Two Lives (2012)

I stumbled across this whilst looking for German language films and although it's mostly in Norwegian, I still had to watch because the plot sounded fascinating.I thought I had it all figured out from the beginning and that I knew exactly how it would end. I was wrong.When dealing with conspiracies and far-fetched seeming events, the best way to go about it is with subtlety and understatement. Juliane Köhler as the lead 'Katrine', manages to portray the urgency, danger and horror of the situation whilst still being sympathetic. I honestly didn't know who to feel most sorry for by the end of it all.The only criticism I have (and hence why not 10/10), is that I would have liked to have seen more of the family and how they subsequently dealt with the tragic revelations.I'm very glad I watched this and it's an easy recommendation from me.9/10

I saw the movie on Netflix and it was much more than I expected. The suspense was riveting.The acting is superb and the plot development is taut.It is also interesting from an historical standpoint, because it deals with some very painful topics that are often avoided, especially by those most closely impacted by them. Some reviews say the plot is not believable. They are in denial, because unfortunately, it is very much grounded in the reality of the unwanted war babies of collaborators and a very active espionage network run by the Stasi.One of the scenes shows Vera learning to decode messages from a numbers station. I lived in Germany in the late 70's and heard the broadcasts of number after number. When I asked my coworkers about this strange station on the AM dial they explained the purpose to me.If you understand just how plausible the premise of this movie is, you will appreciate all of its chilling and haunting emotional brutality.

The acting in TWO LIVES is top notch, not to mention the beautiful Liv Ulmann playing-get this-a great-grandmother superbly. The film is based on true events; i.e., the Nazi taking of Nordic infants to replenish Aryan blood with the post-war pack of returned children infiltrated with communist spies. The best scenes are in the middle of the film when we squirm and cringe watching Juliene Krohler struggling to keep her deception afloat. Sven Nodrin is also great as the husband suspending disbelief to keep his marriage afloat. Notwithstanding, the attempts to persuade us to forgive Katrine's deceit arrive too late in the film and the violence at the end, in hindsight, appears unnecessary to achieve TWO LIVES' ends. More tragic effect is actually achieved by the scene of Ullmann's empty eyes staring through the window. I forgive the shortcomings at the end of the movie, however, for the suspense and intrigue generated.

A tight, clever and well done drama based on similar true events, as much a a psychological thriller which is not difficult to recommend. Straight away I got the same feeling as when I saw the German Oscar winning film Das leben der Anderen (The life of others) back in 2006. And this Norwegian/German story has similar elements in some ways, though not to be exaggerated, with consequences going back to when the Berlin wall fell, in this great casted movie which has managed to make Liv Ullmann making a comeback.In a thriller-like manner we follow a woman in 1990 hiding her identity before going into a children's home archives in Germany in search of a secret. Then we jump to Norway, two weeks earlier to find out why this search has started, then understanding the woman is a German with a family living in Norway. We watch her being confronted with old memories, when a lawyer with German accent approaches her at work, wanting her to participate in a lawsuit regarding the so called Lebensborn-kids deported to Germany due to them having a German father during the second world war. The trouble is that she has a secret history in her life, which now is threatening to surface...Lebensborn is a dark page in the past war history. During the second world war many German soldiers had relationships to Norwegian women. The women was called German-whores due to the hard feeling between the two countries in war. Due to Nazi ideology the children of these relationships was seen upon as extremely valuable, as pure aryan raced kids. Lebensborn was forced adoptions of these small "children of shame" during and after the occupation, bringing them to Germany as orphans, losing their parents. This story is based in these tragic destinies.The film keeps interest way through, and is well acted and directed. A strong story making lives difficult several decades later.