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Multi-Facial

Multi-Facial (1995)

July. 01,1995
|
7.5
| Drama

Through a series of auditions, a young actor in New York City struggles with his identity.

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Reviews

madeba
1995/07/01

It's always interesting to see glimpses of stars before they were household names. Playing the role of casting director, I try to spot something that might indicate their massive potential, or alternatively, that they've grown a lot in their ability since then. In the case of Multifacial, Vin Diesel's self-penned and semi-autobiographical short, it is clear that this actor is going places.There is something undeniably compelling about him. I first noticed him in the supporting role in Boiler Room, primarily for his voice. There's that deep gravelly tone that demands your attention. Couple that with his powerful physicality and you can see that this guy just needs the right role to exploit his talents. And where the Lundgrens and Rocks of Hollywood offer similar packages, Diesel brings an unquestionable intellect and vulnerability to the screen to set himself apart. Multifacial teaches 3 things:One - a simply shot film (ie: cheap) can still make an impact, providing the story is engaging. Two - if the storyline feels "doccie", economical and imperfect shots actually help give cred to the film. Three - If an unknown actor is talented, even a tiny low budget short can garner the attention of the biggest player in Hollywood.Evidently that's what Spielberg thought, as he contacted Diesel on the strength of this - check it out for a good chuckle, a glimpse of Diesel's comedic ability, and the star's take on the experience, looking back on it now.

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personguyman
1995/07/02

This short was everything people told me it was going to be. I love Vin Diesel and anybody who loves him, and people who don't should see this. The people who love him should see the work that inspired speilberg (sp) to wrtite him into Saving Private Ryan and the people who think that he's a bad actor should see this just to eat there words. Oh, and just as an added little bonus, if you see this, you also get to see vin rap, :). All in all, a highly recomended movie. 10/10

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Auntikrist
1995/07/03

I've watched Multifacial many times, and I am always pleased to still find acting moments that interest or amuse me in the film. Vin Diesel's physicality is arresting, pleasing and fluid. His voice is a marvelous instrument that covers a broad vocal range, while the deeper notes can hypnotize any unwary female.I've seen him in other films and continue to look for those moments that capture my attention and rivet me to the screen whenever he appears.Right now Mr. Diesel invests his energy in the world of Action Heros that he admired so much in his childhood. I am hoping he will soon outgrow the genre and return to more serious acting and to the portrayals of complicated characters like Mike in Multifacial, that I feel sure he can accomplish.

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SickMonkey
1995/07/04

You know, before I got the chance to see "Multi-Facial," I knew of Vin Diesel only as the big Italian guy from "Saving Private Ryan" that got killed about 30 minutes into the movie--I was never too impressed. But after seeing this short, which Diesel wrote and directed, I was overcome with a new-found respect. This is simply one of the most touching, profound, and well-produced short films in the course of American film in the last 10 years or so. The acting is superb--Diesel goes above and WAY beyond the token ethnic he portrayed in the otherwise WASPish SPR. While watching this however, we get the feeling that this is more than just an entertaining story about a lost soul, searching for an identity (which others are more than willing to give), this is in fact a piece of Diesel himself, immortalized in film. I also watched some director's commentary afterwards and was amazed at the depth and intelligence possessed by this man. Do yourself a favor, and stay away from his shallower, mainstream work like SPR and the upcoming "Boiler Room," et al. If you watch this, you will be convinced of two things: 1) Vin Diesel will always have work in Hollywood, and 2) American short film is still alive.

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