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The Last Five Years

The Last Five Years (2015)

February. 13,2015
|
5.8
|
PG-13
| Drama Comedy Music Romance

In New York, a struggling actress and a successful writer sing about their failed marriage from two perspectives.

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Reviews

recruiterlady
2015/02/13

One of the best lyrics written for a musical. So emotional from the piano to the lyrics to the story itself and of course the acting from the brilliant Anna Kendrick and amazing Jeremy Jordan. That voice. I cried and watched it several times... and I am still hurting...Lyrics Spoiler below:Favorite Part: "Will you share your life with me (Forever.) For the next ten lifetimes? (Forever, Jamie...) For a million summers 'Til the world explodes, 'Til there's no one left Who has ever known us apart! There are so many dreams I need to see with you... There are so many years I need to be with you... I will never be complete I will never be alive-- I will never change the world Until I do."

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ree-bee103
2015/02/14

Having seen an amazing production of this in Auckland (Last Tapes Theatre Company), this much more expensive, full blown movie fell flat for me. I think Jason Robert Brown's musical was ultimately misunderstood here.The structure in the original is that they sing solo, him starting at the start, her at the end, they meet in the middle when they get married and share their only duet, and then spin off into solo again. Although "together", each is alone inside his/her own emotions, and although trying to connect, they constantly miss each other. Only when they are getting married and singing a duet are they really in sync. The movie muddled this by trying to have both him and her taking part in every song throughout. An acting challenge that failed :/ The best moments were when they were singing to no one in particular, for her it was "Jamie is over and Jamie is done" and for him "Hold on, the panic recedes". This was when the actors were finally allowed to perform the songs the way they were supposed to be performed.Basically, I thing the focus of each song is supposed to be on the subjective experience. But the movie missed this point, and tried to make every song mimic a real life conversation. This failed, although you could see how hard both actors were trying. The chemistry was very forced. Singing a conversation is awkward enough, but the lyrics are so deep and vulnerable, no one would say those things aloud. It was especially awkward when they were sung at his friends in a bar or at reporters at a party. Those poor extras on the receiving end of the songs didn't know what to do with themselves. The songs are meant to be confidante confessions to the audience, coming from deep within the characters, obviously not casual conversation. In general, the misunderstanding of the unique genre and structure of the original transformed The Last Five Years into a cringey, low-level musical. The original is actually more a song cycle, it has virtually no spoken dialogue, like an opera. And it creates the same height of emotion as opera does. Performed, even if the director lacks creativity to make it come alive believably, it should at least not distract us from the amazing poetry in the lyrics. But there was a lot of (really crappy) dialogue inserted, a lot of unnecessary shots of miscellaneous stuff that was really distracting during the singing. Instead of an incredibly powerful set of insights into how relationships dissolve, this was just another Hollywoody movie about guy meets girl. And what's sad is now the majority will think that that's what The Last Five Years is. But it's actually so much more than that! Having said that, no matter how badly adapted, I don't think The Last Five Years could ever suck, the score and text is just too amazing and this will shine through. And despite awkwardness, there were some really good moments from both him and her. I would recommend listening to the songs rather than watching this movie though, or better still, try and see it live.

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lyssboxer
2015/02/15

The Last 5 Years is a beautiful musical but when I discovered they were making it into a movie I was skeptical. I did not think that the set up of this musical would translate to screen very well. After all wouldn't the same story being told forward and backward simultaneously be confusing in a movie format? I'm proud to say that this movie proved me wrong. Anna Kendrick and Jeremy Jordan are brilliant as Cathy and Jamie. Their voices are phenomenal and were very fitting for this style of singing. There was a great amount of emotion in each of their performances. This truly helped in the telling of the story. I would definitely suggest this for fans of the movie musical genre. This is one that they are going to want to add to their collection.

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kurokotsu
2015/02/16

The Last Five Years is a sequel musical, coming after Songs for a New World; Which introduces these characters, and builds them up together. Songs for a New World, but, yet, was not given a movie adaptation. The main cast is comprised of two people, Anna Kendrick as Cathy Hiatt, and Jeremy Jordan as Jamie Wellerstein. There is no supporting cast to speak of, instead focused on these two characters. The Last Five Years is, as the title implies, about the last five years of something. In this case, it's a relationship.Anna Kendrick is the newer of the two actors here. She understands the character, a despairing and unsuccessful New York actress. She plays a normal, struggling woman dealing with a, to put it lightly, eccentric boyfriend/husband. Here, her personality is lost at moments, content to merely follow along on the pomp and parade that is her husband's life. There is a bit of a disconnect between them, song-wise. In the moments she is involved in his songs, she doesn't interact much. Part of this can be blamed on the character itself, but part is also in the emotions conveyed with lines, as well as a lack of the emotional conviction that would be expected of one in her circumstance.Her costar, Jeremy Jordan of Smash fame, does far better in his role. He takes cues from the original actor, it shows in his mannerisms and the odd voices he does. He can do the egomaniac writer well, he lives for such a big role and it's obvious. He flows between the varying emotional states and moods of the role, and it feels genuine. There's not much to be said about him, other than that it's a solid performance from a solid actor.The staging and editing is, as to be expected, quite good. One thing I have to bring up is the almost surreal attitude of the movie. In the beginning, we have scenes such as a choreographed dance number on a New York street, and a seemingly endless black hallway of ex- girlfriends. Later, when they continue on the worse aspects of the relationship, all traces of that are gone. It becomes very standard, almost, and upsets the tone in a way that may not have been intentional. This, combined with the use of saturation to differentiate the scenes, with emerald green grass in one moment and a nearly grey apartment the next, causes a disconnect within the movie itself. It feels disjointed in multiple ways, due to all of the tonal and artistic shifts.The original writer was involved in the creation, as was the initial female lead who kept the pace going from behind the scenes. The biggest issue is an understanding of pacing, given how the source material bounces around. The storytelling is meant to be opposed. The woman, Cathy, her story is started at the end of the relationship. It rewinds, every other songs, to the very beginning of their relationship over the course of the movie. The male lead, Jamie, his story starts at the beginning. With his relationship to her, and then following to the conclusion we already know from her story. The two don't share songs except for brief moments, usually. They share screen time, but nothing else. The last song, as he says goodbye and she meets him, is one of two times they both sing in the same song. The other time is right smack dab in the middle of the movie, where he proposes to her. As such, it is very difficult to get a feel for their chemistry. It causes issues with knowing where exactly you're at, relying on the musical narrative with no outside aid.Overall, it's a solidly average movie. Not perfect, not horrid. The chemistry they share, for how hard it can be to measure, is the best thing holding it together, followed by Jeremy Jordan's portrayal of his character. I can recommend seeing it, if only to experience the story and the different attitudes present throughout. You can laugh and cry and feel the movie tug at your heartstrings when it wants to, which is the most you can ask for from any musical.

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