Divine Intervention (2002)
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
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It's not plot driven, OK; it's not a character study, fine; there's no action, alright; there's no point, hmmm...Maybe it's supposed to represent the boredom and absurdity of living in Palistine and parts of Israel these days in a state of violence, petty disagreements, deep rooted hostility, etc. But mostly it's long, long scenes of nothing happening - or things which look like they're dripping with meaning (a checkpoint tower crashing to the ground, an Arafat balloon floating into Jerusalem, a crouching tiger women deflecting bullets into a halo) but when you try to derive some meaning, there's no there there.Bonus: you can watch this film in fast forward and it will make absolutely no difference except that it might be slightly less boring.
'Divine Intervention' is not your average political commentary film. Although many may see it as "boring," it is in fact teeming with metaphors and symbols. Those who enjoy abstract art and are very familiar with the conflict and the region will find this movie a masterfully done work of art. If you prefer straight forward movies, i would suggest looking elsewhere. It is a bit choppy at the beginning, but in order to appreciate the movie, don't give up and watch the entirety of the film. The film smooths out, and more of the director's intentions and symbols become apparent. There are some very amusing scenes, and some that are painful to watch, but after all the movie is a commentary on love, pain, war and life.
To begin with: this is a very good movie. This is at least how I felt while watching it. It will satisfy you in multiple ways because it works on multiple layer. The one the was most present to me is the critical abstraction from everyday life in an occupied region. In conceptual an visual dense shots it deals with interpersonal communication under constant pressure. Later on the view is opened to the political dimension of interchange between the two (or one and a half) states. At the same time you will get emotionally involved with several person and there very own way of individual reception of the situation that eventually will lead to resistance. Interwoven with this is a symbolic discourse sometimes philosophic sometimes mere ironic, forcing the audience to think, to make there mind up on what they are seeing. This all is refined with a dark, omnipresent but deeply human humour. For me it worked.9 out of 10 and a strong recommendation to see it for all those who love cinema that keeps one thinking.
It is a difficult film to analyze. There are so many disconnected episodes. If the scenes are meant to be humorous, they are so subtle the humour escapes me. I am more aware of a feeling of frustration..of inactivity..of not being able to get things done. Not being an Arab or a Jew, I possibly see things differently...perhaps there is a funny side to senseless activities such as building a concrete wall and then smashing it down when it is solid.Greeting people in a friendly manner as you drive down a street and calling them the most abominable names under your breath is a form of humour I suppose...especially for the person involved. As for dumping garbage on a neighbour's property and then being upset when he chucks it back might be considered quirky humour.There is very little dialogue in this film, but much is made of the sound effects...the shoveling of wet concrete, the rattle of empty bottles. the sudden cessation of barking dogs. There is one character who says little but when he speaks he uses the number six in all his sentences. An interesting phenomenon for a psychiatrist but hardly hilarious.There is one scene I find more interesting, almost funny in fact. It concerns a red inflated party balloon with the head of Arafat printed on it. It floats about above the rooftops and is suddenly spied by soldiers at the checkpoint. They are so absorbed in the correct procedure to be followed that two lovers in a car go undetected through the checkpoint. This surely must be a strong case of divine intervention.There are a few interesting episodes with a degree of originality but equally there are some boring ones too when the characters remain static for far too long. If a sense of humour is required to provide a resolution of the long standing difficult Israeli-Palestinian relationship, I am afraid this film is not the one to do it.