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The Black Tulip

The Black Tulip (1964)

February. 28,1964
|
6.6
| Adventure

Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip's face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.

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MARIO GAUCI
1964/02/28

A lesser-known literary creation of Alexandre Dumas Snr. was this Zorro-type masked avenger at the time of the French Revolution who, unlike the contemporaneous The Scarlet Pimpernel, was on the side of the Revolutionaries despite being truly an aristocrat himself! I've never read the source novel myself but, in any case, I'm familiar with the character via a fondly-remembered Japanese animated series that I used to watch on Italian TV as a kid (where the titular hero was actually a girl!). Having said that, it seems that much of the narrative has also been changed for this handsomely-mounted, energetic but disappointingly bland cinematic adaptation.Alain Delon – who, ironically, would go on to portray Zorro himself in an equally medium-grade Italian production in 1975 – plays a dual role here as the jaded aristocrat who dons the black costume and as his naïve, younger brother who is forced to keep up the ruse when the latter is facially scarred during a swordfight with his nemesis (Adolfo Marsillach). No self-respecting swashbuckling hero goes by without a gushing female pining for him and, appropriately enough, we get two here in Virna Lisi and Dawn Addams – one for each Delon persona! The fomer ditches her own imminent marriage when she meets cute with the shier Delon and the latter gets it on with the older Delon practically in front of her ageing aristocrat husband, Akim Tamiroff.

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dbborroughs
1964/02/29

French version of the Zorro legend set during the period just prior to the French Revolution plays like Zorro the Gay Blade at times. Its an amusing romp with Alain Delon in the heroic lead (Delon would take up the mantle of Zorro a decade later and sleep walk his way through the role). Its the typical stuff with the "bandit" hailed as hero while the ruling class hates his guts. Filled with funny remarks and great action this is a film to search out, or would be if there were any decent copies floating around. The only way it seems to see this is on really bad low budget videotapes, which is a shame since its better than most swashbuckling romps that have appeared over the years.

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ragosaal
1964/03/01

Just for cape and sword adventure fans, "The Black Tulip" is the French version of Zorro. Very much alike. There's Alain Delon in the main role for the ladies and he is not bad. You'll also find Virna Lisi in one of her early works rendering an acceptable work too. But if it comes to acting, veteran Akim Tamiroff is the clear winner in a supporting role as a villain noble. Photography and shooting on location in real palaces and old European cities add to the movie and a sort of sticky tune helps too.But what "The Black Tulip" really lacks is the sense of passion and real heroism American classics of the genre usually transmit, this being really odd since most of them are usually located in Europe including France. I think the director didn't make up his mind whether this would be a serious swashbuckler with a touch of humor or a comedy with a touch of serious adventure. So it didn't work neither way.Nonetheless the film is entertaining and worth a watch.

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lorenellroy
1964/03/02

It is always a tad unfair to judge movies in a dubbed version especially ,as is the case here,when the dubbing is perfunctory and careless.Actors voices are among the key elements of their personality and replacing them with an anonymous voiceover artist is tantamount to a form of castration.,not to mention the loss of credibility arising from poor lip synchronization.The movie needs all the help it can get anyway being a pretty feeble affair.The Black Tulip is a Zorro like figure,with a penchant for black garb and mask who sides with the peasantry in the French Revolution by holding up aristocrats and disbursing the proceeds to the downtrodden-a reverse Scarlet Pimpernel,whose sentiments,rightly ,were pro establishment.When scarred on his face by the Police Lieutenant General he substitutes his identical twin,an idealist,who takes to the role with some relishCue romantic entanglements,some woeful sword fights and a plethora of bad dubbing until we get to the finale where heroism and self sacrifice rule the day Delon is dull and lacks the balletic grace that marks out the best screen swordsmenMinor in every way

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