The Young, the Evil and the Savage (1968)

One of the earlier gialli and originally helmed by Mario Bava. Some signs of this remain with the interior colours and particularly a couple of brief fantasy light exteriors but on the whole this does not have the mark of the great man. His tendency for humour is here but does not work well because of the way it has been handled. So, we have a select school for girls and because most girls are away with their parents, we only get about six of them and a similar number of teachers and ground staff. There is much murderous action from the very start but although this is kept up well throughout, it is rather sexless and bloodless. Not entirely though and there is enough varied and colourful action to amuse and entertain. Much and many are the twists and red herrings and gladly the eventual revealing is well done and relevant, probably providing one of the film's best sequences.

While this is quite a popular giallo – thanks largely to its sensationalistic title and the fact that the film was originally conceived, as CRY NIGHTMARE, by Mario Bava – its reputation is rather mixed and, having watched the thing for myself, with good reason! Not only is there barely any nudity (with the violence being similarly tame!) but the plot itself – despite the much-used girl-college setting (among the picture's myriad alternate titles are SCHOOLGIRL KILLER and THE MINISKIRT MURDERS!) – is fairly weak…references to Alfred Hithcock's PSYCHO [1960] and Bava's own THE GIRL WHO KNEW TOO MUCH [1963] notwithstanding or, for that matter, its own affinity with another far superior effort from Margheriti himself, SEVEN DEATHS IN THE CAT'S EYE [1973], and Dario Argento's PHENOMENA [1984])! Besides, the whole giallo atmosphere is further nipped in the bud with an overwhelming light touch courtesy of a vivacious girl student who fancies herself a sleuth! Of course, the script supplies plenty of red herrings – with at least three characters made out to be the possible killer – but the revelation at the climax brings little surprise (while admittedly effectively handled); the attempted murder at the pool, however, is simply ludicrous. The film is nevertheless good-looking, features a kitschy score by Carlo Savina (shamelessly borrowing the instantly-recognizable riff from Neal Hefti's "Batman" theme!) and a reasonable cast – including ex-Hollywood leading-men Mark Damon and a rapidly-aged Michael Rennie (as the Police Inspector on the case), Luciano Pigozzi (the Italian Peter Lorre as the school's peeping-tom caretaker i.e. the type of role he could play in his sleep) and, it goes without saying, a bevy of attractive females, on both the student and teacher fronts – a lesbian undertone is even implied in the relationship between the middle-aged headmistress and her young assistant and a newly-arrived teacher sports androgynous features! – but especially put-upon heroine Eleonora Brown (who had actually been Sophia Loren's victimized daughter in Vittorio De Sica's award-winning TWO WOMEN [1960]!).

Titles can be misleading. Antonio Margheriti's "Nude... Si Muore" (aka. "Naked You Die"/"Schoolgirl Killer") is NOT the exploitative and blood-soaked Giallo full of sleaze and nudity one might expect from its title. Sure, the film was made in 1968, at which time the Italian Giallo had not reached the sleaze and violence level it obtained in the early 70s, but the title "Naked You Die" still promises nastiness, especially in the wonderful Giallo-genre. What "Nude... Si Muore" is, however, is a superbly set, beautifully shot and atmospheric Giallo that sets its focus on the mystery, more than on the Horror elements. Yet I cannot deny that the film did just not quite reach my (very high) expectations. For two reasons, that is. First off, I am a great fan of the late genius director Antonio Margheriti. His brilliant Gothic masterpiece "Danza Macabra" (aka. "Castle Of Blood", 1964, with the wonderful Barbara Steele, my favorite actress, in the lead) is a personal favorite of mine, and many of his other films, such as "La Vergine Di Norimberga" ("Terror Castle", 1963) are also excellent films that every Horror fan must see. Secondly, this film was recommended to me by a fellow Giallo-buff as being particularly great and atmospheric. And atmospheric it is, and doubtlessly a very good thriller, but, as far as I am considered it is not a particularly impressive film within my beloved Giallo-sub-genre.A posh boarding school for girls from rich families is being stalked by a killer. Several new teachers have arrived, and, naturally, everybody is a suspect... The performances are quite good, the cast includes well known faces for fans of Italian genre-cinema, such as Mark Damon ("I Tre Volti Della Paura") and regular cult-cinema actor Luciano Pigozzi, who, among many other films, often had supporting roles in Mario Bava's films. Beautiful Elonora Brown stars in the lead, sadly it is the last role the then 20-year-old actress has played up to date. The girls are entirety pretty, and I also found the actresses' performances quite good. The film's most memorable qualities are the superb and beautiful setting and ingenious camera work, intensified by a funky and great score by Carlo Savina. What (slightly) annoyed me at times was the constant attempt of bringing in (very cheesy) humor. Also, the mystery part could have been a little more complex. Overall, "Nude... Si Muore" has some flaws, but it is supremely shot, highly atmospheric and very entertaining, and a film that my fellow Giallo-buffs should enjoy. Recommended.

Italian horror flick. Feels and looks like 60s American drive-in fare. Maybe racy in 1968, but viewing now...the thrill is gone. This macabre tail of murder is set at St. Hilda's School for Girls; and it seems being very good looking was ranked high on the entrance exam. Inspector Durand(Michael Rennie)has his suspects: a peeping tom(Luciano Pigozzi), a handsome playboy riding instructor(Mark Damon); and a swim teacher(Giovanni Di Benedetto). Is Durand on the right track; or will the school girl killer be the least expected? Photography is vivid and crisp. Other players include: Eleonora Brown, Sally Smith, Patrizia Valturri and Vivian Stapleton.