Black Ice (2007)

Black ice is a strong film, with excellent characterisation, plot development, and filming; in fact it won seven Finnish Jussi (film industry) awards in 2008 including Best Film, Best Director, Best Script, Best Editing, Best Music, and Best Actress. The wife who is misled by her husband decides to play a complex game, but as the plot unfolds she develops dual feelings of both friendship and revenge towards her husband's mistress. Our feelings towards the mistress are bounced around too because she is quite happy to be a participant in the plot of deception she and the husband are engaged in, but then we find she herself becomes an unknowing target in the wife's plan of deception. The wife seems to have a fondness for knives (kitchen, gym props, and scalpels) and this gives the film a further degree of bite. Which of the 'friend or foe' feelings held by the wife will be triumphant by the end of this very fine film?

Never once was there a dull, uneventful moment during the film, "Black Ice". Finish director, Petri Kotwica successfully pieces together an exceptional, suspenseful, and riveting film about Saara, a middle-aged woman, seeking revenge on her cheating husband, Leo, an architect and professor, and Tuuli, the student and "girlfriend" of Leo. The ultimate question asked is, How far does one go to achieve revenge? Saara finds out about Leo's affair the evening of her birthday, and the next day goes to visit him at his office to find an e-mail from Tuuli, the young student Leo has a "relationship" with. Saara finds a picture of Tuuli and where she lives on the campus and immediately goes to find her and follow her, ending up at the karate class Tuuli instructs. Without much thought, Saara has joined the beginner's class and from this initial encounter, the two women form a seemingly strong relationship, although Saara has introduced herself to Tuuli as a Christa Ericcson, in attempt to cover up her true identity. As this relationship progresses, Leo is attempting to juggle his relationships with Tuuli and Christa, eventually leading to utter chaos and devastation in each of their lives.Throughout "Black Ice" director, Petri Kotwica, draws upon various themes throughout the film, such as infidelity, sex/gender, revenge, and betrayal. While each of these major ideas are constantly seen during the movie, the theme of betrayal seems to be emphasized, as it was the basis of many decisions each character made amidst the suspenseful events. Including Saara's discovery of her husbands affair, Leo ending his relationship with Tuuli, his flirtatious actions at the costume party, and Tuuli's realization of Christa's real identity, each of these moments and others depict the extent to which humans prioritize their needs and feelings before others regardless of the effect it has on the people around them. In congruence with the overarching theme of betrayal, the reoccurring idea of seeking revenge drives many of the events that end in betrayal. As Saara seeks revenge on Tuuli for sleeping with Leo, the seemingly strong and "true" friendship Saara (Christa) and Tuuli form is completely destroyed, leaving Tuuli amidst feelings of complete betrayal by Saara. The revenge and betrayal we witness in "Black Ice" constantly reminds the audience just how brutal humanity can be when people are stuck in extremely emotional states.The love triangle story line is a perfect situation to be able to explore humans in instances of revenge and betrayal. While Saara (Christa) is forming a strong connection to Tuuli, Saara'a love for Leo is back and fourth the more she learns about her husband's secrets, as Tuuli's love for Leo is crushed and slowly fades once he breaks up with her and then see's him at the costume party with other students. Leo attempts to juggle both of his relationships, eventually ending in betrayal by both of them. In comparison to Hollywood films, there is nothing quite like the love triangle depicted in "Black Ice".The plot was extremely interesting and had me on the edge of my seat the entire time, impatiently waiting to see what would happen next. The skillful use of foreshadowing by Kotwica gets the viewer guessing what will happen next, however the creative and unique plot made it so the unraveling of the events was always unexpected. Throughout the film, I never knew what was going to happen next, which carried the plot along enabling the suspenseful and thrilling scenes to build on each other, ultimately making the end of the film to leave the viewer in shock. The acting and story line was extremely well done and added to the element of suspense, but I think the music and sound effects used throughout the film that truly instilled suspenseful and thrilling feelings in me as the events unfolded. The music allows for the viewer to connect emotionally with what was happening on screen. For example, while Saara was stalking Tuuli in the beginning of the movie, from being in her residence hall on campus to following her as she rides her bike to the karate studio, the suspenseful, slightly creepy music made me feel as if I was stalking Tuuli as well. The connection the music creates with the audience and events on screen amplifies the emotional response the viewer has to each scene.Finish films being known for their tragic and devastating endings, "Black Ice" not only captures devastation in the end, but also a shock factor triggering much emotion that makes it a must see.

"I'm a psycho…psychologist", an eerie and ironic quote taken from the main character, Saara, in the dark and ever so strange love triangle story entangled in the film, Black Ice, written and directed by Petri Kotwica in 2007. Setting the stage for this dark and ominous film, Saara, a middle-aged gynecologist and supposedly happily married to her husband, Leo, says this peculiar quote the first time she meets her husbands apparent lover, Tuuli, after discovering intimate e-mails exchanged between her and Leo. Tuuli is a student of Leo's at an architecture school and is also a part time karate instructor, which Saara enrolls in order to do a little sleuthing of her own to see what kind of person the man she loves would cheat on her with. Throughout the karate class and unbeknownst to Leo, Saara takes on a new identity and becomes unexpectedly close friends with Tuuli, creating a complex web of half truths, lies, and deceit that puts viewers on the edge of their seat wondering when or if the intricate love triangle will come crashing down on Saara, Tuuli, and Leo.Black Ice undoubtedly contains fantastic acting and powerful performances by all three main characters, which is key to the film's underlying themes and extraordinary storyline. Saara, played by Outi Mäenpää, plays a fantastically curious wife trying to figure out why her seemingly "good" husband is having an affair with a young student, Tuuli. Tuuli, played by Ria Kataja, is a seemingly bright, eager, and caring young woman searching for love and affection and finds it with her architecture professor, Leo. Martti Suosalo plays the role of Leo, whom is "happily" married to Saara and pleads his love for her which is seen in the opening scene of the film when Leo tells Saara how content he is being with her and how eager he is to be with her, and only her. The reoccurring theme in Nordic film of infidelity is very prevalent in Black Ice, and in fact is at the center of the entire plot throughout the film. As stated above, Leo cheats on his wife, Saara, who is anything but happy when she finds out this daunting truth about her husband. To get "back" at Leo, Saara indulges in a one-night stand of her own, which only complicates things. Saara does this in retaliation to Leo's actions, and two wrongs definitely in this case don't make a right, but Leo is portrayed and lives up to the cliché that the man is the sole "bad guy" in situations like this one. This speaks to Petri Kotwica's writing and how he incorporates women as the "powerful" ones. Moreover, Saara and Tuuli are eventually seen throughout the movie as "equal". Kotwica develops both character's beautifully and has the patience to tell his story mainly through his fine actors and actresses, not through the film's images. For example, instead of Saara confronting Tuuli from the get go about the affair, the drawn out relationship between Saara and Tuuli gives the audience a sense of compassion and concern that women have for their most closest loved ones. This brings up another strong theme apparent in the film; love. It is obvious that Saara loves Leo and will go to great lengths to confirm one hundred percent that he indeed is cheating on her. The strong emotion of love can blind a person from the inevitable truth and can cause people involved to do things and act a certain way that is very different from who they truly are. This is seen when the film reveals that Saara has a strong urge to kill Leo's lover, Tuuli. Undoubtedly, this is not a normal thought for a prestigious and moral doctor such as Saara and definitely not a part of her daily life and personal values. Interestingly enough, the majority of the plot focuses on the relationship and the blooming love between Saara and Tuuli. In my opinion, an important underlying theme to note in Black Ice is the fact that under any circumstance, infidelity is wrong and can only end up badly for both parties. Leo learns the hard way that having an affair and cheating on your wife can only lead down a dark and lonely path to destruction. Being faithful to your spouse is of utmost importance, and anything short of being faithful is wrong and will inevitably lead to all parties involved being hurt. Overall, I felt that the movie accomplished the goal of keeping it's audience entertained and on the edge of their seat. Mixing in multiple relationships with fireworks and surprises at every turn, I would give this film a 9.5 out of 10. The strangeness of the love triangle is one that is very different from films in the Untied States, and I truly enjoyed the character's development and how all the pieces ended up fitting together in the dark, love twisted film of Black Ice.

European cinema, eh? Where would we be without it? Its reputation for stripping the central characters down to bare flesh (figuratively and literally) to probe their dark recesses won't be done any disservice by Musta Jää, that's for goddam sure. The reviews which pulled me into the cinema featured buzzwords such as "entertaining and thought-provoking", yet somehow I came away from this film feeling like I had myself been violated (and not in a good way). You'll know the basic plot from the other reviews, so lemme say why I don't think it works.First off, the protagonists are simply not credible. Look at Saara's character arc - from madly-in-love, 40-year-old respectable OBGYN to borderline nutjob near-divorcée who is happy to shtup (significantly younger) men and women alike. And for all her knowledge of psychology, she seems all too able to disassociate cause and effect - she wants her husband's girlfriend to "disappear", to "never have existed", even though it's clear the problem is not the existence of the girlfriend but the existence of the husband.And what is it with Leo? Played by 46 year old pock-faced, slack-buttocked actor Martti Suosalo, the guy is sold to us as prime slice of Finnish beefcake, irresistible to women dozens of years younger than him because he professes architecture at the local polytech. Am I the only one that has doubts here? Maybe so, as even Tuuli (the girlfriend, competently played by Ria Kataja) finds Leo "amazing" and openly embarks on a year-long affair with him (incidentally, of all the pork scenes in this movie, not once do we see her banging Leo - no complaints here). But Leo's just not that bright or charismatic to warrant the multiple women supposedly ensnared by him. Suasalo's low-rent-Gary-Oldman turn sells us a dumb schmoe who's unable to keep his pants on. What's so thought-provoking about that?Ultimately, though, the behaviour portrayed in this film is well worth a head-scratch or two. The threesome in this love triangle repeatedly bounce back towards one another in circumstances where each one of them should do a Paavo Nurmi and run a mile, yet Petri Kotwica doesn't really explore why they do this or offer any justification for it. They are just three spinning tops in a bowl, circling and clashing until each falls down - the demise of Leo seems unsurprising, totally justified and 90 minutes too late, and when Kotwica employs a deus ex machina to arrive at the only truly tense scene at the end of the movie (Tuuli under Saara's knife), the result seems contrived.Notwithstanding the beautiful scenery and haunting music, this is a difficult movie to recommend.