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Dangerous Beauty

Dangerous Beauty (1998)

February. 20,1998
|
7.1
|
R
| Drama Romance

Veronica is brilliant, gifted and beautiful, but the handsome aristocrat she loves, Marco Venier, cannot marry her because she is penniless and of questionable family. So Veronica's mother, Paola, teaches her to become a courtesan, one of the exotic companions favored by the richest and most powerful Venetian men. Veronica courageously uses her charms to change destiny -- and to give herself a chance at true love.

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Reviews

Tim Johnson
1998/02/20

I loved everything about the movie except the terrible soundtrack; the music was a definite detraction from the action on the screen. Admittedly, I saw this film on TV last night and I enjoyed everything about the film besides the musical background.I thought, as did other commentators, that the historical epic blossomed fully, the costumes, the physical settings and the sprinkling of real historical figures: how many films are produced with the personage of the Venetian Doge sitting amongst his Senators and other governmental officials. Given contemporary schooling, this could easily be the last generation for decades that would ever know about Venetian Doges or about the Ottoman attack on Malta and its importance to European history or what the Inquisition was all about.The film was a delicious compendium of choice morsels of historical dishes that allowed the viewer to leave the TV table well satisfied.

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phoenixpanzer
1998/02/21

Film is great,but the most brilliant because of Catherine McCormack.Beautiful woman in here.If you want to see the portrait of what woman must be-you can see it in this film.Despite all the troubles and many forced lovers - she remains been in love with one man truly.Amazing dialogues all through the movie.I don't understand why this film so underrated,it's the most passionate film in this genre.And very truthful:for example,a moment when Maffio suggest's to Veronica spend night with him and she says - "No"...because the most wonderful women spend time with powerful men(laws of real life).Funny thing in the film- connection with "BraveHeart", noticed in inquisition line: the role of magistrate acted by one actor in both films.Great film,great times. 10 of 10.

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Claudio Carvalho
1998/02/22

In 1583, Venice is the richest and most decadent city in Europe and its women are treated like property and few even knew how to read. The youth and witty Veronica Franco (Catherine McCormack) and the wealthy Marco Venier (Rufus Sewell), who is the brother of her best friend Beatrice (Moira Kelly), are in love for each other, but her mother can not afford the dowry for their marriage. When Marco tells Veronica that they can not marry to each other because he should have a marriage of state and his parents would oppose due to their social differences, Veronica's mother Paola Franco (Jacqueline Bisset) tells her heartbroken daughter that she was a courtesan in the past, and now Veronica shall learn how to be a courtesan to support the family. The poetess Veronica becomes the most famous courtesan in Venice, loved by the powerful elite except Marcos. When the Turks threaten Cyprus, Veronica spends the night with King Henry (Jake Weber) and he gives the necessary ships to protect Cyprus. When the Inquisition comes to Venice, she is accused of witchcraft by the Church."Dangerous Beauty" is one of the most beautiful love stories I have ever seen, and based on a true story. Catherine McCormack is extremely gorgeous and this is probably her best role along her career, with a stunning performance. This movie is quite perfect, with a wonderful story, excellent screenplay, magnificent direction, witty dialogs, a fantastic cast and awesome cinematography, set decoration and costumes in the environment of Venice in the Sixteenth Century. It is impressive how this movie excited me with the most different emotions and I have just included it in my list of favorites. My vote is ten.Title (Brazil): "Em Luta Pelo Amor" ("In Fight for Love")

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S.R. Dipaling
1998/02/23

I'll confess(no pun to those who've already sen the movie)that my knowledge on the subject matter that this movie culls from,particularly the novel by MArgaret Rosenthal,is somewhat slight. I saw this movie first over ten years ago in the theater powered almost entirely on the fact that it starred Catherine McCormack, an actress whom I'd become mildly curious and fascinated (maybe even enamored) with from her short but affecting role as Mel Gibson's ill-fated wife in "Braveheart". I decided to buy a cheap copy of the film years later and just recently re-watched the film,not only to see her again but also give this movie's whole structure a chance to impress upon me again. Re-watching had me re-appraising this film.McCormack's Veronica Franco,a 16th Century learned Courtesan is a vision as a transformation from shy,lovestruck Venetian local to bright,gifted and dutiful servicer to men's desires. Her relationship with the dashing,noble soldier-senator Marco(Rufus Sewell),may lack in anything unique but makes up for in zesty,passionate interplay. The rise and fall of Veronica is almost exactly parallel to the fortunes of her native Venice,and when plague befalls the province,the ire and holy wrath of inquisition makes her an easy target. This film is lushly,lavishly filmed and,as such,is a veritable feast for the eyes. However(and perhaps I'm telling too much about my own film prejudices and cynicism but...)the conflict of love over expediency,the message of women's place in society and the largely dark shadow that the Roman Catholic church fells upon society seem so commonplace that it makes this film seem almost pedantic and preachy. Also,the friction between Franco and Maffio Venier(Oliver Platt,who is as professional and game as ever here),Marco's cousin and resident courtier,seems somewhat forced,while the conflict between Veronica and MArco's frigid and callow wife(NAomi Watts,nearly unrecognizable!)is left woefully underdeveloped and one-note. Ditto for the friendship between the title character and her warm but non-enterprising friend Beatrice(Moira Kelly).Overall,the story and product looks and feels great,it just feels like much of the detail and credibility is sacrificed to create a movie that wants to be both inspiring AND erotic,and just able to pull that off. Director Marshall Hershkowitz does a decent job capturing all the sights and sounds to give it the rich emotional as well as visual feel for the era. McCormack's presence(and to a lesser degree Sewell's,Pratt's and Fred Ward's as the Venier's Uncle who takes a great deal of liking to VEronica)elevates this from a mere pedestrian "bodice-ripper" to something that has emotion and sensuality. This film further re-enforces my enjoyment of her presence in movies and my wish to see Miss McCormack in more films.A good film that wanted to be great. HAving said all that,I still find this worthy of another look(or looks).

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