Tab Hunter Confidential (2015)

Fascinating. The star still shines. Some older gay actors are reluctant to talk about their experiences so thank you Mr Hunter. This will help young gay people coming to terms with their sexuality today. Includes interviews with stars like Don Murray, Terry Moore, Debbie Reynolds, Connie Stevens, Darryl Hickman, George Takei - all looking great too!

The real reason i rather enjoyed this biopic was simple. This was a guy who is just a decent man. Extremely talented...had no idea he was a figure skater or horseman. I never saw him as a incredibly handsome man...guess he isn't my type, but i really enjoyed listening to his comments. For once, someone who is down to earth and not outlandish or known for antics and acting up. Just a decent human being with his faults, but also obvious virtues.Its worth watching....not too many like this anymore. I really miss real, insightful and honest people on TV anymore.

Greetings again from the darkness. "Made it, Ma. Top of the world!" That line was famously bellowed by James Cagney in the 1949 film WHITE HEAT, and it reasonably could have been shouted behind closed doors, a few years later, by Tab Hunter. Of course, that wouldn't have been the only thing Mr. Hunter was keeping behind those doors. In his 2005 autobiography, he came out publicly as a gay man. Director Jeffrey Schwarz takes that book, and puts a very forthcoming Mr. Hunter in front of the camera, to deliver a fascinating, entertaining and educational glimpse at what it was like to be a movie and musical superstar at a time when being a gay man was not just a social taboo, but actually considered a mental illness.Normally, "talking head" documentaries quickly become tiresome, but now in his 80's, Mr. Hunter remains an engaging and delightful man, and he is so sincere and upfront in telling his stories, that we couldn't possibly turn away. In addition, director Schwarz drops in interviews from those who were there. These include: Debbie Reynolds, Connie Stevens, Robert Wagner (filling in his for his deceased wife Natalie Wood), John Waters, George Takei, and Robert Osborne. Each recall moments from real life, with the studio publicity romances (Reynolds, Stevens, Wood) providing the touch of melancholy that brings focus to the matter at hand.Another entertaining touch added by Schwarz is his use of actual dialogue snippets from Hunter's films to deliver punch to a point – sometimes comedic, sometimes more serious. Never succumbing to the career retrospective approach, the film does offer significant film clips, photographs and recollections of Hunter's unique career that found him #1 at the Box Office, as well as #1 on the Pop Music Charts (his recording of "Young Love" knocked Elvis off the top of the charts).The film could also serve as a historical documenting of the Hollywood Studio system, as Hunter's success with Warner Brothers was never to be duplicated once he gained his contractual release (through buyout). We do go through the career re-birth brought about by Hunter's work in the John Waters offbeat classic POLYSTER, where the former matinée idol finds himself making out on screen with Divine, the 300 pound transvestite who was a fixture in Waters' films. Surprisingly, it's Hunter's fearless approach to the material that makes it click.But beyond the Hollywood insight, the film is most effectively the story of a man who, because of his era, had to be one person in public and another behind the closed doors. Hunter describes this as "being rewarded for pretending to be someone you aren't". He speaks frankly about his relationship with Anthony Perkins, as well as a couple of other serious relationships. We also learn about his childhood, when he had an abusive father and was close to his older brother, who later died in Vietnam. Hunter speaks of being "lost as a kid". Beyond the Hollywood years, it's fascinating to hear Hunter speak of his time on the Dinner Theatre circuit, where he put up with the travel and drudgery so that he could pay the bills and care for his sick mother. We also learn that in addition to his staggering good looks, his on screen appeal, and his musical talent, Hunter was also a world class figure skater and competitive equestrian horse jumper. Yep, Tab Hunter is pretty much the guy we would all despise … if he just wasn't so darned nice and likable!

This new film held the audience spellbound at the 2015 Cleveland International Film Festival. It was especially effective having the actual subject serve as narrator. Hunter's narration was very honest, truthful and insightful. His voice was sonorous, statements rich in humor and warmth, and his attitude toward himself rather laid back. The photography and direction was of a high level with editing that kept the pacing alive and energized. Besides looking at the main subject, the film also revealed a candid slice of the film industry of the 50s-- qualities still with us in 2015 (the film's release year). Hunter had more of a varied career than one might normally think--he played a variety of parts (particularly some stark TV dramas) and kept a cool attitude throughout. The film also reveals the actor's relationship with his mother and his rich past time with horses. All in all, a very engaging biopic.