Everything or Nothing (2012)

This is a interesting Documentary that delves into Ian Fleming and how the creation of James Bond came into being. While also showing the struggles and stardom of the actors that played Bond. Which also includes the producers and the legal battle when it came to who owns the rights to "007". I think just about everyone can at least empathize with Ian Fleming who was known to have a charming and alarming characteristics. Like how it is mentioned in the documentary, Bond is basically the alter ego of Ian Fleming. How women and fancy drinks wasn't enough, how he disliked his job and wanted more out of life. So in another words Bond is someone he wanted to be but couldn't because of his circumstances. A character that is able to win over just about any women, stand tall and overcome just about any obstacles not matter how much the odds are against him. It's a fantasy that just about every men dream about. Sometimes movies can be a coping mechanism for dark times in peoples life. For Ian Fleming it was his passion for writing stories about his fantasies. It was interesting to to know more about the inner turmoil within the company and legal issues when it came to the rights of the "007" franchise. Especially about each star that played Bonds story and how it all came to be. Overall this is a documentary that all Bond just might enjoy and could lead to more appreciation of the "007" films.8.4/10

For the dedicated 007 fan, I recommend adding this movie to your Bond collection. I always enjoy a good behind the scenes documentary, especially all the human drama and minutia involved in making Hollywood magic. I have to say as far as movie making documentaries, this one's the best so far. This is a brilliant and methodical collection of interviews and news clips covering the Bond saga from 1962 to 2012's Skyfall. Going far beyond the special features that accompany the DVD/Blu-Ray collections, there are many fresh revelations of the decisions, relationships, litigations, collaborations, betrayals, controversies, successes, and failures that went into the creative processes of Fleming, Broccoli, Saltzman, and many other talents who framed the Bond mythology. The movie begins with an intro from our newest Bond Commander, Daniel Craig. It seems a fitting choice to begin the 50-year anniversary tell all as he grew up with Bond. The interviews include super villains as well. Beginning with Christopher Lee, The Man with the Golden Gun 1973, it's revealed (to me at least) that he's a "distant cousin" of the late Ian Fleming. I'm glad he's still with us to share his knowledge of Ian's real-life WWII Naval Intelligence experiences which was the impetus for the Bond character development. Interviews are not just for the Hollywood elite either. The film makers include the surviving siblings, children, associates, and friends who, in my mind, contribute greatly to the Bond perspective. As the film progresses to interviews with the actors who played Bond, many new facts are revealed in a "he said, she said" style and old facts re-confirmed as well. For example, the reasoning behind choosing Welsh actor, Timothy Dalton, before Pierce Brosnan, is well known by many of us older fans, but maybe not by the newer generation of fans. However, most glaringly absent from the main characters' participation, is the first Bond, Sean Connery. In spite of this, Mr. Connery's pro/con experiences are told in absentia and in a seemingly fair manner carefully avoiding any pre-judgments leaving that privilege to the audience. Harry Saltzman and Albert R. (Cubby) Broccoli were the original Bond producers but died in 1994 and 96. Although not available, many home movies and other footage were carefully edited in to give us a fairly complete perspective of the working and personal relationship between these two men. This part of the story is greatly enhanced by the daughters. Barbara Broccoli and Hillary Saltzman. I'm captivated as they recall loving memories of their fathers, and can't help wondering why they were never "Bond girls." These two women are as beautiful as any of the ladies who've filled the ranks. Then, the story is the "passing of the baton" to the surviving Barbara Broccoli and her step brother Michael. They continue the Bond saga with a set of new challenges, such as, choosing the first "Blond Bond," Daniel Craig, which was very controversial at the time (another new fact to me). Sharing what 007 means to them, the last few minutes are a montage of closing comments and analogies from many of the feature's participants including former Pres. Bill Clinton.For me, I'm always slow in warming up to a change with my favorite characters and Bond is no exception. However, the actors who have holstered the Walther PPK, have done an excellent job in my estimation. I'm not one of those "so and so was the real Bond" type of fans . . . So far.As a companion movie, I recommend "Bond Girls Are Forever." It's a 2002 documentary, ten years before this one. It's done in a different style as Maryam d'Abo, herself a Bond girl, solely does the interviews in "Globe trotter" fashion.

Produced as part of the celebrations of the James Bond film series reaching its fiftieth anniversary and sanctioned by those behind them, the documentary Everything Or Nothing: The Untold Story Of 007 might appear on the surface to be just another piece of celebratory fluff. After all, there have been countless documentaries produced on the series both for television and, more recently, on the various DVD releases of the films. So what could possibly be left to say about the history of the franchise? The answer, as revealed over a bit more than ninety minutes, is quite a bit.What perhaps makes the documentary most notable are those being interviewed. Five of the six actors who've played the part are featured (the sole exception being Sean Connery whose love/hate relationship with 007 is illustrated throughout). Each of them is nothing short of interesting ranging from George Lazenby's candidness about letting the part go to his head to Timothy Dalton reflecting on how his take on Bond was received to Pierce Brosnan on the pain of losing out the chance to play Bond in 1986 and how he handled the phone call telling him he wasn't getting to do another film after Die Another Day. Representing those either unwilling to be interviewed (such as Connery) to those no longer with us (such as Bond creator Ian Fleming, producer Cubby Broccoli, producer Harry Saltzman and surprisingly even Kevin McClory) is a wealth of mainly audio archival clips. Last but not least are a wealth of others interviewed such as the usual suspects including various Bond girls to current producers Barbara Broccoli and Michael G. Wilson. Somewhat more intriguing are the less usual suspects including Fleming's friend/biographer John Pearson to McClory's friend Judy Geeson and former United Artists executive David Picker. The results help to make this far more than your usual making of documentary.Everything Or Nothing is also well produced and stylishly done. Yes, there are the expected clips from all of the films, but they are put to surprisingly effective use not just as samples from the respective films but also to illustrate, often metaphorically, events taking place behind the scenes. There's also a wealth of archival material as well that give it a larger scope than many of its predecessors as well. There's also a stylishly done opening black and white teaser sequence that sets the stage for it is to follow that is excellently done. If I would fault the documentary, it would be that it perhaps paced too rapidly and jumps around quite a bit, rarely stopping long enough to focus on any one film in particular.The result of all of these materials being brought together is that this is less a making of documentary and more of a look at the history of the series overall and how it has survived across five decades. It charts the course through the series by telling a story about strong individuals, egos, money and perseverance as much as anything else. Despite being officially sanctioned, the documentary does point out the flaws of various films and when the series went astray. Perhaps most surprisingly, it even goes into some depth about the controversy surrounding McClory, Thunderball and Never Say Never Again in a manner that is as even handedly as one can expect in light of what is still a controversial subject in Bond circles.From its interviews and archival materials to a stylish production, Everything Or Nothing: The Untold Story Of 007 is far more than just another documentary on the history of a long running franchise. It is a journey through its history, its ups and downs and even some of its points of contention. It is the story behind the spy (and the films) that have, and will hopefully, continue tom thrill us.

Fantastic documentary and very pacily directed. Actually more involving and entertaining than many recent Bond films for this fan, a real narrative arc to it all, and emotional involvement. Superb use of Barry music throughout to accompany the narrative, and clips from the films to illustrate events.Bond creator Ian Fleming gets his deserved share of acclaim in it. Connery's non-involvement lends him a posthumous air, but it allows him to be cast as the villain of the piece, an attitude which seems more justified in retrospect as the series has gone from strength to strength without him. They linger on shots of Connery looking quite obese in the Diamonds are Forever era, as if to make a point, and the clips from his rogue Bond film Never Say Never Again mainly show him at his worst. They don't mention, however, that EON actively worked to mess up Never Say Never Again by hauling them to the courts on a weekly basis to throw up roadblocks over their intended storyline.Alternative Bond producer and huckster Kevin McClory is the other villain of the piece, though no one would realistically stick up for him. That said, I'm not sure that the whole Spectre thing wasn't his idea and lord knows EON milked that in the 60s, using them for films where they hadn't even featured in the books.A shock to see Roger Moore look so overweight, he's turning into Cubby now, while I thought Dalton looked better than he's been in decades, quite rugged and windswept. But his interpretation of Bond is wholly damned here, with no one speaking up in support of it, and he even seems to damn it in his own words: 'I worried that half the people would love Connery and the other half love Moore and they'd gang up to hate me...' implying that's what happened, though in the interview from which that quote was taken, a few years after LTK, he swiftly added 'Which didn't happen I'm glad to say', now edited out. Brosnan is in good form, but still surprisingly cut up about getting the push, surprisingly because, let's face it, his films were mostly below par through no fault of his own. I think his response was the grief or regret that comes from knowing he'd never get a chance to get it right, and now time had moved on.One-time Bond George Lazenby is perhaps the best entertainment value for anecdotes, he's in good form and amusingly self-deprecating. Oh, there's a moving scene regarding a phone call from Connery to Cubby, related by Barbara Broccoli. Connery's comments are occasionally heard, but they're from past interviews and used very fleetingly, over other clips.What I found surprising was that I found the clips of Casino Royale with Daniel Craig at the end far more moving than in the actual film, because the music played over it - not David Arnold, it seems - was more affecting. Craig's performance looked shockingly impressive this time round simply because of this.Some clips from Skyfall at the end, though not too many if you haven't seen it yet. The trailer is almost directly before the film, so arrive at the last minute if you want to miss that. Catch this in cinemas if you can, as you get to see some clips of the films on the big screen for once, even if some of the hi-def remasters seem to have just something very slightly wrong about them sometimes.