become a local celebrity with the charming, vivid and unconventional Hashiba Yoko. These two characters are well portrayed by the stylish and authentic Nakamura Toro and the charming and beautiful Matsu Takako.The whole thing turns out to be a trap as the circus acrobat gets caught during the event and is now mistaken for the thief with the mask. He gets imprisoned and tortured but suddenly gets some help from a gang of local thieves who liberate him in a quite original way. The acrobat is not very thankful and rather looks for isolation and overtly despises the thieves that saved him. He later realizes that he can flee and must become a smart thief as K-20 is to clear his name and find out about the true criminal intentions of the master thief. This profound change of mind is not very well portrayed in the movie and definitely lacks of passion. Instead of focusing on this important turning point, the film wastes a lot of time with more or less important and gripping dialogues. It's also sad that the thieves that liberated the circus acrobat are promisingly introduced but never seem to appear again in the entire movie.Endo Heikichi meets K-20 again when the criminal chases the young fiancée Hashiba Yoko through the nocturnal streets of Teito. It seems that the young woman's grandfather had developed a futuristic Tesla machine that could be used as a weapon of mass destruction. The young acrobat, the energizing fiancée and her fiancé and detective try to solve the puzzle to find and destroy the mysterious weapon hidden by the deceased grandfather before K-20 can get his hands on the dangerous machine. The thief of shadows though always seems to be faster and smarter during this fast paced competition that builds up some atmosphere and tension but unfortunately leads to a quite stereotypical ending that could have been taken from any Hollywood assembly-line product.In the end, the visual parts and the steam punk elements of the movie are quite addicting. The gang of thieves, the circus crew as well as the charming fiancée are positive elements of this movie. This feature builds up some good atmosphere towards the second half that leads to a fast paced competition between the good and the bad.On the other side, the story of this movie is not quite original and somewhat predictable at some point even if there is a little twist in the end. The main villain is a copy of many Hollywood figures and can't convince. The acting of the main actors is rather poor and leads to some lengths.After all, the movie is worth a watch if you like steam punk elements or if you collect all possible superhero movies in the world but it can't be counted as a highlight of its genre. Anybody else should skip this one and go for the original superhero movies from Hollywood.

I was surprised by how much fun I had with this film. I was skeptical, but this turned out to be a really enjoyable Japanese film. It reminded me of 90's action adventure period pieces like The Shadow and The Rocketeer, which were some of my favorite films to watch as a kid. If you also enjoyed films like those, and to a lesser extent, films like Indiana Jones and other period action adventures, you will no doubt enjoy the film too.The film takes place in Japan, 1949. World War II never took place and Japan remained with the feudal system, while the poor and the wealthy remained separate with no middle class. The wealthy rule, while the poor are left to starve and die on the street. None help the poor, with the exception of K-20, a master thief who steal priceless artifacts from the rich. The film's main focus is Endo Eikichi, a circus performer who is tricked by K-20 into committing a crime and taking the blame for being K-20 himself. From there one, Eikichi is set on a quest to catch K-20 and clear his name.The best thing about the film is its lead, Takeshi Kaneshiro as Eikichi. He's highly entertaining, as usual, and does a good job as he goes from agile circus performer to competent thief. He's funny, exciting, and plays up all the right things for this kind of film. The supporting cast is great as well, made up of several veterans of Japanese film and TV. They deliver in their performances with the right mix of adventurous spirit, drama, camp, and humor. The film is also big, with some big sets, and few decent cg sets, and some big action moments. The best action sequences utilize parkour-style stunts, but less in the way B13 does it and more in common with something like Assassin's Creed, which came to mind during the big training sequences. These sorts of action scenes are a lot of fun and create for some excellent foot chases. While the film does get a bit preachy about its rich versus poor plot line, it remains fun and, even when it slows down, the acting keeps you engaged. There is also a great deal of humor mixed in, which keeps things light. Suffice to say, the film never feels too heavy handed. Although it could have played up it's issues much more seriously, it thankfully never does. Overall, I have to say that this is one of the more enjoyable Japanese films I have seen in a while. Much like America, I can't say I have seen too much I have thoroughly enjoyed as I enjoyed this film. If there were more films that aimed for the scope and Hollywood scale of this film, with as much talent as went into this film, we might see more enjoyable pictures from Japan.

I've watched this film twice on flights to Japan and enjoyed it on two levels. First, by itself, it is a rousing fun action film--superior to most of the US adaptations from graphic novels. The combination of the CGI vistas with realistic local sets works extremely well: you are reminded that you are in an art deco-influenced alternative reality but the immediate surroundings of squalor in the poverty-stricken lower class sections of the city and opulence in the wealthy neighborhoods are entirely plausible. The action and the fights are great and integrated entirely into the plot, and the performances are solid. The only difficulty is that the identity of the villainous K-20 (and, yes, he IS a villain) is probably too easy to guess, while the hero seems at times too dense.The second level of enjoyment is how the film contributes to an understanding of Japanese culture. The mixed admiration and dislike for the wealthy artistocratic class who dominated Japan during the early 20th century strongly emerges from the film. The depiction of how Japanese people would react to a spectacular, mysterious criminal was also interesting. I could write more, but perhaps someone should try a serious academic analysis. The bottom line is that its fun to watch--much more fun than The Hulk or V--and, at the same time, it is a uniquely Japanese take on the whole vigilante against an unjust society theme. It is definitely NOT a Japanese "imitation" of anything.

Quite frankly I dislike most of the Hollywood comic to screen adaptations that have been made possible with high budget CGI and motion control. The most positive thing about a cheaply made film is that either the makers deliver shoddy goods (nearly every SciFi Channel movie) or they focus on story, drama and comedy which can result in the most satisfying movie.K-20 inhabits a world that's very familiar to comic book readers, alternate history what-if. Here the Japanese have avoided WW2 and have evolved into a strange combination of the Taisho era with the totalitarian leanings of the Showa with technology seemingly mired in the 1920's even though the film is set in the late 1940's. German is used instead of English when a universal language is needed. The film revolves around a Japanese invention that finally brings Tesla's dream of wireless energy to fruition. Unfortunately it can also be used as an extremely powerful weapon. The look of the film is excellent and the effects are, as others have pointed out, very good and well conceived. But that is true of many other big budget films like this. What makes this film different is the drama that fleshes out the fantasy. It's not perfect, some of the acting is old-school over-acting, the main characters are very familiar to anyone with familiarity with Japanese entertainment especially the Duke's daughter. And there are some moments that strain the viewer's credibility but The Dark Knight had moments like that as well. Overall the film ended and I had enjoyed myself.There are way worse ways to spend your time, (The Spirit anyone?) hopefully this film will see a wide release.