White Collar Blues (1975)

Fantozzi is the first step in a long journey of movie that spanned over almost 3 decades. While the more and more the journey proceed, the authors seems to lose a the inspiration and the grip over the story and the peace of the comedy, the first two movies in this installment are a true masterpiece for the Italian culture. As a guy born in Italy in the early 80' I can understand the background and how this movie was somehow a portrait (of course exasperated) of a certain corporate mentality made of cowardice toward the powers and servile attitudes. All the ridiculous adventure of Mr Fantozzi are indeed a description of a desperate and unsuccessful attempt of a middle class man to rise in the society. There is more than it can be written about the Fantozzi series but something has to be said in advance: I can understand if a for a non-Italian this comedy might not be look particularly fun. It is indeed an Italian phenomenon, hard to explain if you have not the right background. I think also that to really appreciate this movie you should be fluent in Italian because most of the fun is lost in translation.

Despite the absence of an actual plot (the movie is more or less a sequence of sketches), Fantozzi is probably the last hooray of the Italian-style Comedy. Sure, the general tone is much lighter if compared to classic Italian-style Comedies, but nonetheless the fire of a merciless socio-cultural criticism still burns under the see-through veil of the farce.Accountant Ugo Fantozzi embodies every possible stereotype of your Average middle-class Italian of the 70s. Stuck in a frustrating job, exploited and made fun of by his coworkers, designated victim of his bosses, unhappy and disheartened family man (married to an unbelievably ugly and dull wife, and with a simian daughter), he always seems to draw the shortest straw. No matter what he does, and how hard he tries, Lady Luck will always turn her back on him. Better if after having given him some hope.But mind you, behind all the improbable situations and the over-the-top comedy stuff, the message is indeed deeper. Everything Fantozzi wishes for is the so-called Italian Dream: after the economical boom of the late 50s, every Italian dreamt about landing a good 9-to-5 job, buying himself a house and a car, living a nice and quiet family life with summer holidays, plenty of hobbies etc. And, should things have gone very well, maybe a mistress too...Instead, poor Fantozzi is stuck in a rut: he has a second-rate version of all of that... And the more he tries to attain "happiness", the worse it ends.Clearly, the comedy aspect is prominent, and the movie is also enjoyable for its slapstick comedy, for its sketches and for its caricatural portrait of Italian lower/middle-class. But once the funny parts are an "acquired taste", you can see past it and the sadness of the characters appears, offering a whole new dimension to the movie.In origin Fantozzi was a literary character, created by Paolo Villaggio himself (who'll star as Fantozzi in all the subsequent movies), and on the written page the social criticism was much heavier. The cinematic version made the satire more enjoyable, probably less sharp, but for sure not less noticeable.In the end, Fantozzi is a classic of Italian Comedy, and has had a long-lasting impact on Italian language, comedy and society. Every single character, quote and episode is well known in Italy and can easily be "recycled" in everyday's life, even 35 odds years after its original creation.Had it been "just another silly comedy", it wouldn't had the same impact.The only real downside of the movie, and of the whole saga, is you have to watch it in Italian, possibly understanding the language to a decent degree. Otherwise many jokes and situations will go over your head

It's not the plot, there isn't. It's not the human depth of the character, there isn't. It's the way Paolo Villaggio's voice-over narrates the events. The tone, the rhythm, the dramatic accent on absolutely secondary details. I guess everyone has a friend who's unbeatable in telling stories, the guy who makes the whole local bar or pub laugh for hours upon rather simple anecdotes. Villaggio's of that kind. You listen to him simply because he's so good at it. And for what he did to Italian language, he's second only to Dante Alighieri. Whith his linguistic inventions he totally renewed the way we speak. There is not a single line from his earlier movies which hasn't become of common use. Pure genius.

It's true, Fantozzi is such a cult in Italy that unless you've actually watched at least one movie you're going to miss most jokes by your fellow Italian as at least three out of ten are related to a fantozzi movie somehow:) if you're unlucky or clumsy you are 'fantozzi' and people can pretend to be fantozzi's boss: 'fantozzi, is it you'? One of fantozzi's most popular answers (usually to his boss's magnanimous decision to move him to the basement and increase his shifts from 5 to 8) is to say: "Thank you you are so human" so every time anybody says something evil or mean you can reply jokingly and say 'you're so human':) also his name is hilariously and constantly misspelled 'fantocci' 'bambocci' etc.but unless you know the fantozzi quotes you won't get the gist of it and you'll be lost to most other who watched the movie(s) lots of times..enjoy!